Times Literary Supplement (August 11, 2023): – Race today and yesterday – The Black and Asian British experience; Orwell’s political pilgrimage; Germany via Scotland; Adam Mars-Jones trilogy and the Grenfell play…
Literary Review of Canada – September 2023: The September issue features Michael Taube on Jason Kenney, the life of Jack Austin, the legacy of a horse racing dynasty, our tenacious statistics bureau, memories of melmac, and Vincent Lam’s latest—with a cover from Alexander MacAskill.
Jason Guriel’s very specific type of fun
The Full-Moon Whaling Chronicles By Jason Guriel
Forgotten Work By Jason Guriel
The question is asked all the time, usually in unpoetic moments; it’s an occupational hazard of teaching literature. There I’ll be at the clinic, sinuses on fire, when sure enough the doctor asks, “What’s your favourite book?” My practised answer, no hemming and hawing, is Moby-Dick. Everyone’s heard of it, and it sounds reassuringly substantial. (No one wants to hear a professor say Twilight.) “Oh, Time, Strength, Cash, and Patience,” I’ll mumble to myself as I walk out with my prescription.
On those important rituals by Kyle Wyatt
The quick end to Jason Kenney’s long career by Michael Taube
Paying tribute to John English by Daniel Woolf
When Jack Austin went to Ottawa by Jeff Costen
‘A novelist is condemned to produce a succession of novelties, new names for characters, new incidents for his plots, new scenery,’ reflects the beleaguered hero of The Ordeal of Gilbert Pinfold, Evelyn Waugh’s portrait of the artist as a middle-aged car crash.
In 1958, a Cambridge don called Frederick J. Stopp produced a study of Waugh – uniquely, Waugh himself gave ‘generous assistance’ – which warmly endorsed the idea that he had basically ‘two books in his armoury’, the first featuring the ‘contrast between sanity and insanity’ and the second ‘sanity venturing out into the surrounding sphere of insanity, and defeating it at its own game’.
Whether this particular dualism had Waugh’s approval is unclear, but either way it doesn’t seem entirely satisfactory since the two alternatives look like variants of the same thing. Less well-disposed readers have thought that Waugh’s books divided on much more rudimentary lines: the good ones, which are funny, and the bad ones, which are pious.
There is the string of brilliant, brittle social comedies in the 1930s, and then there is whatever started happening with the publication in 1945 of Brideshead Revisited. Stopp reported, presumably with his master’s sanction, that ‘Mr Waugh’s reputation among the critics has hardly yet recovered from the blow.’ Brigid Brophy had the best joke: ‘In literary calendars, 1945 is marked as the year Waugh ended.’
THE NEW YORK TIMES BOOK REVIEW – August 6, 2023: The issue features Daniel Kraus’s new thriller, “Whalefall,” the story of a teenage diver inadvertently swallowed by an 80-foot whale; the reissue of Claude Anet’s provocative 1920 novel, “Ariane: A Russian Girl”; a biography of the Gilded Age heiress and international spy Marguerite Harrison; a handful of audiobook recommendations; even the biography of a venerable scam.
In Daniel Kraus’s novel “Whalefall,” a teenage diver is gulped down by a 60-ton whale and must try to escape.
By Sarah Lyall
In marine biology, a whale fall is the body of a dead whale that has slowly descended to the bottom of the ocean. Scavengers strip its flesh, crustaceans and other creatures colonize its skeleton and its decaying bones help sustain countless organisms for years to come, part of the delicate balance of the undersea ecosystem.
Reading Claude Anet’s provocative 1920 novel “Ariane: A Russian Girl,” the reader may yearn for a little less conversation.
By Gemma Sieff
It would be nice if we had put to bed, so to speak, witless and reductive double standards about female promiscuity. Have you heard the one that goes, “A key that opens many locks is a master key, yet a lock that is opened by many keys” is … unprintably bad? Me neither — until I saw it on TikTok.
By Jessica Rawson
When constructing monumental tombs thousands of years ago, “the Egyptians built up” — with their pyramids — whereas “the Chinese built down”, writes sinologist Jessica Rawson. The geology of China’s dry Loess Plateau permitted the excavation of shafts more than 10 metres deep. These tombs were filled with objects for the afterlife. Rawson’s majestic history explores 11 such monuments and one large sacrificial deposit, dating from 5,000 years ago to the third century bc, with the First Emperor’s protective Terracotta Army.
Ulbe Bosma
Sugar’s societal dominance is a recent development. Granulated sugar was eaten from the sixth century bc in India, but refined sugar became widely available in Europe only in the nineteenth century. Its history is both a story of progress and a bitter-sweet tale of “exploitation, racism, obesity, and environmental destruction”, writes historian Ulbe Bosma in his authoritative, highly readable study — the first to be truly global. Of 12.5 million Africans kidnapped in the Atlantic slave trade, between half and two-thirds were enslaved on sugar plantations.
Piero Martin (transl. Gregory Conti)
The great civilizations of the ancient world could use precise measurements — witness the Egyptian pyramids. But their units differed. Not until 1960 was the international system of measurement (SI) introduced, defining the metre, second, kilogram, ampere, kelvin and candela — then the mole in 1971. Each gets a chapter in this concise, anecdotal history by experimental physicist Piero Martin. He stresses the subjective aspect of measurement, such as the idea that the quality of scientific publications matters more than their quantity.
By Ken McNamara
Earth scientist Ken McNamara focuses on palaeontology and evolution. His appealing book about rocks and their lessons — illustrated with fine photographs of fossils — leaves aside igneous and metamorphic rocks, and the wonders of mineralogy. It concentrates instead on sedimentary rocks: mudstones, siltstones, sandstones and limestones, scattered over three-quarters of Earth’s surface in “endless piles”. As he jokily advises: “Ignore rocks at your peril.” But then surely continental drift deserved proper discussion?
