Category Archives: Arts & Literature

New Art History Books: “A Month In Siena” By HISHAM MATAR Is A “Triumph”

From a Penguin Random House release:

A Month In Siena by Hisham Matar 2019Including beautiful full-color reproductions of the artworks, A Month in Siena is about what occurred between Matar, those paintings, and the city. That month would be an extraordinary period in the writer’s life: an exploration of how art can console and disturb in equal measure, as well as an intimate encounter with a city and its inhabitants. This is a gorgeous meditation on how centuries-old art can illuminate our own inner landscape—current relationships, long-lasting love, grief, intimacy, and solitude—and shed further light on the present world around us.

From the Pulitzer Prize–winning author of The Return comes a profoundly moving contemplation of the relationship between art and life.

Listen to an excerpt below:


 
After finishing his powerful memoir The Return, Hisham Matar, seeking solace and pleasure, traveled to Siena, Italy. Always finding comfort and clarity in great art, Matar immersed himself in eight significant works from the Sienese School of painting, which flourished from the thirteenth to the fifteenth centuries. Artists he had admired throughout his life, including Duccio and Ambrogio Lorenzetti, evoke earlier engagements he’d had with works by Caravaggio and Poussin, and the personal experiences that surrounded those moments.

To read more: https://www.penguinrandomhouse.com/books/609913/a-month-in-siena-by-hisham-matar/

New Books: “Airline Maps – A CENTURY OF ART AND DESIGN” By MARK OVENDEN and MAXWELL ROBERTS

From a Penguin Random House review:

Airline Maps A Century of Art and Design Mark OvendenIn this gorgeously illustrated collection of airline route maps, Mark Ovenden and Maxwell Roberts look to the skies and transport readers to another time. Hundreds of images span a century of passenger flight, from the rudimentary trajectory of routes to the most intricately detailed birds-eye views of the land to be flown over. Advertisements for the first scheduled commercial passenger flights featured only a few destinations, with stunning views of the countryside and graphics of biplanes. As aviation took off, speed and mileage were trumpeted on bold posters featuring busy routes. Major airlines produced highly stylized illustrations of their global presence, establishing now-classic brands. With trendy and forward-looking designs, cartographers celebrated the coming together of different cultures and made the earth look ever smaller.

Airline Maps A Century of Art and Design Mark Ovenden Book Cover

A nostalgic and celebratory look back at one hundred years of passenger flight, featuring full-color reproductions of route maps and posters from the world’s most iconic airlines, from the author of bestselling cult classic Transit Maps of the World.

To read more: https://www.penguinrandomhouse.com/books/600815/airline-maps-by-mark-ovenden-and-maxwell-roberts/

Top Photographers: Luke Shad Bolt’s “Roiling Majesty” Of Ocean Waves

From a Colossal online article:

Maelstrom 8, 2016 Luke Shad BoltIn a statement on the artist’s website, the Maelstrom series is described as “a cursory glimpse of the exchange, cycle and balance of power fundamental to the functioning of our planet and its oceans… Maelstrom encourages the viewer to reflect upon our own naivety and place as a species within the greater natural balance of power.”

Luke Shadbolt captures the roiling majesty of ocean waves in his large-scale aquatic photographs. Printed at 150 x 100 cm (nearly 6 feet by 3.3 feet), the color and black-and-white images show the dramatic shapes and dynamic textures of open water when agitated by major weather events.

https://lukeshadbolt.com/portfolio

The Acquiesce the Front series similarly seeks to draw connections between the human experience and our natural environment. “The physical manifestations portrayed are a deft reflection of those storms that are implicit to the human condition,” and our individual frailty in the face of big events. Yet Shadbolt finds hope in the potential “to learn and grow from these events. While we may be powerless to stop the storm from approaching, we can work to redirect the flood.”

To read more: https://www.thisiscolossal.com/2019/10/waves-by-luke-shadbolt/?mc_cid=e31c291cfd&mc_eid=28f9488a9b

 

Top New Nature Books: “Turning The Boat For Home” By Richard Mabey

From a Cotswold Life online interview/review:

Turning The Boat For Home Richard Mabey cover“I suppose I started off with a fairly literal view of the world,” he says. “But, quite early on, it became clear to me that there was much more going on than simply the picture I was seeing; that the natural world had an agenda of its own; that it was going to live out life, regardless of how we viewed it and how we used it; and, indeed, regardless of the fancy metaphors that we used.”

Oh my goodness. Where to begin?

