The New Yorker (June 17, 2024): The new issue‘s cover featuresAdrian Tomine’s “Eternal Youth” – For parents trying to look hip, no effort goes unpunished.
Nanotechnology can already puncture cancer cells and drug-resistant bacteria. What will it do next?
By Dhruv Khullar
After the European Elections, President Macron Makes a Gamble
The rise of the far right in Europe might help Americans deprovincialize their own crisis. The single wave has struck many coastlines.
By Adam Gopnik
Deaccessioning the Delights of Robert Gottlieb
The eminent editor’s wife and daughter sift through a lifetime’s worth of collectibles: quirky plastic purses, a porcelain Miss Piggy, and many, many books.
London Review of Books (LRB) – June 14 , 2024: The latest issue features Good Riddance to the Torries; Adam Shatz on ‘Israel’s Descent’; Patricia Lockwood – My Dame Antonia; William Davies – Generation Anxiety…
The Anxious Generation: How the Great Rewiring of Childhood Is Causing an Epidemic of Mental Illness by Jonathan Haidt. Allen Lane, 385 pp., £25, March, 978 0 241 64766 0
In the 1980s the term ‘anxiety’ was almost eliminated from the lexicon of American psychiatry. The infamous DSM-III (the third edition of the Diagnostic and Statistical Manual of Mental Disorders) took an axe to various legacies of psychoanalysis that had dominated psychiatric thinking in the postwar decades. Among them was a preoccupation with anxiety. Anything and everything could, it seemed, be attributed to anxiety: whether it presented as a specific phobia or a panic attack, a somatic symptom or just a lurking sense of dread, anxiety was at the root. It was this sort of all-purpose explanation, with no apparent scientific rigour or falsifiability, that the authors of DSM-III were trying to root out.
When Ariel Sharon withdrew more than eight thousand Jewish settlers from the Gaza Strip in 2005, his principal aim was to consolidate Israel’s colonisation of the West Bank, where the settler population immediately began to increase. But ‘disengagement’ had another purpose: to enable Israel’s air force to bomb Gaza at will, something they could not do when Israeli settlers lived there.
The State of Israel v. the Jews by Sylvain Cypel, translated by William Rodarmor. Other Press, 352 pp., £24, October 2022, 978 1 63542 097 5
The Palestinians of the West Bank have been, it seems, gruesomely lucky. They are encircled by settlers determined to steal their lands – and not at all hesitant about inflicting violence in the process – but the Jewish presence in their territory has spared them the mass bombardment and devastation to which Israel subjects the people of Gaza every few years.
Deux peuples pour un état?: Relire l’histoire du sionisme by Shlomo Sand. Seuil, 256 pp., £20, January, 978 2 02 154166 3
Our Palestine Question: Israel and American Jewish Dissent, 1948-78 by Geoffrey Levin. Yale, 304 pp., £25, February, 978 0 300 26785 3
Tablets Shattered: The End of an American Jewish Century and the Future of Jewish Life by Joshua Leifer. Dutton, 398 pp., £28.99, August, 978 0 593 18718 0
The Necessity of Exile: Essays from a Distance by Shaul Magid. Ayin, 309 pp., £16.99, December 2023, 979 8 9867803 1 3
Deluge: Gaza and Israel from Crisis to Cataclysm edited by Jamie Stern-Weiner. OR Books, 336 pp., £17.99, Ap
The Week In Art Podcast (June 14, 2024): This week: it’s arguably the best loved of the major art fairs among collectors and dealers, but what have we learned about the art market at this year’s Art Basel, in its original Swiss home?
The Art Newspaper’s acting art market editor, Tim Schneider, tells us about the big sales in Switzerland amid the wider market picture. The journalist Lynn Barber has a new book out, called A Little Art Education, in which she reflects on her encounters with artists from Salvador Dalí to Tracey Emin. We talk to her about the highs and lows of several decades of artist interviews.
And this episode’s Work of the Week is Woman Leaning on a Portfolio (1799) by Guillaume Lethière. Lethiére was born in Guadeloupe in the Caribbean to a plantation-owner father and an enslaved mother, but eventually became one of the most notable painters of his period in France and beyond. We talk to Esther Bell and Olivier Meslay, the curators of a major survey of Lethière’s work opening this week at the Clark Art Institute in Williamstown, Massachusetts, US, and travelling later in the year to the Louvre in Paris.
Art Basel, Basel, Switzerland, until Sunday, 16 June.
A Little Art Education by Lynn Barber, Cheerio, £15 (hb).
The New Yorker (June 10, 2024): The new issue‘s cover features Victoria Tentler-Krylov’s “Pawns in the Park” – The artist captures a corner of calm contemplation in the midst of New York’s hustle and bustle.
The truly disquieting thought was that the cult of personality around the Prime Minister had become suffocating and seemingly impossible to pierce—until now. By Isaac Chotiner
After Governor Kathy Hochul’s flip-flop on congestion pricing, a cop reconsiders his retirement while inching his Lexus through snarled-up traffic on the F.D.R.
The Week In Art Podcast (June 7, 2024): This week: we explore the Art Institute of Chicago’s exhibition dedicated to what Georgia O’Keeffe called her New Yorks—paintings of skyscrapers and views from one of them across the East River, which marked a turning point in her career.
Sarah Kelly Oehler, one of the curators of the show, tells us more. One of the most distinctive of all London’s contemporary art spaces, Studio Voltaire, is celebrating its 30th anniversary this year, and has begun a fundraising drive to consolidate its future, with a gala dinner this week and a Christie’s auction later this month. We talk to the chair of Studio Voltaire’s trustees and a non-executive director of Frieze, Victoria Siddall, about the anniversary and the precarious funding landscape, even for the UK’s most dynamic non-profits.
