Granta Magazine (November 7, 2024): The “China” issue feautures At a time when China has become a unifying spectre of menace for Western governments, this issue of Granta seeks to bring the country’s literary culture into focus.
Featuring fiction by Yu Hua, Zou Jingzhi, Yan Lianke, Jianan Qian, Shuang Xuetao, Mo Yan, Zhang Yueran, Ban Yu, Yang Zhihan and Wang Zhanhei.
Essays by Xiao Hai and Han Zhang, as well as a conversation between Wu Qi and Granta.
Photography from Feng Li, Haohui Liu and collaborators Li Jie and Zhang Jungang.
And poetry from Huang Fan, Lan Lan, Hu Xudong and Zheng Xiaoqiong.
James Schuyler on Frank O’Hara: “I still can see Frank, standing on that street corner outside a pastry shop, holding a neatly tied-up box of God knows what—éclairs, perhaps.”
James Schuyler was born in Chicago in 1923, grew up in Washington, D.C., and East Aurora, New York, and spent most of his adult years in New York City and Southampton, Long Island. Although he is perhaps less widely known than the fellow New York School poets with whom he is associated, John Ashbery, Frank O’Hara, Barbara Guest, and Kenneth Koch, he published six full-length books of poetry during his lifetime—beginning with Freely Espousing, published by Doubleday and Paris Review Editions in 1969—as well as two novels, and a third written in collaboration with Ashbery. In 1981 he won the Pulitzer Prize for his collection The Morning of the Poem (1980). Mental illness plagued him intermittently, and there were times when his life threatened to veer out of control, but friends repeatedly rallied around him, and the years before his death in 1991 were happy and productive.
Javier Cercas on the Art of Fiction: “Hell, to me, is a literary party.”
Prose by Josephine Baker, Caleb Crain, Marlene Morgan, Morgan Thomas, and Fumio Yamamoto.
Poetry by Hannah Arendt, Matt Broaddus, Sara Gilmore, Benjamin Krusling, Mark Leidner, James Richardson, and Margaret Ross.
Art by Ayé Aton and Ron Veasey, and cover by Sterling Ruby.
Mary Robison on the Art of Fiction: “The first thing they’d say was ‘This is a nice story—where’s your novel?’ And I would just lie my head off. ‘Oh, it’s at home. It’s almost there!’”
Elaine Scarry on the Art of Nonfiction: “A lot of my troubles in life have come from taking literally what I should have understood as figurative.”
Prose by Peter Cornell, Rodolfo Enrique Fogwill, Renee Gladman, Nancy Lemann, Banu Mushtaq, K Patrick, and Anne Serre.
Jhumpa Lahiri on the Art of Fiction: “My question is, What makes a language yours, or mine?”
Alice Notley on the Art of Poetry: “Writing is not therapy. That’s the last thing it is. I still have my grief.”
Prose by Elijah Bailey, Julien Columeau, Joanna Kavenna, Samanta Schweblin, Eliot Weinberger, and Joy Williams.
Poetry by Gbenga Adesina, Elisa Gabbert, Jessica Laser, Maureen N. McLane, Mary Ruefle, Julian Talamantez Brolaski, and Matthew Zapruder.
Paris Review Spring 2024 — The new issue features interviews with Jhumpa Lahiri and Alice Notley, prose by Joy Williams and Eliot Weinberger, poetry by Mary Ruefle and Jessica Laser, art by Chris Oh and Farah Al Qasimi, two covers by Nicolas Party, and more…
Jhumpa Lahiri on the Art of Fiction: “My question is, What makes a language yours, or mine?”
Alice Notley on the Art of Poetry: “Writing is not therapy. That’s the last thing it is. I still have my grief.”
Prose by Elijah Bailey, Julien Columeau, Joanna Kavenna, Samanta Schweblin, Eliot Weinberger, and Joy Williams.
Poetry by Gbenga Adesina, Elisa Gabbert, Jessica Laser, Maureen N. McLane, Mary Ruefle, Julian Talamantez Brolaski, and Matthew Zapruder.
I rode west with a childhood friend who was driving to a job in California. We passed through Tennessee, Arkansas, Oklahoma, and still there was no sign of the Commander. My friend placed a bag of chocolate-covered espresso beans on the console between us, jumble of rich dark gems, glittering like they were wet. I crunched them in my teeth without thinking. Sometimes I drove and let her sleep. When clouds clotted the sun her hair still glowed, some mix of orange and yellow and pink. Toast, or the honey for it, or the cinnamon.
After we spent a day and a night in a certain desert town, I told my friend to go on without me. I’d stay. The town was bordered by empty hills and endless sky: room to disappear. I found an unopened pack of Juicy Fruit gum on the sidewalk, which I took for a sign.
Paris Review Winter 2023 — The new issue features Louise Glück on the Art of Poetry – “You want a poem to register in every mind the way it did in yours. Then you discover this never happens.”; Yu Hua on the Art of Fiction: “If I’d taken another two or three years to start writing, I’d still be a dentist.”; Prose by Ananda Devi, Fiona McFarlane, and Sean Thor Conroe and more…
Deep Wild Journal 2023 – Writing from the Backcountry: On skis and snowshoes, by boot and boat, in open water or at the ends of ropes, by night or day, in all four seasons, in searing sun or drenching rain…the adventurer-writers whose work is featured in Deep Wild 2023 take us to all extremes.
Others come to us from a quiet place in the backcountry with their insights, observations, discoveries. Also featured in Deep Wild 2023 is full-color artwork by Tucson watercolorist Kat Manton-Jones and a portfolio of pen-and-ink drawings from the Colorado Plateau by Margaret Pettis.
Fiction “Thinking Ahead” by Joan Silber: “How does a person behave when he knows he’s dying? There’s a myth that people go off and do what they’ve always wanted to do—sail to Spain, buy a horse, eat at the world’s most famous restaurant. ‘They never do that,’ my mother said, ‘that I’ve seen. They don’t even remember why they wanted to do it.”
“Seabreeze” by Korey Lewis: Jojo and Jaz wait for The Defendant to pick them up from their mother’s place and take them to Seabreeze. “If Disney is where dreams come true, then Seabreeze is where they give up.”
“Eau de Nil” by Chloe Wilson: “It was a website called Geriatrix. On it were women my age, in various states of undress. I saw breasts droopier and flatter than mine, necks that were crêpier, bellies that bulged and hung. But what really struck me was how happy they looked.”
“Country Furnishings” by Earle McCartney: The equilibrium in a tetchy blue-collar workshop gets jostled with the arrival of Frank Wonderwood—future son-in-law of the business’s new co-owner and future woodworking graduate from Del Tech.
Poetry Karen Leona Anderson, Stuart Dybek, Johanna Carissa Fernandez, Mike Good, Cleo Qian, Sarah Lynn Rogers, Joel M. Toledo
Nonfiction Laura M. Furlan her birth parents, identity, and butterflies. Adam Foulds on the home-turned-museum of one of England’s greatest architects, Sir John Soane. Sam McPhee on the singular fascination hands have on his attention. Jessica Francis Kane on her lifelong affinity with the fascinating James Boswell. And Devon Brody’s “Beth”: “I’m glad to be with only Beth and her long hair that meets the hair on my arms, and the hair on her arms that meets the hair on my arms.”
In Conversation: Ricardo Frasso Jaramillo delves with Justin Torres into Torres’s career and his new novel, Blackouts, a finalist for the National Book Award.
Boomers Daily 