THE NEW YORK TIMES MAGAZINE (January 18, 2025): The The 1.19.25 Issue features Jennifer Kahn on chronic pain; Moises Velasquez-Manoff on raw milk; Alia Malek on Syrians in Turkey; and more.
After developing chronic pain, I started looking into what scientists do — and still don’t — understand about the disease. Here is what I learned.By Jennifer Kahn
Despite the serious risks of drinking it, a growing movement — including the potential health secretary Robert F. Kennedy Jr. — claims it has benefits. Should we take them more seriously?By Moises Velasquez-Manoff
Tiffany Daneff savours the exotic surroundings of Tresco Abbey Garden, where the temperate climate of the Isles of Scilly has created a colourful paradise
Box of tricks
The devastation of box blight is well documented, but what can we do to save our hedges? Charles Quest-Ritson investigates
Now that’s what I call pulling power
The ox may have disappeared from the fields of Britain, but that mighty beast of burden still plays a huge role in agriculture across the globe, finds Laura Parker
‘Make way for Her Majesty’s gloves!’
You’ve got to hand it to Cornelia James, suggests Katy Birchall, as she recounts the incredible rise to prominence of our late Queen’s favourite glove-maker
Amie Atkinson’s favourite painting
The actress selects a heavenly landscape that has fired her imagination since childhood
The legacy
Tiffany Daneff pays tribute to Beth Chatto, whose ‘right plant, right place’ philosophy inspired her Essex dry garden
Top seats
The best chairs and benches for the garden, with Amelia Thorpe
Cool schools
Non Morris taps into the expert knowledge of Troy Scott-Smith, Charles Dowding and Tom Stuart-Smith as she digs into some of Britain’s best garden courses
Town versus Earl
John Goodall charts the history of The Lord Leycester and its outstanding medieval buildings in Warwickshire that have been given a whole new lease of life
See you on the top deck
To celebrate the centenary of London’s covered double-decker bus, Rob Crossan hops aboard for a whistle-stop tour of our capital’s public transport
The good stuff
Hetty Lintell keeps her cool with a sparkling selection of jewellery inspired by ice
Interiors
Arabella Youens admires a sitting room in London and Amelia Thorpe answers the call of the wild with animal accessories
Kitchen garden cook
Earthy leeks take centre stage in winter for Melanie Johnson
Be still, my beating art
An obsession with Emma, Lady Hamilton led painter George Romney to produce his finest pieces, reveals Carla Passino
THE ART NEWSPAPER (January 10, 2025): A 2025 preview: Georgina Adam, our editor-at-large, tells host Ben Luke what might lie ahead for the market. And Ben is joined by Jane Morris, editor-at-large, and Gareth Harris, chief contributing editor, to select the big museum openings, biennials and exhibitions.
Exhibitions:
Site Santa Fe International, Santa Fe, US, 28 Jun-13 Jan 2026; Liverpool Biennial, 7 Jun-14 Sep; Folkestone Triennial, 19 Jul-19 Oct; Ruth Asawa: A Retrospective, San Francisco Museum of Modern Art, 5 Apr-2 Sep; Museum of Modern Art (MoMA), New York, 19 Oct-7 Feb 2026; Gabriele Münter, Guggenheim Museum, New York, 7 Nov-26 Apr 2026; Musée d’Art Moderne de Paris, 4 Apr-24 Aug; Elizabeth Catlett: a Black Revolutionary Artist, Brooklyn Museum, New York, until 19 Jan; National Gallery of Art (NGA), Washington DC, 9 Mar-6 Jul; Art Institute of Chicago, US, 30 Aug-4 Jan 2026; Ithell Colquhoun, Tate Britain, London, 13 Jun-19 Oct; Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams, Courtauld Gallery, London, 20 Jun-14 Sep; Michaelina Wautier, Kunsthistorisches Museum, Vienna, 30 Sep-25 Jan 2026; Radical! Women Artists and Modernism, Belvedere, Vienna, 18 Jun-12 Oct; Dangerously Modern: Australian Women Artists in Europe, Art Gallery of South Australia, Adelaide, 