Scott Burger, MITEI Energy Fellow and researcher, discusses rooftop solar economics, net metering, energy poverty, and electricity costs. Show notes and transcript: https://energy.mit.edu/podcast/16
Scott Burger, MITEI Energy Fellow and researcher, discusses rooftop solar economics, net metering, energy poverty, and electricity costs. Show notes and transcript: https://energy.mit.edu/podcast/16
A very popular locals destination. The Mousetrap Inn had most tables reserved or occupied as we walked in Friday night at 6 pm.


The bartender was very friendly and seated us at one of the few available tables.

He quickly recommended the Roast Cauliflower with Chickpeas, dill, raisins and smoked almonds as a vegetarian entree selection. He then suggested two drinks: The Mousetrap house specialty, a Cotswold Dry Gin and soda drink with a unique long ice cube of lemons, cucumber, mint and bitters) along with a twin scotch Old Fashioned. Excellent.




Very unique food, drinks and atmosphere. A must visit.
From the Takyo Abeke website:
Situated along the winding mountain road that is the historic village of Omori, Takyo Abeke is hidden behind a rustic bamboo fence covered in climbing roses and shielded from the road by a deep courtyard garden. The 228-year-old building was once the home of the Abe family (Abeke), who were administrative officials for the Iwami Ginzan silver mine dug deep into the mountains at the top of the village. During the 17th and 18th centuries the silver mine was the largest in the world, and its output financed not only bustling local village life and imposing houses like Abeke but also Japan’s rapid economic growth, urbanization, and flowering of its unique culture of shibusa— aesthetics based on nature, simplicity, and the ephemeral—during the first centuries of the Edo period (1603-1868).
Website: http://www.takyo-abeke.jp/english/
From a BMWGroupDesignworks.com webpage:
The camper is a light, mobile dome made of FUTURELIGHT™ material and heavy-duty geometry. As the fabric stretches over a geodesic dome, it creates a natural, weather-proof space. Somewhere to sleep after a day of hiking, or a place to take cover when nature is being, well, nature.
The camper is crafted on top of a highly-mobile platform, providing a comfortable cave for two people. The interior includes camping essentials, such as a bed and table, while still providing the feeling of a free space in nature due to its dome structure.
To read more:
https://www.bmwgroupdesignworks.com/case_studies/the-north-face-camper/
From a Princeton University Press online release:
America’s most storied urban underdog, Brooklyn has become an internationally recognized brand in recent decades—celebrated and scorned as one of the hippest destinations in the world. In Brooklyn: The Once and Future City, Thomas J. Campanella unearths long-lost threads of the urban past, telling the rich history of the rise, fall, and reinvention of one of the world’s most resurgent cities.
Spanning centuries and neighborhoods, Brooklyn-born Campanella recounts the creation of places familiar and long forgotten, both built and never realized, bringing to life the individuals whose dreams, visions, rackets, and schemes forged the city we know today. He takes us through Brooklyn’s history as homeland of the Leni Lenape and its transformation by Dutch colonists into a dense slaveholding region. We learn about English émigré Deborah Moody, whose town of Gravesend was the first founded by a woman in America. We see how wanderlusting Yale dropout Frederick Law Olmsted used Prospect Park to anchor an open space system that was to reach back to Manhattan. And we witness Brooklyn’s emergence as a playland of racetracks and amusement parks celebrated around the world.
To read more: https://press.princeton.edu/titles/13671.html
From a National Geographic online article:
Long ago bypassed by an interstate, the skinny, two-lane Historic Columbia River Highway has seen little change since its completion in 1922 as the United States’ first planned scenic roadway. The route winds above Oregon’s Columbia River Gorge, taking in six state parks, seven waterfalls, and—on clear days—views of five mountain peaks, including Mount St. Helens. Breathtaking in any season, the highway is especially picturesque in spring, when endemic wildflowers bloom, and winter, when waterfalls freeze and massive icicles hang from graceful arched bridges.
TRAVEL DRAWINGSThe office engages in a hybrid design process that is directed by analog forms of representation and digital production techniques. Each project is explored using a matrix of different media lenses, including painting, hand drawing, physical models and mock-ups as well as cad, hyper-photorealistic renderings and 3D computer models, wherein application and implication are prioritized. We believe this fusing of media provides a larger, more creative palette from which to work. Travel drawing also serves as a platform of inspiration and a fundamental aspect of research and development.
This approach stems from my own formal education and the unique 10-year period in contemporary history in which I studied architecture. Occupying both “paper” and virtual / digital environments, I learned the fundamentals at Tulane University using purely traditional architectural methods of representation. By the time I earned my Masters from Columbia University, the pedagogy had radically changed, wherein the old, analog systems of production were abandoned for a purely paperless studio that solely engaged digital technologies such as Maya, Max and Photoshop. Working within both territories, I learned that each medium has a profound effect on the way in which we draw, design and understand architectural space and form.
Meanwhile, after leaving Columbia, I set out to rediscover the practice of drawing on the road and have since made over 800 paintings, sketches and notes of architectural details, buildings, cityscapes, art and culture. These personal “drawings on the road” have evoked an intensive physical and living architectural investigation of how I process and perceive information. In the authentic and active experience of drawing — of physically recording what we see — I believe we develop a new way of seeing. We bring back sketchbooks that are full of information and analysis as well as a better understanding of architectural persistencies that make what we see matter. This level of engagement furthers the architect’s artistic intuition and enables him or her to see anew.
Édouard Manet was a provocateur and a dandy, the Impressionist generation’s great painter of modern Paris. This first-ever exhibition to explore the last years of Manet’s short life and career reveals a fresh and surprisingly intimate aspect of this celebrated artist’s work. Stylish portraits,
luscious still lifes, delicate pastels and watercolors, and vivid café and garden scenes convey Manet’s elegant social world and reveal his growing fascination with fashion, flowers, and his view of the parisienne—a feminine embodiment of modern life in all its particular, fleeting beauty.
To read more: http://www.getty.edu/art/exhibitions/late_manet/
From Louise Aronson’s website:
Noted Harvard-trained geriatrician Louise Aronson uses stories from her quarter century of caring for patients and draws from history, science, literature, popular culture, and her own life to weave a vision of old age that’s neither nightmare nor utopian fantasy—a vision full of joy, wonder, frustration, outrage, and hope about aging, medicine, and life itself.
For more than 5,000 years, “old” has been defined as beginning between the ages of 60 and 70. Now that humans are living longer than ever before, many people alive today will be elders for 30 years or more. Yet at the very moment that most of us will spend more years in elderhood than in childhood, we’ve made old age into a disease, a condition to be dreaded, disparaged, neglected, and denied.
To read more: https://louisearonson.com/books/elderhood/
From an New York Times online review:
Revere’s place in history was cemented by the Longfellow poem, published in 1861, more than 40 years after Revere’s death. Longfellow “was flexible about the historical details,” said Debra Schmidt Bach, who coordinated the exhibition for the New-York Historical Society. “I mean, it was a fictionalized poem,” she said. “It was not intended as a detailed examination of the ride.”
The exhibition was organized by the American Antiquarian Society, of which Ms. Hewes is the curator of graphic arts. Nan Wolverton, the show’s other curator, is the director of fellowships at the antiquarian society, and of its Center for Historic American Visual Culture. The display includes more than 140 objects from the antiquarian society’s extensive Revere holdings; the New-York Historical Society’s own collection; the Museum of Fine Arts, Boston; and the Massachusetts Historical Society, among others.
To read more: https://www.nytimes.com/2019/09/11/arts/design/paul-revere-beyond-midnight.html