Tag Archives: Arts & Literature

Reviews: ‘The Week In Art’

This week: as the UN’s climate emergency summit, Cop27, continues in Egypt, Ben Luke talks to Louisa Buck, The Art Newspaper’s contemporary art correspondent—and the author of our online column about art and climate change—about international art initiatives responding to the crisis.

Kaywin Feldman, the director of the National Gallery of Art (NGA) in Washington, DC, tells us about the museum’s new $10m endowment fund for purchases of works by women artists. The historic gift, from the family of the gallery’s first female president, Victoria P. Sant, will help the NGA fill gaps in its collection.

And this episode’s Work of the Week is Mother with Child on her Arm, Nude II (1906) by the German painter Paula Modersohn-Becker. The work is a highlight of Making Modernism, a show of German women artists that opens this weekend at the Royal Academy in London.

The exhibition’s curator, Dorothy Price, discusses this late painting in Modersohn-Becker’s short but productive life.Making Modernism: Paula Modersohn-Becker, Käthe Kollwitz, Gabriele Münter and Marianne Werefkin, Royal Academy of Arts, London, 12 November-12 February 2023. Hosted on Acast. See acast.com/privacy for more information.

Canada Views: The Walrus Magazine – December 2022

The Walrus – December 2022 Issue:

Will John Irving’s The Last Chairlift Stand the Test of Time?

For decades, the celebrated author ruled the public’s imagination. But times change—how will he be read now?

Is There Such a Thing as a Universal Human Experience? Author Marie-Claire Blais Says Yes

In her new novel, Songs for Angel, Blais proves that the twenty-first-century heir to modernism is a francophone octogenarian living in Florida

Previews: Times Literary Supplement – Nov 11, 2022

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This week’s @TheTLS , featuring Anna Reid on Zelensky; @pwilcken on a divided Brazil; @james_waddell on manuscript collectors; @LamornaAsh on Tammy Faye; @LinahAlsaafin on Qatar; and Peter Thonemann on how Herodotus would fare in today’s academic job market … – and more.

Abstract Art: ‘Collage’ By Willem De Kooning (1950)

Sotheby’s – Head of contemporary Art, David Galperin reflects upon how Willem De Kooning makes the impossible possible in Collage (1950) one of De Kooning’s most pivotal abstract paintings, which has been in the private hands for more than seven decades. Undoubtedly, Collage is a key painting within De Kooning’s color abstraction series, marking the beginning of a style that would define his work for decades to come.

Willem de Kooning was a Dutch-American abstract expressionist artist. He was born in Rotterdam and moved to the United States in 1926, becoming an American citizen in 1962. In 1943, he married painter Elaine Fried.

Artists: Georgy Kurasov’s ‘Vibrant Geometrics’

Abstract Figurative Paintings by Georgy Kurasov

He distorts human figures by breaking them up into geometric shapes and planes.

Abstract Figurative Paintings by Georgy Kurasov

These abstract compositions are united by the Cubist style and vibrant color palette.

Georgy Kurasov was born in 1958 in the USSR, in what was then Leningrad. He still lives and works in the same place, but now the country is Russia and the city is called St Petersburg. Without any effort on his part whatsoever, Georgy seems to have emigrated from one surreal country to another.

Read a review of the artist here

Website

Preview: London Review Of Books – Nov 17, 2022

London Review of Books (LRB) – November 17, 2022:

In the Photic Zone: Flower Animals

Life on the Rocks by Juli Berwald.

While there are many different sorts of Anthozoa, their basic unit is a polyp: an individual soft flower-animal similar to an anemone. While anemones are solitary, in corals these polyps band together to form colonies. As they grow, they build a skeleton of limestone around themselves, drawing calcium and carbon molecules from the seawater. They also draw in carbon dioxide to feed their resident algae. Over time these skeletons accumulate upwards and outwards. Corals build on their predecessors, leaving their own legacy behind them for the next generation. Reefs are, in part, the frozen exuberant bouquets of the past.

Previews: The New Yorker Magazine – Nov 14, 2022

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The New Yorker – Inside the November 14, 2022 Issue:

The Case Against the Twitter Apology

A man making a note from paper scraps spelling out "Sorry."

Our twenty-first-century culture of performed remorse has become a sorry spectacle.

Emma Thompson’s Third Act

A series of portraits of Emma Thompson, photographed by Chris Levine.

The actress and screenwriter takes on a musical.

Do We Have the History of Native Americans Backward?

A portrait of Thayendanegea, painted in London, in 1785, by Gilbert Stuart.

They dominated far longer than they were dominated, and, a new book contends, shaped the United States in profound ways.

Covers: World Literature Today – Nov/Dec 2022

Current Issue

November/December2022

In a wide-ranging conversation that headlines World Literature Today’s November issue, we celebrate Ada Limón being named the 24th Poet Laureate Consultant in Poetry to the Library of Congress.

Singing Back to the World: A Conversation with US Poet Laureate Ada Limón

by Chard deNiord

With your latest passport to great reading, the editors are also excited to launch an ambitious new editorial initiative to offer a greater number of shorter pieces to help further diversify the magazine’s coverage and facilitate reader engagement from a wider variety of cultural angles. Through literature, music, film, food, and art, WLT is finding more ways than ever to connect you to the global cultural landscape of the 21st century.