The New Yorker (February 5, 2024): The new issue‘s cover featuresNicholas Konrad’s “Online Profile” – The magazine celebrates its ninety-ninth anniversary..
When Golden was a young curator in the nineties, her shows, centering Black artists, were unprecedented. Today, those artists are the stars of the art market.
Baruch Spinoza and the Art of Thinking in Dangerous Times
The philosopher was a champion of political and intellectual freedom, but he had no interest in being a martyr. Instead, he shows us how prudence and boldness can go hand in hand.
We Are Free to Change the World: Hannah Arendt’s Lessons in Love and Disobedience By Lyndsey Stonebridge
When Hannah Arendt looked at the man wearing an ill-fitting suit in the bulletproof dock inside a Jerusalem courtroom in 1961, she saw something different from everybody else. The prosecution, writes Lyndsey Stonebridge, ‘saw an ancient crime in modern garb, and portrayed Eichmann as the latest monster in the long history of anti-Semitism who had simply used novel methods to take hatred for Jews to a new level’. Arendt thought otherwise.
Hardy Women: Mother, Sisters, Wives, Muses By Paula Byrne
The title of Paula Byrne’s Hardy Women is a pun on Thomas Hardy’s name and a gesture to the enthusiasm that greeted Hardy’s fictional women. Bathsheba Everdene in Far from the Madding Crowd, Tess Durbeyfield in Tess of the d’Urbervilles and Sue Bridehead in Jude the Obscure were new kinds of women, and Hardy’s fame, which was immense and began with the publication of Far from the Madding Crowd, rested to a large extent on the heroines he created. One young reader wrote to him of Tess, ‘I wonder at your complete understanding of a woman’s soul.’ Hardy’s discontented wife Emma wondered at it too. She observed, ‘He understands only the women he invents – the others not at all.’
Aesthetica Magazine (February 2, 2024) – The February/March 2024 issue features ‘Perception is Everything’. This issue recognises agents of change. Throughout history, art has influenced societies, challenged norms, questioned the status quo, raised awareness and prompted new perspectives.
The artists in this issue embody this notion. We speak with Tania Franco Klein about her distinct style, which is realised through cinematic photographs. She surveys present-day anxieties and effects of media overstimulation. Meanwhile, Cristóbal Ascencio’s work and research focuses on the relationship between images and memory. He looks at how experience can be appropriated between generations. Kaya & Blank is a photographic duo that explores the way that humans inhabit the world, pushing the boundaries of how reality is presented. Tara Donovan, featured in When Forms Come Alive, opening at the Hayward Gallery, London, this winter, is one of 21 artists in an exhibition that reclaims space in an increasingly digitised world. It spans 60 years of contemporary sculpture and shows works that trigger a physical response.
In photography we traverse continents with an extraordinary range of practitioners, including Derrick O. Boateng, Ibai Acevedo, Jonathan Knowles, Tom Hegen and Neil Burnell. Our cover duo, Tropico Photo, offers pop colours and urban cool. Finally, the Last Words go to Yannis Davy Guibinga.
London Review of Books (LRB) – February 1, 2024: The latest issue features Origins of the Gay Novel; Protest, what is it good for?; Poems of Enheduana; Caspar David Friedrich, Israel’s War and more….
