The object that inspired this animation, a ceramic camel dating back to the Tang Dynasty (AD 618–907), helps us to tell the story of Paul Jacobsthal, a Jewish professor of Archaeology at the University of Marburg in the 1930s, who was forced to leave Germany.
A spiritual object intended to protect the dead from evil
Ashmolean Museum, University of Oxford | EA2012.189
We talk to Nancy Ireson at the Barnes Foundation in Philadelphia about the exhibition William Edmondson: A Monumental Vision. Edmondson was the first African American artist to have a solo show at the Museum of Modern Art in New York in the 1930s, but has rarely been shown in museums on the US East Coast since.
And this episode’s Work of the Week marks the 75th anniversary of the arrival in the UK of the Empire Windrush, a boat carrying passengers from the Caribbean. Zinzi Minott, the choreographer and artist, has made a film called Fi Dem about the Windrush on this anniversary every year since 2017. She tells us about the latest iteration, which is at the heart of a new exhibition at Queercircle in London.
The National Portrait Gallery is open now. Yevonde: Life and Colour, until 15 October.
William Edmondson: A Monumental Vision, Barnes Foundation, Philadelphia, 25 June-10 September.
Zinzi Minott’s Fi Dem VI is part of her exhibition Many Mikl Mek Ah Mukl, Queercircle, London, until 27 August.
The Liverpool Biennial’s latest edition opened last weekend and has a South African curator, Khanyisile Mbongwa, and an IsiZulu title, uMoya: The Sacred Return of Lost Things. The Art Newspaper’s contemporary art correspondent, Louisa Buck, visited the biennial and reviews it for us. And it is Art Basel this week, in its original Swiss location, so this episode’s Work of the Week is one of the most notable works for sale at the fair.
Valentine was painted by Jean-Michel Basquiat in 1984 and given to his then girlfriend, Paige Powell, on Valentine’s Day. Jeffrey Deitch, who is selling the work at Art Basel, tells us its story.
Africa Rising: Morocco is on the BBC iPlayer now. The Nigeria episode is on BBC Two on 20 June at 9pm for UK viewers and on BBC iPlayer, and South Africa is broadcast on BBC Two at 27 June at 9pm. For listeners outside the UK, check your local listings.
Brooklyn Botanic Garden’s world-class bonsai collection is displayed in the C.V. Starr Bonsai Museum. Some of the trees are well over a century old, with many still cultivated in their original containers.
The display changes with the seasons, and as many as 30 specimens are on exhibit at any given time. More than 400 temperate and tropical bonsai trained in classic modes such as the windswept, slanted trunk, rock clinging, and forest styles are included in the collection, one of the largest on display outside Japan.
Ahead of an exhibition of their work in London in September, we talk to Radiohead’s Thom Yorke and Stanley Donwood—who has created the artwork with Yorke for every Radiohead album since 1994, as well the visuals accompanying Thom’s solo records and side projects including the recent records by The Smile—about their collaboration.
A new work for the UK’s Royal Ballet by the choreographer Wayne McGregor premieres at the Royal Opera House in London on 9 June. Untitled, 2023 is a collaboration with the Cuban-American artist Carmen Herrera, developed before Herrera’s death last year at the age of 106. We talk to McGregor about the piece and the intersection between visual art and choreography.
And this episode’s Work of the Week is one of the most famous pictures in the world: Arrangement in Grey and Black, better known as Whistler’s Mother, by James Abbott McNeill Whistler. It’s part of an exhibition called The Artist’s Mother: Whistler and Philadelphia, curated by Jenny Thompson, and we speak to Jenny about the work and the show.
Opening in June 2023, the blockbuster Melbourne Winter Masterpieces® exhibition Pierre Bonnard presents the iridescent paintings of Bonnard within immersive scenography by Paris-based designer India Mahdavi
Pierre Bonnard (3 October 1867 – 23 January 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism.
Ashmolean Museum – Oxford University
The Japanese collection is now best known for its ceramics, in particular the collection of seventeenth- and eighteenth-century export porcelain which is one of the most comprehensive collections in the world. Ceramics for the Japanese market are also well represented, including fine examples of Arita, Nabeshima and Hirado porcelain, tea ceremony wares and Kyoto earthenwares.
May 27 – Oct 08, 2023
The exhibition features works that span the artist’s career, tackling pertinent social issues of the time like anti-Apartheid movements and the HIV/AIDS crisis of the 80s as well as works that address relevant issues that persist today — from capitalism and environmentalism to race, sexuality and religion. “” at the Broad is on view from May 27 through October 8, 2023.
In his short but prolific career, Keith Haring was known for his fluid, uniform lines, intricate compositions, and repeating imagery such as the barking dog and radiant baby. Since the 1980s, Haring’s art has garnered worldwide recognition, breaking down barriers and spreading joy while shining a bright light on complex issues from capitalism and the proliferation of new technologies to sexuality and race.
Born in 1958, Keith Haring grew up in Kutztown, Pennsylvania, where his father, Allen, taught him to draw cartoons from Walt Disney and Dr. Seuss. He moved to New York City in 1978 to enroll in the School of Visual Arts (SVA). In New York, he embraced his homosexuality, which informed his worldview and art practice. The city was pulsing with energy with the emergence of hip-hop, graffiti art, and an active nightclub scene. In alternative spaces such as Club 57 and Paradise Garage, Haring developed his visual style alongside artists Kenny Scharf and Jean-Michel Basquiat, performers Grace Jones and Madonna, and many others.
May 22nd – August 27th, 2023
Such iconic pictures as Wheat Field with Cypresses and The Starry Night take their place as the centerpiece in a presentation that affords an unprecedented perspective on a motif virtually synonymous with the Dutch artist’s fiercely original power of expression. Some 40 works illuminate the extent of his fascination with the region’s distinctive flamelike evergreens as they successively sparked, fueled, and stoked his imagination over the course of two years in the South of France: from his initial sightings of the “tall and dark” trees in Arles to realizing their full, evocative potential (“as I see them”) at the asylum in Saint-Rémy.
Juxtaposing landmark paintings with precious drawings and illustrated letters—many rarely, if ever, lent or exhibited together—this tightly conceived thematic exhibition offers an extraordinary opportunity to appreciate anew some of Van Gogh’s most celebrated works in a context that reveals the backstory of their invention for the first time.
Once a hunting lodge for the Bourbon monarchs, the Museo di Capodimonte in Naples is now home to one of the world’s most significant collections of Italian painting. This exhibition at the Musée Louvre in Paris (7 June–8 January 2024) brings more than 60 masterpieces from the museum to France. Highlights of the paintings on view include Parmigianino’s Portrait of a Young Girl (or Antea) (1524–27) and Guido Reni’s Atalanta and Hippomenes (1620–25).
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