Tag Archives: Art Exhibitions

Reviews: ‘The Week In Art’

The Week In Art Podcast (October 6, 2023): The looted Ethiopian icon, AI copyright debate in US, and the end of China’s museum boom.

The Art Newspaper’s London correspondent Martin Bailey tells us about the Kwer’ata Re’esu, a European painting of Christ that became a revered icon in Ethiopia before being looted by an agent for the British Museum in the 19th century. Martin’s colour photographs of the work—which has been stored in a vault in Portugal—might help us to identify its maker and prompt new calls for the icon’s return to Ethiopia. On Monday this week, campaigners in the US staged an AI Day of Action, amid mounting concerns over the exploitation of artists’ work by corporations behind powerful artificial intelligence tools.

We talk to our reporter Daniel Grant about renewed calls for the US Congress to enact a law that would ban corporations from copyrighting art made by AI. And as China’s economy struggles, some museums in the country are closing or scaling down their ambitions. We talk to our correspondent in China, Lisa Movius, about how the end of the Chinese economic miracle has hastened the end of its museum boom.

International Art: Apollo Magazine – October 2023

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Apollo Magazine – October 2023: The new issue features Getting ruff and ready with Frans Hals; Sophie Calle takes on Picasso; Can museums cope without dodgy donors?, and more…

Inside this issue

October 2023 | Apollo Magazine
October 2023 | Apollo Magazine
October 2023 | Apollo Magazine

Reviews: ‘The Week In Art’

The Week In Art Podcast (September 28, 2023): This week: three big London shows, in depth. As Marina Abramović draws huge crowds to the Royal Academy of Arts in London, we interview her about the exhibition—the first ever dedicated to a woman artist in the Royal Academy’s main galleries.

At the National Gallery, meanwhile, is a remarkable survey of the paintings of the 17th-century Dutch master Frans Hals, which will tour next year to Amsterdam and Berlin. We take a tour with Bart Cornelis, curator of the National’s incarnation of the show. And this episode’s Work of the Week is Peter Paul Rubens’s Three Nymphs with a Cornucopia of around 1625 to 1628 (painted with Frans Snyders). In the collection of the Prado in Madrid, it is one of a number of major loans to the exhibition Rubens and Women at the Dulwich Picture Gallery in London. Amy Orrock, one of the curators of the exhibition, tells us more.

Marina Abramović, Royal Academy of Arts, London, until 1 January 2024. You can hear our interview with Marina during the Covid lockdown in our episode from 8 May 2020, and a conversation with Tate Modern’s Catherine Wood about Ulay, following his death in 2020, in the episode from 6 March that year.

Amsterdam Exhibitions: ‘Van Gogh Along The Seine’

By the Seine – Vincent van Gogh Paris, May-July 1887

Van Gogh Museum (September 22, 2023) – In the 19th century, bridges and trains made it easier to visit places outside of Paris. And yet smoking factory chimneys increasingly dominated the horizon. This exhibition reveals how artists captured these changes in their artworks.

‘And when I painted landscape in Asnières this summer I saw more colour in it than before.’

Vincent van Gogh to his sister Willemien van Gogh, late October 1887

Bank of the Seine – Vincent van GoghParis, May-July 1887

‘Van Gogh along the Seine’

13 October 2023 until 14 January 2024

Five ambitious artists – Van Gogh, Seurat, Signac, Bernard and Angrand – travelled to the banks of the Seine to paint. Surrounded by green, they captured the changes ushered in by the burgeoning industry. Here they found new, contemporary motifs and developed their use of colour and painting techniques. Asnières had a particular impact on the artistic development of these artists.

More information

Reviews: ‘The Week In Art’

The Week In Art Podcast (September 21, 2023): This week: the latest controversies prompted by the Unesco World Heritage Committee. As we mentioned last week, the 45th session of the committee is taking place in the Saudi Arabian capital, Riyadh, and continues until 25 September.

The founder of The Art Newspaper, Anna Somers Cocks, joins host Ben Luke to look at the latest sites granted World Heritage status and at the Committee’s decision not to add Venice to the organisation’s endangered list. We ask: is Unesco so mired in politics that it cannot adequately perform its role? The Colombian artist Fernando Botero died last week, aged 91, and we talk to the gallerist Stéphane Custot, of Waddington Custot galleries in London, about this painter and sculptor who drew ire from many critics but achieved widespread public acclaim.

And this episode’s Work of the Week is October’s Gone . . . Goodnight (1973) by Barkley L. Hendricks. As a group of paintings by Hendricks goes on display among the masters at Frick Madison in New York, Aimee Ng, co-curator of the exhibition, tells us about the painting.

Barkley L. Hendricks: Portraits at the Frick, Frick Madison, New York, until 7 January 2024.

Reviews: ‘The Week In Art’

The Week In Art Podcast (September 15, 2023): A Unesco conference and archeological summit in Saudi Arabia are the latest examples of the country’s increasing focus on culture as part of the so-called Vision 2030 programme.

We look at Saudi Arabia’s unprecedented and lavishly funded focus on contemporary and ancient culture and how that relates to ongoing concerns about artistic freedom and human rights abuses in the kingdom. Alia Al-Senussi, a cultural strategist, and senior advisor at Art Basel and to the Saudi Ministry of Culture, joins host Ben Luke to discuss the contemporary art scene, and Melissa Gronlund, a reporter on the Middle East for The Art Newspaper, tells us about the push to reveal hitherto underexplored Saudi heritage.