I could start with the ‘Praying Beech’ – a tree whose (‘whose’? The human possessive feels simultaneously wrong and yet just right) two branch stubs clasped each other like hands. Once, when the rain fell in an apocalyptic burst, Richard Mabey watched its bark melt in front of his eyes. It was, of course, no stranger to extremes of weather: one summer past, the tree had been split by lightning, bees hunkering down in its newly-created hollows. Sometime later, a storm had toppled it, leaving fungi free to colonise its delicious surfaces: knobbly coral spots; dead man’s fingers rising corpse-like from the tree’s own rot; white porcelain tufts, like Royal Worcester plates awaiting a delicate slice of egg-yellow sponge.

To read more: https://www.cotswoldlife.co.uk/people/interview-with-nature-writer-richard-mabey-1-6357450?utm_medium=email&utm_source=eshot&utm_campaign=newsletterlinknewtemplate

Short Films: “The Art Of Collecting” By Petr Krejčí

Filmed and Directed by: Petr Krejčí

A film commissioned by Goldsmith’s Compay for Goldsmith’s Fair 2019. This year’s theme was about collecting and collectors.

Goldsmiths’ Fair is recognised internationally as the premier UK showcase for contemporary jewellery and silver.

The Art of Collecting short Film Goldsmiths' Fair 2019

Each year, this unique event draws collectors, design lovers and luxury shoppers to the magnificent Goldsmiths’ Hall where they can browse the latest collections from this handpicked selection of craftsmen and women.

Website: https://www.goldsmithsfair.co.uk/

Literary Milestones: A Letter To Sylvia Beach, Founder, “Shakespeare And Company” In Paris (100 Years Old This Month)

From a Shakespeare and Company email:

Dear Sylvia Beach,

Sylvia Beach Shakespeare and Company 1919-1941One hundred years ago this month, you opened the shutters of a small bookshop on rue Dupuytren. Its name was Shakespeare and Company. I often wonder if, on that first morning, you could ever have imagined how important your story would be.

You were only 32 but had already lived quite a life. Soulful and fearless, witty and energetic, you’d been active in the women’s suffrage movement, studied French poetry in Paris, and served with the Red Cross in Serbia during the First World War. You had also met Adrienne Monnier, one of the first women in France to found her own bookshop. Adrienne would be your companion for decades to come.

Your bookshop—first on rue Dupuytren, then around the corner on rue de l’Odéon—became a sanctuary for Anglophone and Francophone writers. T.S. Eliot, Gertrude Stein, Ezra Pound, James Joyce, Ernest Hemingway, Djuna Barnes, and F. Scott Fitzgerald, as well as André Gide, Paul Valéry, and Louis Aragon, among many others, all bought and borrowed books from you, and attended readings and parties at Shakespeare and Company. As André Chamson wrote about you: “Sylvia Beach carried pollen like a bee. She cross-fertilised these writers. She did more to link England, the United States, Ireland, and France than four great ambassadors combined.” I think of this whenever I ponder the role booksellers and bookshops can play during this age of political and ecological turbulence. When James Joyce couldn’t find anyone to publish Ulysses—his modernist masterpiece that had been condemned for obscenity—you stepped up. Even when you closed your bookshop in 1941, it was not an act of defeat but of defiance—you would rather see your life’s work shuttered forever than sell Finnegans Wake to a high-ranking Nazi officer.

Sylvia Whitman Shakespeare and Company Paris
Sylvia Whitman

When my father, George Whitman, opened this bookshop in 1951, you were not just a regular visitor but an inspiration. You had shown how a true bookseller must also be prepared to be a librarian, a publisher, a PO box, a banker, a hotelier, and—most importantly—a friend to writers and readers. For your belief that a love of reading is more important than the quest for profit, you have been called the patron saint of independent bookstores. We’re sure that your extraordinary memoir and your beautiful letters continue to embolden booksellers the world over, just as they embolden us. Particularly during hard times, your story stands like a beacon when we need direction, comfort, or inspiration.

Thank you, Sylvia, for everything you did and everything you stood for.

In loving homage,

Sylvia Whitman
Proprietor
Shakespeare And Company

https://shakespeareandcompany.com/

Shakespeare And Company Parisjpg

 

New Collector Books: “Salvador Dalí Tarot Card” Book Set (Taschen)

Dalí’s Tarot Book and Card Set TaschenDalí poses as the Magician, his wife Gala becomes the Empress, and the death of Julius Caesar is reinterpreted as the Ten of Swords in the artist’s  extraordinary custom tarot deck. First published in a 1984 limited edition that has since long sold out, this lush box set brings back all 78 cards, each dazzling in color, along with a companion book on the making-of and practical instructions.