Country Life Magazine – January 30, 2024: The latest issue features How British Rivers Got Their Name; Where to find a really wild man; Miniature collecting and more…
‘Still glides the Stream, and shall for ever glide’
From the Piddle and the Polly to the Yox and the Yeo, the meanings behind the namesof Britain’s rivers run deep, as Vicky Liddell discovers
Call of the wild
The protective, stick-wielding Wild Man that strides through much medieval art has taken on fresh meaning in recent times, reveals Susan Owens
Chainsaw gardening
Taking a blade to our gardens may seem drastic, but a severe pruning sometimes leaves plants and trees in better health, suggests Charles Quest-Ritson
There is wonder in the little things
Huon Mallalieu puts miniatures under the microscope and finds a world of small marvels celebrating power, loyalty and love
Allan Mallinson’s favourite painting
The military historian chooses a moving First World War scene
Murder most pitiful
John Goodall investigates the dramatic events that shaped the history of 18th-century Gilmerton House in Lothian
The devil makes work for idle hands
As dedicated craftspeople fashion a revival in the art of needlepoint, Matthew Dennison can see a pattern emerging
‘Full of a watchful intentness’
John Lewis-Stempel embraces the ‘faerie enchantment’ of the heath as he visits the inspiration for a classic Thomas Hardy novel
Interiors
Matthew Dennison celebrates the Soane chimneypiece that is still hot property after 200 years and Amelia Thorpe’s selections keep the home fires burning
Lord of the rings
Ben Lerwill meets Simon Turner, an arboreal artist who creates wonderful ceramics using the contours and curves of trees
Luxury
Hetty Lintell on high fashion in the Highlands, switching off the stress and astonishing rubies, plus some of McFly drummer Harry Judd’s favourite things
Kitchen garden cook
Melanie Johnson knows her onions, giving an understated kitchen staple a starring role
Ireland’s call
The well-oiled Ireland winning machine can repel France’s strength in depth to retain rugby’s Six Nations Championship, argues Owain Jones
Apollo Magazine(January 29, 2024): The new February 2024 issue features ‘Giants of Indian Miniature Painting’; The Crisis in Italian Paintings and more…
• Holidaying with the Habsburgs
• An interview with Julie Mehretu
• The crisis in Italian museums
• Howard Hodgkin’s Indian miniatures
Plus: Slim pickings for foodies on Valentine’s Day, Parma’s monumental museum complex, and – and reviews of Impressionists on paper, experimental art in the Eastern bloc, and Africa and Byzantium at the Met
The New Yorker (January 29, 2024): The new issue‘s cover featuresSarula Bao’s “Lunar New Year” – The artist depicts the joys of gathering with loved ones, around a table of good food
As the general manager of the Jay Peak ski resort, Bill Stenger rose most days around 6 a.m. and arrived at the slopes before seven. He’d check in with his head snowmaker and the ski-patrol staff, visit the two hotels on the property, and chat with the maintenance workers, the lift operators, the food-and-beverage manager, and the ski-school instructors—a kind of management through constant motion. Stenger is seventy-five, with white hair, wire-rimmed reading glasses, and a sturdy physique that makes him look built for fuzzy sweaters.
The Perverse Policies That Fuel Wildfires
We thought we could master nature, but we were playing with fire.
With elections postponed and no end to the war with Russia in sight, Volodymyr Zelensky and his political allies are becoming like the officials they once promised to root out: entrenched.
MGM (January 28, 2024) – Highlights from the Top Ten Best Historical films including:
A Bridge Too Far (1977) Directed By: Richard Attenborough Cast: Dirk Bogarde, James Caan, Michael Caine, Sean Connery, Edward Fox, Elliott Gould, Gene Hackman, Anthony Hopkins, Hardy Kruger, Laurence Olivier, Ryan O’Neal, Robert Redford, Maximilian Schell, Liv
The Alamo (1960) Produced and Directed by John Wayne Cast: John Wayne, Richard Widmark, Laurence Harvey, Frankie Avalon, Patrick Wayne, Linda Cristal, Joan O’Brien, Chill Wills, Ken Curtis, Carlos Arruza, Jester Hairston, Joseph Calleia, and guest star Richard Boone
The Battle of Britain (1969) Directed by Guy Hamilton Cast: Harry Andrews, Michael Caine, Trevor Howard, Curt Jurgens, Ian McShane, Kenneth More, Laurence Olivier, Nigel Patrick, Christopher Plummer, Michael Redgrave, Ralph Richardson, Robert Shaw, Patrick Wymark, Susannah York
De-Lovely (2004) Directed By: Irwin Winkler Cast: Kevin Kline, Ashley Judd, Jonathan Pryce
