September 24, 2023 – Emma Nelson, Yassmin Abdel-Magied and Vincent McAviney on the weekend’s biggest talking points.
We also speak to Monocle\’s editorial director, Tyler Brûlé in Seville, and we get the latest news from Dakar with Mary Fitzgerald.
Tag Archives: Stories
Previews: The New Yorker Magazine – Sept 25, 2023
The Bloomsbury Group Is Back in Vogue
The bohemian English circle that included Virginia Woolf, Duncan Grant, and Vanessa Bell revolted against Victorian formality—and their casually ornamental style is inspiring designers today.
By Rebecca Mead
In July, 1918, Virginia Woolf spent a weekend at Garsington—a country home, outside Oxford, owned by Lady Ottoline Morrell, a celebrated hostess of the era, and her husband, Philip Morrell, a Member of Parliament. The house, a ramshackle Jacobean mansion that the Morrells had acquired five years earlier, had been vividly redecorated by Ottoline into what one guest called a “fluttering parrot-house of greens, reds and yellows.” One sitting room was painted with a translucent seafoam wash; another was covered in deep Venetian red, and early visitors were invited to apply thin lines of gold paint to the edges of wooden panels. The entrance hall was laid with Persian carpets and, as Morrell’s biographer Miranda Seymour has written, the pearly gray paint on the walls was streaked with pink, “to create the effect of a winter sunset.” Woolf, in her diary, noted that the Italianate garden fashioned by Morrell—with paved terraces, brilliantly colored flower beds, and a pond surrounded by yew-tree hedges clipped with niches for statuary—was “almost melodramatically perfect.”
A Young Architect’s Designs for the Climate Apocalypse
Pavels Hedström believes that most architecture separates us from nature. He wants to make nonhuman life inescapable.
By Sam Knight
At the end of his first year at the architecture school of the Royal Danish Academy, Pavels Hedström went on a class trip to Japan. Hedström, a twenty-five-year-old undergraduate, revered Japanese culture and aesthetics, even though he had never visited the country. As a teen-ager growing up in rural Sweden, Hedström had been introduced to Zen meditation by his mother, Daina, and devoured manga and anime. In architecture school, Hedström was drawn to Japanese principles of design and how they applied to a world—and a profession—increasingly troubled by the climate crisis. Hedström was particularly influenced by Metabolism, a postwar Japanese architectural movement that imagined cities of the future as natural organisms: ephemeral, self-regulating, and subject to biological rhythms of growth, death, and decay. In 1977, Kisho Kurokawa, one of Metabolism’s founders, wrote, “Human society must be regarded as one part of a continuous natural entity that includes all animals and plants.”
Sunday Morning: Stories And News From London, Hong Kong And Helsinki
September 17, 2023 – Emma Nelson, Tessa Szyszkowitz and Alex von Tunzelmann on the weekend’s biggest talking points. We also speak to Monocle’s editorial director, Tyler Brûlé, in Hong Kong and Monocle’s Helsinki correspondent, Petri Burtsoff…
The New York Review Of Books – October 5, 2023
Mother Russia
In Ludmilla Petrushevskaya’s latest novel, Kidnapped, Soviet bureaucracy is made all the messier by maternal desperation.
Kidnapped: A Story in Crimes by Ludmilla Petrushevskaya, translated from the Russian by Marian Schwartz
Some months ago I was having dinner with a writer from Moscow. I told him I was thinking of reviewing a new translation of Ludmilla Petrushevskaya’s Kidnapped, a Bollywood-inspired novella that pays homage to the Soviets’ love of Indian cinema. “Don’t do it,” he—a friend of hers—warned me. “If she doesn’t like what you write, she will turn you into a character in one of her stories—the stupid girl in New York who doesn’t know anything.” Being a longtime admirer of Petrushevskaya, I wasn’t too worried: realism is not her thing.
Ukraine’s New Normal
Away from the front, life appears to be the same, but the country has undergone profound changes.
On August 8 I went to the Jellyfish Museum in Kyiv. During my previous visits to the city, it had been closed because of the war. Now it has reopened. In the gloom the fantastical creatures drifted about in their tanks while couples, friends, and families drifted about happily looking at them. In Kharkiv, in eastern Ukraine close to the Russian border, the Half an Hour café, where I wrote for a couple of days before Russia launched its full-scale invasion on February 24, 2022, has also just reopened.
Previews: The New Yorker Magazine – Sept 18, 2023
Ross Douthat’s Theories of Persuasion
At a time of distrust and polarization, the conservative Times columnist seeks to bridge the worlds of the Christian right and the secular left.
This summer, Ross Douthat, liberal America’s favorite conservative commentator, wrote a piece about liberal America’s least favorite Democrat, Robert F. Kennedy, Jr. Douthat argued in his New York Times column that an unwillingness to debate Kennedy—who has claimed that childhood vaccines cause autism, that 5G networks are part of a mass-surveillance system, and that covid was designed to spare Jewish and Chinese people—was an insufficient response to voters who are increasingly distrustful of the establishment.
What Kate DiCamillo Understands About Children
Her books for young readers have sold more than forty-four million copies. They are full of yearning, loneliness, ambivalence, and worry.