24 May-7 Sep; Art Gallery of New South Wales, Sydney, 11 Oct-1 Feb 2026; Lorna Simpson: Source Notes, Metropolitan Museum of Art, New York, 19 May-2 Nov; Amy Sherald: American Sublime, SFMOMA, to 9 Mar; Whitney Museum of American Art, New York, 9 Apr-Aug; National Portrait Gallery, Washington DC, 19 Sep-22 Feb 2026; Shahzia Sikander: Collective Behavior, Cincinnati Art Museum, 14 Feb-4 May; Cleveland Museum of Art, US, 14 Feb-8 Jun; Cantor Arts Center, Stanford, US, 1 Oct-25 Jan 2026; Jenny Saville: The Anatomy of Painting, National Portrait Gallery, London, 20 Jun-7 Sep; Linder: Danger Came Smiling, Hayward Gallery, London, 11 Feb-5 May; Arpita Singh, Serpentine Galleries, London, 13 Mar-27 Jul; Vija Celmins, Beyeler Collection, Basel, 15 Jun-21 Sep; An Indigenous Present, ICA/Boston, US, 9 Oct-8 Mar 2026; The Stars We Do Not See, NGA, Washington, DC, 18 Oct-1 Mar 2026; Duane Linklater, Dia Chelsea, 12 Sep-24 Jan 2026; Camden Art Centre, London, 4 Jul-21 Sep; Vienna Secession, 29 Nov-22 Feb 2026; Emily Kam Kngwarray, Tate Modern, London, 10 Jul-13 Jan 2026; Archie Moore, Queensland Gallery of Modern Art, 30 Aug-23 Aug 2026; Histories of Ecology, MASP, Sao Paulo, 5 Sep-1 Feb 2026; Jack Whitten, Museum of Modern Art, New York, 23 Mar-2 Aug; Wifredo Lam, Museum of Modern Art, Rashid Johnson, Solomon R. Guggenheim Museum, New York, 18 Apr-18 Jan 2026; Adam Pendleton, Hirshhorn Museum and Sculpture Garden, Washington DC, 4 Apr-3 Jan 2027; Marie Antoinette Style, Victoria and Albert Museum, London, 20 Sep-22 Mar 2026; Leigh Bowery!, Tate Modern, 27 Feb- 31 Aug; Blitz: the Club That Shaped the 80s, Design Museum, London, 19 Sep-29 Mar 2026; Do Ho Suh, Tate Modern, 1 May-26 Oct; Picasso: the Three Dancers, Tate Modern, 25 Sep-1 Apr 2026; Ed Atkins, Tate Britain, London, 2 Apr-25 Aug; Turner and Constable, Tate Britain, 27 Nov-12 Apr 2026; British Museum: Hiroshige, 1 May-7 Sep; Watteau and Circle, 15 May-14 Sep; Ancient India, 22 May-12 Oct; Kerry James Marshall, Royal Academy of Arts, London, 20 Sep-18 Jan 2026; Kiefer/Van Gogh, Royal Academy, 28 Jun-26 Oct; Anselm Kiefer, Ashmolean Museum, Oxford, 14 Feb-15 Jun; Anselm Kiefer, Van Gogh Museum, Stedelijk Museum, Amsterdam, 7 Mar-9 Jun; Cimabue, Louvre, Paris, 22 Jan-12 May; Black Paris, Centre Pompidou, Paris, 19 Mar-30 Jun; Machine Love, Mori Art Museum, Tokyo, 13 Feb-8 Jun
Anticipation for the promise a new year brings is, in 2025, heavily tempered by trepidation about what Donald Trump’s second term will look like. For the big story of our first edition of the new year, diplomatic editor Patrick Wintour surveys how the world from Moscow to London, Tehran to Beijing and Brussels to Kyiv is gearing up for 20 January. Whether they be populists or hard-headed foreign-policy realists, it is clear that leaders are prepared to talk back to Trump in his language of power. Equally true is that despite the incoming White House administration’s preference to concentrate on America first domestic issues, the war in Ukraine, conflict in the Middle East and tensions with China force themselves to the forefront of Trump’s agenda and are unlikely to be solved in either his first day, week or month in office. As the year unfolds, Guardian Weekly will continue to help you make sense of Trump’s return and the biggest global issues of 2025.
1 Spotlight | Air disaster compounds South Korea’s troubles A major fatal air accident is a tragedy for any nation but as Justin McCurry and Raphael Rashid report, the Jeju Air crash has come against a continued background of political division and instability.
2 Science | Time’s paradox A timely exploration by Miriam Frankel of recent research has found out about the factors that make life drag or fly by. And, importantly, what you can do to help reset your inner clock to a more satisfactory tempo.
