Danny DeVito breaks down his most iconic roles, including his characters in ‘It’s Always Sunny in Philadelphia,’ ‘Batman Returns,’ ‘One Flew Over the Cuckoo’s Nest,’ ‘Taxi,’ ‘Throe Momma from the Train,’ ‘Twins,’ ‘Matilda,’ ‘Hercules,’ ‘L.A. Confidential,’ ‘Curmudgeons’ and ‘Jumanji: The Next Level.’
In No Time To Die, Bond has left active service and is enjoying a tranquil life in Jamaica. His peace is short-lived when his old friend Felix Leiter from the CIA turns up asking for help. The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected, leading Bond onto the trail of a mysterious villain armed with dangerous new technology.
From a Christie’s online article:
Shortly after George Orwell’s death in 1950, his widow Sonia was visited in London by two representatives of the American film producer, Louis de Rochemont. They sought the rights to Orwell’s novel from five years earlier, Animal Farm. It’s said Sonia took some convincing but eventually agreed, on the promise that de Rochemont would introduce her to her hero, Clark Gable.
A conventional, live-action adaptation was out of the question given that the book’s main characters were farmyard animals, so an animated movie was decided upon instead. De Rochemont chose to have it made in the UK rather than the US — partly because of lower production costs, partly because he admired the work of British husband-and-wife duo John Halas and Joy Batchelor, a couple who ran their own animation studio and had produced several propaganda films for the British government during the Second World War.
Their adaptation of Animal Farm was released in 1954, to popular and critical acclaim — the first feature-length animation movie ever made in the UK.
From a NY Times online review:
The war spectacle “1917,” directed by Sam Mendes (“American Beauty”), was unveiled in preview screenings on both coasts this past weekend and immediately announced itself as a significant Oscar player. The movie follows two British soldiers during World War I (George MacKay and Dean-Charles Chapman) as they’re given a seemingly impossible mission: Rush through dangerous territory to deliver a message that could save another battalion on the verge of annihilation.
Though “1917” recalls other Oscar-winning war movies like “Saving Private Ryan” and “Dunkirk,” Mendes distinguishes his effort by presenting the story as though “1917” were filmed all in one single take. It isn’t — Mendes and the cinematographer Roger Deakins employ all manner of clever methods to stitch together a great many different shots — but the average moviegoer won’t be able to spot the tells, and the you-are-there verisimilitude is potent.
To read more: https://www.nytimes.com/2019/11/25/movies/1917-oscar-odds.html
Netflix has risen from obscurity to be one of the most powerful media companies in the world with more than 150 million global subscribers. It has launched critically acclaimed hits such as House of Cards, The Crown and Unbelievable, as well as showcasing the back catalogues of popular television series. But as part of its rapid growth, the company has racked up huge debts.
Joining Anushka Asthana to discuss the long-term sustainability of Netflix are the TV critic Mark Lawson and the Guardian’s deputy business editor Dan Milmo.
From a Gentleman’s Journal online article:
“He went into the bathroom and had an ice-cold shower and washed his hair with Pinaud Elixir, that prince among shampoos, to get the dust of the roads out of it…”In Ian Fleming’s From Russia, With Love, there is a terrific exchange between James Bond and Tatiana Romanova — a Soviet corporal who takes up with the British agent. On a sleeper train out of Turkey, the two are readying themselves for the day ahead and Romanova, noticing that 007 doesn’t wear cologne, asks him why this is.
“We wash,” replies Bond, drier than a martini. And this clean-cut, neatly clipped and slightly stinging response sums up the superspy’s attitude to his grooming routine. It’s a thoroughly English approach; leaning on trusted, heritage brands — and not preoccupied with overly strong scents or convoluted bits of kit. So this got us thinking: if a pared-back, simple grooming routine was good enough for MI6’s finest, surely it should be good enough for us?
To read more: https://www.thegentlemansjournal.com/article/we-followed-james-bonds-grooming-routine-for-a-week-this-is-what-happened/
From a New Scientist online review:
The prevailing narrative of “battling cancer” in Western society has its own issues, with its discourse of personal triumph that values individual responsibility and determination. But the alternative – to lie outright – might seem inconceivable, particularly to those accustomed to the norms of Western culture. It is, however, a common practice in China, rooted in the belief that telling a person about their diagnosis can make their condition deteriorate quicker.
The plot line of The Farewell is familiar to me. Like Billi’s Nai Nai, my aunt was diagnosed with metatastic lung cancer. Nobody in the family told her – nor did the doctors when she later underwent surgery to remove a tumour. The last time I saw her was in north-eastern China a few years ago. Her once-plump figure had shrunk to a wiry frame. She was in her early 70s, in good spirits, but a far cry from the feisty matriarch who used to dominate conversations.
The Farewell is a heartfelt film, punctuated by moments of unexpected – and unexpectedly uplifting – humour. In a darkly comical scene in a printing shop, Nai Nai’s younger sister demands that the results of a medical report be doctored to edit out references to cancerous nodules and replaced with the nebulous term “benign shadows”.
From a Wall Street Journal article:
We asked Lord Fellowes about the servants and family members who made it to the movie. Here are edited excerpts:
“It’s a way of life that’s gone and I don’t think it’s a bad state that it’s gone. But realistically it must’ve been livable on a level by pretty well everyone involved or it wouldn’t have gone on for a thousand years.”
In what ways did you think it was essential for “Downtown Abbey” to be accurate?
I think if you try to get all the details right and you talk to enough people who remember that life—which there were when I was much younger—you can imbue it with a kind of reality that seems believable to people who maybe don’t know about that way of life and certainly may not approve of it, but when they watch it, they can see how it worked. They can understand how people lived like that. Whereas when you start to get all the details wrong, it doesn’t feel believable. It doesn’t feel truthful.
To read more: https://www.wsj.com/articles/writer-julian-fellowes-prepares-downton-abbey-for-the-big-screen-11568552402
From an Esquire.com online article:
No Time to Die, as Bond 25 is called, will be out on April 8, 2020 in the U.S. and April 3 in the UK.
Directed by True Detective’s Cary Fukunaga, No Time to Die was delayed earlier this year when Daniel Craig injured his ankle on the set and underwent reparative surgery. Also starring Rami Malek as the main villain, the film will follow Bond after he’s left MI6, “when his friend Felix Leiter enlists his help in the search for a missing scientist. When it becomes apparent that they were abducted, Bond must confront a danger the likes of which the world has never seen,” according to the film’s official synopsis.
To read more click on the following link: https://www.esquire.com/entertainment/movies/a28761356/james-bond-25-title-no-time-to-die-release-date/?source=nl&utm_source=nl_esq&utm_medium=email&date=082019&src=nl&utm_campaign=17826563
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