To read more: https://www.taschen.com/pages/en/catalogue/art/all/44640/facts.dali_tarot.htm

Science & Art: Jackson Pollock’s Drip Painting Style (And Genius) Avoided “Coiling Instability”

From PLOS One Journal online release:

Jackson Pollock Full Fathom Five 1947We conclude that Pollock avoided the appearance of the hydrodynamic instabilities, contrary to what was argued by previous studies. Pollock selected the physical properties of the paint to prevent filament fragmentation before deposition, and applied it while moving his hand sufficiently fast and at certain heights to avoid fluid filaments from coiling into themselves. An understanding of the physical conditions at which these patterns were created is important to further art research and it can be used as a tool in the authentication of paintings.

Jackson Pollock Painting TechniqueConsidered one of the most prominent American painters of the 20th century, the life and work of Jackson Pollock have been the subject of books, movies, and documentaries [13]. His paintings can be broadly categorized as being abstract-expressionist. Although his painting style evolved during his sometimes tormented life, the so-called ‘dripping’ technique is certainly the most widely recognized both by experts and the general public.

Jackson Pollock described the technique himself [4]. In summary, Pollock would lay a canvas horizontally and pour paint on top of it, in a controlled manner. To regulate the flow of paint, he either used an instrument (a stick, knife or a brush), poured it directly from a can and in some instances he also used a syringe. Viscous fluid filaments were produced and laid over the canvas while ‘rhythmically moving’ around it. It is believed that Pollock developed this technique strongly influenced by an experimental painting workshop, organized in New York by Mexican muralist David Alfaro Siqueiros in 1936 [5]. Interestingly, Siqueiros himself also developed the ‘accidental painting’ technique during this workshop, which was recently analyzed by Zetina et al. [6].

To read more: https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0223706

Museum Insider: Curators & Artists Oversee New Frames, Placement Of Paintings At MoMA (Video)

The new MoMA opens. Cherished works return to the walls of the galleries in brand new frames, while curators and artists watch the completion of the reinstallation. After being closed for four months, MoMA reopens its doors to the public.

TABLE OF CONTENTS

0:13 – Associate sculpture conservator Roger Griffith and sculpture conservation fellow Joy Bloser clean Arthur Young’s Bell-47D1 Helicopter.

0:52 – Senior curator of Painting and Sculpture Anne Umland and chief curator of Painting and Sculpture Ann Temkin oversee the hanging of Pablo Picasso’s “Les Demoiselles d’Avignon.”

1:20 – Peter Perez, frame shop foreman, discusses “The Starry Night’s” new, black frame.

2:53 – Artist Amy Sillman explains how she curated and arranged “The Shape of Shape,” part of the long-running Artist’s Choice exhibition series in which artists selects works to show from the Museum’s collection

4:17 – Photography curator Sarah Meister and conservator Lee Ann Daffner adjust the lighting on Joseph-Philibert Girault de Prangey’s “Rome. Arch of Septimus Severus and Capitoline Lion.”

5:02 – Senior deputy director of exhibitions and collections Ramona Bronkar Bannayan and director of exhibition design and production Lana Hum make a final checklist of things to accomplish before the opening.

5:32 – Artist Betye Saar sees her exhibition for the first time.

7:11 – Manager of enterprise applications Rik Vanmechelen and developer Ryan Sprott check the new ticket machines.

8:04 – Chief facilities and safety officer Tunji Adeniji welcomes the public to the new MoMA on opening day.

8:30 – Silent film accompanist Ben Model improvises a live piano soundtrack for Frank Powell’s 1915 film “A Fool There Was.”

9:12 – Security supervisor Chet Gold greets volunteer Fred Liberman. Gold returns to his favorite room in the new MoMA.

Literary Destinations: The Faulkner House Bookstore, New Orleans

From an Atlas Obscura online review:

Faulkner House Bookstore New Orleans interiorInside, the small store has a good selection of literary fiction ranging from classics to current publications. There is also a great selection of books about New Orleans and local culture. There is, of course, a dedicated area, almost shrine-like, for Faulkner’s works, and the shop owner will let you take a look at those more expensive books, “if you want to get in trouble with your wallet.”

Blink while passing through New Orleans’s French Quarter, and you may miss this small, charming bookstore. But step inside, and you’ll steal a quick peek at the space where William Faulkner himself lived while in the city.

Though he later penned famous works like The Sound and the Fury and As I Lay Dying, Faulkner wasn’t much of anybody yet when he moved to New Orleans, and in fact published his first work in a local journal. There is a historical plaque outside the building that states that Faulkner wrote his first novel, Soldiers’ Pay, while in residence there in 1925.

To read more: https://www.atlasobscura.com/places/faulkner-house-books?utm_source=Atlas+Obscura+Daily+Newsletter&utm_campaign=5bf02e2e8b-EMAIL_CAMPAIGN_2019_10_31_02_06&utm_medium=email&utm_term=0_f36db9c480-5bf02e2e8b-63029309&mc_cid=5bf02e2e8b&mc_eid=9baf474570