The Sierra Leone-born, London-based artist and poet Julianknxx this week unveiled a new project at London’s Barbican Centre, Chorus in Rememory of Flight. The multi-screen installation features performers and choirs from the African diaspora who Julianknxx met on a 4,000-mile trip around European cities with colonial histories, from Lisbon via Marseille, Rotterdam and Berlin to London. We talk to him about this epic endeavour. And this episode’s Work of the Week is among the greatest works on paper ever made: Michelangelo’s studies in red chalk for the Libyan Sibyl, one of the most distinctive figures on his Sistine Chapel ceiling. The drawing features in Michelangelo and Beyond at the Albertina in Vienna and one of its curators, Constanze Malissa, tells us more about it.

Art in Saudi Arabia: A New Creative Economy? by Rebecca Anne Proctor, with Alia Al-Senussi, published 30 November, Lund Humphries, £19.99.

Julianknxx: Chorus in Rememory of Flight, The Curve, Barbican Centre, London, and online on WePresent, until 11 February 2024; Julianknxx is in A World in Common: Contemporary African Photography, Tate Modern, until 14 January 2024.

Michelangelo and Beyond, Albertina, Vienna, 15 September-14 January 2024.

Views: ‘Midnight Movers’ – French-American Painter Jules De Balincourt’s Art

Pace Gallery (September 14, 2023) – From his studio in Brooklyn, New York, Jules de Balincourt discusses his new suite of paintings on view as part of “Midnight Movers,” his debut exhibition with our gallery in New York and his first solo show in the city in a decade.

Working spontaneously, de Balincourt develops his expressive paintings through an improvisational approach that borders on abstraction. In this new interview, the artist dissects his process and the ways that he explores the natural world, globalization, technology, and psychology in his works.

To learn more about this exhibition, visit: https://www.pacegallery.com/exhibitio…

To learn more about Jules de Balincourt, visit: https://www.pacegallery.com/artists/j…

Reviews: ‘The Week In Art’

The Week In Art Podcast (September 7, 2023): It’s our 250th podcast, and in this special episode we focus on the future. We ask leading figures across the art world to tell us about their hopes and concerns for the visual arts. Among them are Max Hollein, the director of the Metropolitan Museum of Art in New York,

Bénédicte Savoy, the co-author of the Saar-Savoy report into the restitution of cultural heritage, Shanay Jhaveri, the head of visual arts at the Barbican, the Berlin-based curator Bonaventure Soh Bejeng Ndikung, Kymberly Pinder, the dean of Yale School of Art, and the artist Tomás Saraceno. Host Ben Luke is then joined by three core members of The Art Newspaper’s team and regular guests in the first 249 episodes of this podcast: editors-at-large Cristina Ruiz and Georgina Adam and our contemporary art correspondent Louisa Buck discuss the present and future of museums and heritage, art and artists and the art market.

New Museum Exhibitions: ‘Manet/Degas’ At The Met

Photo collage of two paintings, with the words Manet/Degas overlaid on top; Left of boy wearing pink shirt and hat sitting on a red couch with a dessert; Right: Two people wearing tan and black sitting at a table against a tan wall.

The Metropolitan Museum of Art (September 4, 2023) – This exhibition examines one of the most significant artistic dialogues in modern art history: the close and sometimes tumultuous relationship between Édouard Manet and Edgar Degas. Born only two years apart, Manet (1832–1883) and Degas (1834–1917) were friends, rivals, and, at times, antagonists who worked to define modern painting in France.

Manet/Degas

Manet/Degas - Yale University Press London

September 24, 2023–January 7, 2024

Through more than 150 paintings and works on paper,  Manet/Degas  takes a fresh look at the interactions of these two artists in the context of the family relationships, friendships, and intellectual circles that influenced their artistic and professional choices, deepening our understanding of a key moment in nineteenth-century French painting.

Manet/Degas is organized by The Metropolitan Museum of Art, New York, and the Musées d’Orsay et de l’Orangerie, Paris.

Profiles: Japanese Painter Setsuko – “Into Nature” Exhibition In Switzerland

Gagosian Gallery Films (September 1, 2023) Into Nature is an exhibition of new and recent ceramic and bronze sculptures, paintings, and works on paper by Setsuko at the gallery in Gstaad.

Setsuko: Into Nature at Gagosian

SETSUKO – Into Nature

July 1–September 10, 2023
Gstaad

Setsuko: Into Nature, Gstaad, July 1–September 10, 2023 | Gagosian

Since 1977, Setsuko has resided in the Grand Chalet of Rossinière, close to Gstaad, making this an opportunity for her to exhibit within reach of her Swiss home. Into Nature furthers the bodies of work presented in Into the Trees, Setsuko’s debut exhibition at Gagosian Paris in 2019, and Into the Trees II, a solo presentation at Gagosian Rome in 2022.

On view in Gstaad are new ceramic sculptures, produced at Astier de Villatte’s Paris workshop and made of terra-cotta glazed in white enamel. Setsuko’s renderings of trees, with their delicately modeled representations of acorns, blooms, foliage, and fruit, emphasize the rooted solidity of their trunks to convey lasting strength and emergent growth. Reminiscent of Japanese ceramics dating back to the age of Jōmon earthenware (c. 10,500–300 BCE), these works also refer to the animistic Japanese religion Shintō, to which trees are of central symbolic importance.