And this episode’s Work of the Week is an untitled painting from the Austrian painter Martha Jungwirth’s 2022 series Francisco de Goya, Still Life with Ribs and Lamb’s Head. Based on a work by the Spanish master in the Louvre in Paris, Jungwirth’s painting features in a new survey of her work that has just opened at the Guggenheim Bilbao in Spain. We speak to its curator, Lekha Hileman Waitoller.
Georgia O’Keeffe: My New Yorks, Art Institute of Chicago, until 22 September; High Museum of Art, Atlanta, from 25 October-16 February 2025.
The date of XXX, as the sale of works to benefit Studio Voltaire at Christie’s is called, is yet to be confirmed. Check the organisations’ websites for updates; Beryl Cook/Tom of Finland, Studio Voltaire, London, until 25 August.
Martha Jungwirth, Guggenheim Bilbao, until 22 September.
Apollo Magazine (June 2, 2024): The new June 2024 issue features ‘The awesome art of Caspar David Friedrich’; Should museums charge entry fees? and Picnicking with the Impressionists…
The Week In Art Podcast (May 31, 2024): The publication in April of Stanford University’s Artificial Intelligence Index Annual Report has provided the art world with much food for thought.
We look at the implications for artists and institutions with Louis Jebb, the managing editor of The Art Newspaper and our technology specialist. As the Centre Pompidou in Paris is taken over on all its floors by what it calls the “ninth art”—graphic novels and comics—we talk to Joel Meadows, the editor-in-chief of Tripwire magazine and a comics aficionado, about the rise of this subculture in museums and the market. And this episode’s Work of the Week is Edgar Degas’ Miss La La at the Cirque Fernando (1879), which depicts a Black circus performer, Anna Albertine Olga Brown, who was briefly known as Miss La La.
She and the painting are the subject of a new exhibition at the National Gallery in London opening next week. We talk to Anne Robbins, the curator of paintings at the Musée d’Orsay in Paris, and external curator of the exhibition, and Sterre Overmars, the curatorial fellow for post-1800 paintings at the National Gallery, about the painting.
Comics on Every Floor, Centre Pompidou, Paris, until 4 November.
Discover Degas & Miss La La, National Gallery, London, 6 June-1 September.
The New Yorker (May 30, 2024): The new issue‘s cover features John Cuneo’s “A Man of Conviction” – The former President is found guilty on all thirty-four counts.
The jury has convicted the former President of thirty-four felony counts in his New York hush-money trial. Now the American people will decide to what extent they care.
When the Verdict Came In, Donald Trump’s Eyes Were Wide Open
In the courtroom with the former President at the moment he became a convicted felon.
London Review of Books (LRB) – May 29 , 2024: The latest issue features Daniel Trilling – Trouble with the Troubles Act; Primordial Black Holes; The Village Voice….
In 1968, Fidel Castro invited an American anthropologist called Oscar Lewis to interview Cubans about their lives. Lewis was famous for an oral history project, conducted in a Mexico City slum, which he had turned into a book called The Children of Sánchez (1961). By recounting a poor family’s struggles and hustles, legal and otherwise, Lewis angered the country’s ruling party, which still described itself as ‘revolutionary’. The Mexican Revolution, like the Cuban Revolution after it, wasn’t supposed to have an end date. But after major gains, including redistributing land to landless farmers, it had been ‘interrupted’, as the historian Adolfo Gilly later put it. Lewis exposed the revolution’s unfinished business, and didn’t shy away from discussing the sexual peccadilloes of the poor. The Spanish-language edition of Children of Sánchez was published in 1964, but thanks to a lawsuit claiming the material was ‘obscene and denigrating’, the book wasn’t freely available in Mexico for several years.
The Freaks Came out to Write: The Definitive History of the ‘Village Voice’, the Radical Paper That Changed American Culture by Tricia Romano.
In the mid-1960s, the Village Vanguard jazz club in Greenwich Village held Monday night speak-outs. At one of them – an evening billed as ‘Art and Politics’ – the Black poet and playwright LeRoi Jones (soon to become Amiri Baraka) held forth, along with the Black saxophonist Archie Shepp and the white painter Larry Rivers. The audience was composed almost entirely of people like me and my friends: white middle-class liberals and radicals, many of whom were veteran civil rights activists. We had trooped into the Vanguard expecting to make common cause with the speakers, but Jones did not look kindly on us. In fact, he quickly told us we weren’t wanted in the civil rights movement, that we were just an interference, only there to make ourselves feel good. Then he pointed his finger and roared: ‘Blood is going to run in the seats of the theatre of revolution, and guess who’s sitting in those seats!’
The New Yorker (May 27, 2024): The new issue‘s cover features
Sergio García Sánchez’s “Scoot” – The artist depicts the thrill of leaning into summer in the city.
The People’s Commencement at Columbia
It’s 1968 all over again, as New York Ivy Leaguers flip the script and stage an unofficial counter-graduation ceremony at the Cathedral of St. John the Divine.
The Bronx Cheers—Mostly—for Trump
Biden’s a pedophile; Trump’s a fascist; the maga Hasidim have to get their act together—and other sentiments spewed at the former President’s rally in Crotona Park.
How to Pick Stocks Like You’re in Congress
The team at Autopilot, an app that lets you copy the trades of Nancy Pelosi’s husband (up forty-five per cent last year) or Dan Crenshaw (up forty-one), choose their newest offering.
News, Views and Reviews For The Intellectually Curious
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