By Casey Cep
Three winters in a row, Kate DiCamillo went into the hospital, never sure if she would come home and always a little scared to do so. One of those winters, when she was four years old and the air outside was even colder than the metal frames of the oxygen tents she’d grown accustomed to having above her bed, her father came to see her. He was wearing a long black overcoat, which made him look like a magician. “I brought you a gift,” he said, pulling something from his pocket as if from a top hat.
Sunday Morning: Stories And News From London, Lisbon And Istanbul
September 10, 2023 – Emma Nelson, Isabel Hilton and David Bodanis on the weekend’s biggest talking points. We also speak to Monocle’s editorial director Tyler Brûlé in Lisbon and our Istanbul correspondent, Hannah Lucinda Smith.
Previews: The New Yorker Magazine – Sept 11, 2023
The Transformative, Alarming Power of Gene Editing
A rogue scientist showed that crispr gives humans the ability to transform ourselves. But should we?
Crispr, which may be the single most transformative biological technology of the twenty-first century, is a natural phenomenon, evolved over billions of years. It was first observed in the nineteen-eighties, when researchers noticed unexplained sequences of viral DNA in E. coli. Eventually, they realized that these sequences played a role in the bacteria’s immune system: they could find and destroy other pieces of viral DNA.
The Holy Heresies of George Eliot
Her greatest rebellion against Victorian moralism was to reclaim the sacred for herself.
By James Wood
Literature bores me, especially great literature,” the narrator of one of John Berryman’s “Dream Songs” says. George Eliot sometimes bores me, especially the George Eliot draped in greatness. Think of the extremities of nineteenth-century fiction: labile Lermontov; crazy, visionary Melville; nasty, world-hating Flaubert; mystic moor-bound Brontës; fanatical, trembling Dostoyevsky; explosive Hamsun. There’s enough wildness to destroy the myth of that stable Victorian portal “classic realism.” It was not classic—certainly not then—and not always particularly “real.”
Sunday Morning: Stories And News From London, Bavaria And Bangkok
September 3, 2023 – Emma Nelson reviews the top stories from London, Tyler Brûlé reports from Schloss Elmau in Bavaria, and the latest from Bangkok, Thailand.
The New York Review Of Books – September 21, 2023
Playing with the Past
The Fraud, Zadie Smith’s first historical novel, asks if we might all be frauds of some sort, wearing masks and performing as people who are not quite ourselves.
The Fraud by Zadie Smith; Penguin Press, 454 pp
Vibrant, Cacophonous Buddhism
A groundbreaking show at the Metropolitan Museum displays, among other treasures from India, works of Buddhist art that bear the mark of ancient animist cults that long preceded the teachings of Siddhartha Gautama.
Tree and Serpent: Early Buddhist Art in India, 200 BCE–400 CE, an exhibition at the Metropolitan Museum of Art, New York City, July 21–November 13, 2023; and the National Museum of Korea, Seoul, December 22, 2023–April 14, 2024
Catalog of the exhibition by John Guy; Metropolitan Museum of Art, 343 pp.
In 2003 Indian archaeologists working on a remote hilltop in the southern state of Telangana uncovered a remarkable early Buddhist monastic complex. Phanigiri, “the snake-hooded hill,” had clearly been one of the most important Buddhist monasteries in India. All around were found spectacular fragments of sculpture, including substantial sections of elaborately carved ceremonial gateways and a torso now judged to be one of the masterworks of Buddhist art. Many of the statues had been dismantled and carefully buried in soft earth for their protection after the monastery was abandoned in the fifth century CE, and they were found in almost mint condition.
Previews: The New Yorker Magazine – Sept 4, 2023
How a Man in Prison Stole Millions from Billionaires
With smuggled cell phones and a handful of accomplices, Arthur Lee Cofield, Jr., took money from large bank accounts and bought houses, cars, clothes, and gold.
Early in 2020, the architect Scott West got a call at his office, in Atlanta, from a prospective client who said that his name was Archie Lee. West designs luxurious houses in a spare, angular style one might call millionaire modern. Lee wanted one. That June, West found an appealing property in Buckhead—an upscale part of North Atlanta that attracts both old money and new—and told Lee it might be a good spot for them to build. Lee arranged for his wife to meet West there.
Coco Gauff’s Glorious Progress
Gauff has the charisma and talent to be not just a champion but a star, and this summer she has played better than ever before.
Last weekend, at a tournament in the Cincinnati suburb of Mason, Coco Gauff beat Iga Świątek for the first time. It was one of those moments in tennis when the ground seemed to shift: Gauff had never taken a set from Świątek, the current world No. 1, in the seven previous times they’d met. It was the biggest win of Gauff’s young career—but it was in keeping with a high-summer revving of her already formidable game. In the hard-court tournaments held across North America which are essentially warmups for the U.S. Open, Gauff has been the imposing presence that the tennis world has been waiting for her to become—waiting avidly, for sure, but a little anxiously, too. As recently as early July, when she lost in the first round at Wimbledon, there was fretting that she wasn’t making quick enough progress.
Boomers Daily 