Marjolijn van Heemstra (transl. Jonathan Reeder)
Dutch space reporter Marjolijn van Heemstra is also a poet, novelist and playwright. This translation of her highly personal meditation on the Universe reflects lyrically on the fact that the atmosphere “signifies a boundary”, whereas space “appeals to our notion of boundlessness”. She notes a growing difference of opinion between those who see space exploration as irresponsible because our planet is in deep trouble — environmental and otherwise — and those who regard space as a potential refuge from Earth.
Times Literary Supplement (August 4, 2023): The twilight zone – Joyce Carol Oates on the novellas of Rachel Ingalls; J.L Austin, philosopher-spy; Adam Thirlwell’s historical fantasy; Hollywood blockbusters; Poverty in the U.S. and more…
Literary Review – August 2023 Issue: How Sugar Became King; Oil, Resin, Vinegar & Paint – “Albrecht Dürer: Art and Autobiography” By David Ekserdjian; Shopping & Plucking – “How to Be a Renaissance Woman: The Untold History of Beauty and Female Creativity” By Jill Burke and more…
Albrecht Dürer: Art and Autobiography By David Ekserdjian
Dürer’s Lost Masterpiece: Art and Society at the Dawn of a Global World By Ulinka Rublack
The German Renaissance artist Albrecht Dürer (1471–1528) was fortunate in his initials. The stylised ‘AD’ that he routinely inserted into his paintings and engravings, and even the preparatory drawings, seemed to imbue his productions with an almost divine stamp of approval. Most German painters of the era did not sign their work, but Dürer was eager to assert creative ownership of his productions, obtaining legal protection of his sole right to the trademark monogram.
The World of Sugar: How the Sweet Stuff Transformed Our Politics, Health, and Environment over 2,000 Years By Ulbe Bosma
There was a time when commodity histories were everywhere. They tended to focus on consumption and trade over very long distances. Ulbe Bosma’s The World of Sugar is much more than this sort of book. It is one of the most accomplished longue durée case studies in the history of capitalism that we have, concerned not just with trade and consumption but with production also. At every turn it subverts both critiques and celebrations of capitalism, and our understanding of much else besides. It is an extraordinary achievement.
The House of Doors by Tan Twan Eng
In Ascension by Martin MacInnes
All the Little Bird-Hearts by Viktoria Lloyd-Barlow
This Other Eden by Paul Harding
How to Build a Boat by Elaine Feeney
If I Survive You by Jonathan Escoffery
Study for Obedience by Sarah Bernstein
THE NEW YORK TIMES BOOK REVIEW – JULY 30, 2023:
On this week’s cover, we feature biographies of composers Arnold Schoenberg and Wolfgang Amadeus Mozart that emphasize the extent to which each was a singular genius attuned to his culture and times; our reviews are by Anthony Tommasini (formerly The Times’s chief classical music critic) and the composer John Adams.
In Patrick Mackie’s “Mozart in Motion,” the socially observant composer embraces modernity.
Musicians tend to be wary of ascribing specific meanings to music or making too much of a piece’s extra-musical associations. In one of his Norton Lectures at Harvard in 1973, turning to Beethoven’s “Pastoral” Symphony, Leonard Bernstein asked the audience to forget all about “birds and brooks and rustic pleasures” and instead concentrate on “pure” music. He then demonstrated how every phrase of the entire first movement is derived from little motifs of notes and rhythms in the first four bars of the score.
John Adams reviews “Schoenberg: Why He Matters,” in which Harvey Sachs explores the artistic, academic and spiritual life of a 20th-century cultural giant.
In 1955 Henry Pleasants, a critic of both popular and classical music, issued a cranky screed of a book, “The Agony of Modern Music,” which opened with the implacable verdict that “serious music is a dead art.” Pleasants’s thesis was that the traditional forms of classical music — opera, oratorio, orchestral and chamber music, all constructions of a bygone era — no longer related to the experience of our modern lives. Composers had lost touch with the currents of popular taste, and popular music,
By Tessa Hadley | Knopf
Moments of “intense insight and recognition” animate a dozen new stories from a master of the form. Review by Sam Sacks.
By Alan Paul | St. Martin’s
Even after the loss of two of their founding members, the Georgia-based band created a country-blues sound that captivated audiences. Review by Gavin Edwards.
By James R. Hansen | Pegasus
Tom McClean faced frostbite, nonstop gales and waves that looked like skyscrapers. A 15-foot shark followed him for days. He named it Bluey. Review by Bill Heavey.
By Martin Peretz | Wicked Son
The pugnacious editor and publisher looks back on his career putting the New Republic at the center of a generation’s political conversation. Review by Tunku Varadarajan.
By Amanda Goodall | PublicAffairs
Should a doctor run a hospital? An engineer a tech company? Workers seem to value a boss with skill and knowledge in the core business. Review by David A. Price.
By Peter Turchin | Penguin Press
The widening wealth gap in the U.S. has been fueled by elite overproduction—a combination that, to some, can only signal an imminent state breakdown. Review by Dominic Green.
By Gunnar Broberg | Princeton
The Swedish naturalist Linnaeus bestowed an orderly taxonomy on the natural world, but his love of animals and plants was quirky and personal. Review by Christoph Irmscher.
By Amul Thapar | Regnery Gateway
A federal judge argues that when we follow the arguments of Supreme Court Justice Thomas in applying the Constitution, the weak and the powerless stand to benefit the most. Review by David J. Garrow.
By C.W. Goodyear | Simon & Schuster
James Garfield’s ambitious career—from janitor to Union general, then from Congress to the presidency—was cut short by an assassin. Review by Richard Norton Smith.
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