3 Features | The millennium bug that didn’t bite us A quarter of a century ago, doomsayers thought the world would end as we clicked over to a new century due to malfunctioning computer systems. But, Tom Faber reports, the much-feared bug was always going to be a damp squib.
4 Opinion | Uneasy parallels between the McCarthy era and Trump 2.0 Richard Sennett reflects on how postwar paranoia about the ‘enemy within’ changed his family and what it can teach Americans when a similarly anti-liberal administration is in power.
5 Culture | Another side of Bob Dylan Bob Dylan shuns discussion of his early years, so how did James Mangold, the director of a new biopic, and his creative team approach their script – and what happened when Dylan asked for a meeting? Alexis Petridis finds out.
Donald Trump’s election as President of the United States anoints him as “Disruptor in Chief”, a vital role with world-historical significance. Trump’s ascension to this position was presaged in Ayn Rand’s stupendous novel Atlas Shrugged (1957), whose central character, John Galt, confronts a similarly sclerotic America, which he sets out systematically to disrupt in a radical, transformative manner. This highly controversial novel is important in illuminating what is at stake at the cultural level in the struggle to come, and in emphasising the scale and direction of the challenges facing Trump, his administration and his supporters. Atlas Shrugged is also valuable because, together with Rand’s earlier novel The Fountainhead (1943), it offers in compelling fictional form a powerful, necessarily hyperbolic, statement of the philosophical values that must be reasserted to make America great again.
If Hillbilly Elegy was compulsory reading for observers of American politics wanting to understand Trump’s first presidency, Walter Isaacson’s biographical portrait of Elon Musk is mandatory holiday reading for those wanting to understand how Donald J. Trump turned so many critics into passionate supporters and won a resounding presidential vote in 2024, and to gauge how his nation-reshaping policies might play out over the next four years.
But between candidates who are defenders of the system and those who are anti-system. Democrats lost because they allowed Trump to be the only voice of antiestablishment rage.
Or reflexively denouncing every Trump policy. While we mustn’t underestimate the danger he poses to our democracy, when he says he wants to end war, the left should call his bluff.
Simply named Kiosk, this book features photos of more than 150 modernist, modular kiosks that brighten streets across central and eastern Europe.
Authors David Navarro and Martyna Sobecka aimed to draw attention to the surviving, unusual structures that were constructed in factories in the Eastern Bloc from the 1970s to the 1990s.
Written by academics Harriet Harriss, Naomi House, Monika Parrinder and Dezeen editor Tom Ravenscroft, 100 Women: Architects in Practice showcases the work of architects from 78 different countries.
The book contains interviews with some of the world’s best-known architects including Liz Diller, Tatiana Bilbao, Mariam Issoufou Kamara and Lina Ghotmeh, along with numerous women who have not yet received extensive global attention.
The book not only contains many of the key buildings created by the movement’s trailblazers but also those designed by more under-represented architects.
Sacred Modernity aimed to showcase the “unique beauty and architectural innovation” of brutalist churches across Europe.
The book contains 139 photographs of 100 churches taken by photographer Jamie McGregor Smith over five years, along with essays by writers Jonathan Meades and Ivica Brnic.
Simon Phipps’ follow up to his Brutal North and Brutal London books, Brutal Wales highlights architecture in the brutalist style across the country.
Alongside photography of 60 buildings, the book has explanatory texts in both Welsh and English, as well as an introduction by social historian John Grindrod.
The Donald Judd Furniture book contains photos of all the furniture pieces created by the artist for his New York and Marfa, Texas, properties that remain in production.
Along with the photos, the book contains archival sketches by Judd, newly commissioned drawings of each piece and several essays by the artist.
London Estates documents the modernist council housing built in the UK capital in the post-war period.
Described by publisher Fuel as “the most comprehensive photographic document of council housing schemes in the capital”, the book was photographed by Thaddeus Zupančič.
Photographer Christopher Payne’s Made in America book contains images taken over the past decade in the USA’s factories.
Payne created the book as a way of helping to preserve the legacy of industry in America, while documenting the skill of workers who are featured in the photography.
The latest book in the 50 ideas series, 50 Design Ideas You Really Need to Know contains essays tracking the evolution of design from the 19th century to today.
Written by John Jervis, the book aims to make a broad range of design concepts accessible to a wide audience.