The Man in the Iron Mask (1998) Written for the screen and Directed by Randall Wallace Cast: Leonardo DiCaprio, Jeremy Irons, John Malkovich, Gerard Depardieu, Gabriel Byrne, Anne Parillaud, Judith Godreche
Alexander the Great (1956) Written, Produced and Directed By: Robert Rossen Cast: Richard Burton, Fredric March, Claire Bloom, Barry Jones, Harry Andrews, Stanley Baker, Niall MacGinnis, Danielle Darrieux
The Great Escape (1963) Produced and Directed by: John Sturges Cast: Steve McQueen, James Garner, Richard Attenborough, James Donald, Charles Bronson, Donald Pleasence, James Coburn
Birdman of Alcatraz (1962) Directed By: John Frankenheimer Cast: Burt Lancaster, Karl Malden, Thelma Ritter, Neville Brand, with Edmond O’Brien as “Tom Gaddis,” also starring Betty Field, Telly Savalas
The Bridge at Remagen (1969) Directed By: John Guillermin Cast: George Segal, Robert Vaughn, Ben Gazzara, Bradford Dillman, E. G. Marshall
Judgment at Nuremberg (1961) Produced and Directed By: Stanley Kramer Cast: Spencer Tracy, Burt Lancaster, Richard Widmark, Marlene Dietrich, Judy Garland as “”Irene Hoffman,”” Maximilian Schell, and Montgomery Clift
THE NEW YORK TIMES BOOK REVIEW (January 26, 2024): The latest issue features ‘Ukraine’s Leading Man’ – In “The Showman”, Simon Shuster makes the case that Volodymyr Zelensky’s past as an entertainer helps him on the world stage…
In “The Showman,” the journalist Simon Shuster trails the entertainer-turned-wartime president as he rallies the world for support.
By David Kortava
THE SHOWMAN: Inside the Invasion That Shook the World and Made a Leader of Volodymyr Zelensky, by Simon Shuster
Nine months into Russia’s full-scale invasion of Ukraine, in 2022, the Time magazine correspondent Simon Shuster caught a ride on a presidential train that few, if any, journalists had seen from the inside. In a private carriage, with the blinds drawn, Volodymyr Zelensky was fueling up on coffee during a trip to the frontline. He’d been reading about Winston Churchill, but with Shuster he’d sooner discuss another key World War II figure: Charlie Chaplin.
“He used the weapon of information during the Second World War to fight against fascism,” Zelensky said. “There were these people, these artists, who helped society. And their influence was often stronger than artillery.”
Mightier — and Meaner — Than the Sword
Emily Cockayne’s “Penning Poison,” a history of anonymous letters, reveals the ways we’ve been torturing one another, verbally, for centuries.
The Rise and Fall and Rise of San Francisco
Two books — “The Longest Minute,” by Matthew J. Davenport, and “Portal,” by John King — examine the City by the Bay’s resiliency from very different angles.
The New Yorker (January 22, 2024): The new issue‘s cover featuresRoz Chast’s “Bird Bath” – The artist depicts her favorite antidote for dreary winter weather: a nice, hot bath.
As a young man in the nineteen-eighties, Tucker Swanson McNear Carlson set out to claim his stake in the establishment. His access to money and influence started at home. His stepmother, Patricia, was an heir to the Swanson frozen-food fortune. His father, Dick, was a California TV anchor who became a Washington fixture after a stint in the Reagan Administration. For fortunate clans like the Carlsons, it was “A Wonderful Time,” to borrow the title of a volume of contemporaneous portraits of “the life of America’s elite,” which included “the Cabots sailing off Boston’s North Shore, and Barry Goldwater on the range in Arizona.”
There are few Hollywood families in which one famous director has spawned another. Coppola says, “It’s not easy for anyone in this business, even though it looks easy for me.”
When Eleanor Coppola went into labor with her third child, on May 14, 1971, at a hospital in Manhattan, her husband, the director Francis Ford Coppola, was on location in Harlem, shooting a scene for “The Godfather.” Hearing the news, he grabbed a camcorder from the set and raced over to capture the moment. “When they say, ‘It’s a girl,’ my dad gasps and nearly drops the camera,” Sofia Coppola told me recently, of her birth video. “My mom is there, just trying to focus.” The footage—which has been screened by the family multiple times over the years, and as part of a feminist art installation designed by Eleanor—was the first of many instances in which Sofia would be seen through her father’s lens. When she was just a few months old, Francis cast her in her first official film role, as the infant in the dénouement of “The Godfather,” in which Michael Corleone, the ascendant boss of the Corleone crime family, anoints the head of his newborn nephew as his associates murder rival gangsters one by one.
News, Views and Reviews For The Intellectually Curious
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