What An Owl Knows by Jennifer Ackerman

Masterpieces Galore: When Mozart Met the Enlightenment

In Patrick Mackie’s “Mozart in Motion,” the socially observant composer embraces modernity.

Musicians tend to be wary of ascribing specific meanings to music or making too much of a piece’s extra-musical associations. In one of his Norton Lectures at Harvard in 1973, turning to Beethoven’s “Pastoral” Symphony, Leonard Bernstein asked the audience to forget all about “birds and brooks and rustic pleasures” and instead concentrate on “pure” music. He then demonstrated how every phrase of the entire first movement is derived from little motifs of notes and rhythms in the first four bars of the score.

Make It New and Difficult: The Music of Arnold Schoenberg

This painting shows a balding middle-aged man, in suit, vest and tie, from the waist up. The suit jacket and vest are beige and white; the tie is dark brown.

John Adams reviews “Schoenberg: Why He Matters,” in which Harvey Sachs explores the artistic, academic and spiritual life of a 20th-century cultural giant.

In 1955 Henry Pleasants, a critic of both popular and classical music, issued a cranky screed of a book, “The Agony of Modern Music,” which opened with the implacable verdict that “serious music is a dead art.” Pleasants’s thesis was that the traditional forms of classical music — opera, oratorio, orchestral and chamber music, all constructions of a bygone era — no longer related to the experience of our modern lives. Composers had lost touch with the currents of popular taste, and popular music,

With their unnerving stare and eerie ways, it is small wonder that owls provoke superstition—and flights of fancy, as in the owl who sails with the pussycat in Edward Lear’s poem. In myths, stories and art, “owls speak of wisdom and luck, of misfortune and malevolence”, the author writes. They were associated with Athena, Greek goddess of wisdom.

The Economist (June 11, 2023) – With a face as round as the first letter of its name and a stance as upright as the last—along with human-like features and a haunting cry—the owl has a mystical, mythical perch in the imagination. Difficult to spot because of their mostly nocturnal habits, and sporting cryptic plumage that helps them melt into landscapes, owls, writes Jennifer Ackerman, are the most enigmatic of birds.

Ms Ackerman is a natural-history writer who specialises in the avian world. In “What an Owl Knows” she offers an absorbing ear-tuft-to-tail appreciation of the raptor that Mary Oliver, a poet, called a “god of plunge and blood”. Owls, it seems, know a lot. Ms Ackerman draws on recent research to explain what and how.

To begin with, she stresses, there is no generic owl, but rather a diversity of some 260 species found on every continent bar Antarctica. They stretch from the fire-hydrant-sized Blakiston’s Fish Owl to the Elf Owl, which could fit in your palm. Most, but not all, are nocturnal.

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Jennifer Ackerman has been writing about science and nature for almost three decades. Her most recent book, What an Owl Knows: The New Science of the World’s Most Enigmatic Birds, explores recent findings on the biology, behavior, and conservation of owls. Her previous book, The Bird Way: A New Look at How Birds Talk, Work, Play, Parent, and Think, was a finalist for the PEN/E. O. Wilson Literary Science Writing Award. Her New York Times bestselling book, The Genius of Birds, has been translated into twenty-five languages and was named one of the best nonfiction books of 2016 by The Wall Street Journal, a Best Science Book by NPR’s Science Friday, and a Nature Book of the Year by The Sunday Times.