Tag Archives: Readings

Literary Readings: ‘The Illiad’ (London Review)

London Review of Books (LRB) – December 9, 2022: Among the Ancients, with Emily Wilson and Thomas Jones, which we’ll be re-running from January next year. With a new episode each month, Among the Ancients will consider some of the greatest works of Ancient Greek and Roman literature, from Homer to Horace. In this sample Emily and Tom discuss the Iliad.

Among the Ancients: The ‘Iliad’

A sample from the first episode of the Close Readings series from Emily Wilson and Thomas Jones.

Dating to the ninth century B.C., Homer’s timeless poem still vividly conveys the horror and heroism of men and gods wrestling with towering emotions and battling amidst devastation and destruction, as it moves inexorably to the wrenching, tragic conclusion of the Trojan War. Renowned classicist Bernard Knox observes in his superb introduction that although the violence of the Iliad is grim and relentless, it coexists with both images of civilized life and a poignant yearning for peace.

Literary: Virginia Woolf’s ‘A Room Of One’s Own’ Read By Natalie Dormer

Listen to the first chapter of Virginia Woolf’s classic A Room of One’s Own, read by Natalie Dormer.

Download the full audiobook here: https://adbl.co/3grA9PY

A Room of One’s Own, based on a lecture given at Girton College Cambridge, is one of the great feminist polemics. Woolf’s blazing writing on female creativity, the role of the writer, and the silent fate of Shakespeare’s imaginary sister remains a powerful reminder of a woman’s need for financial independence and intellectual freedom. This Penguin Classic is performed by Natalie Dormer, best known for her standout role as Queen Margaery in Game of Thrones, as well as her roles in The Hunger Games and Captain America: The First Avenger.

Writer Podcast: “Consider The Greenland Shark” – Which Can Live 500 Years

Katherine Rundell reads her study of the Greenland shark, which can live for 500 years.

‘I am glad not to be a Greenland shark; I don’t have enough thoughts to fill five hundred years. But I find the very idea of them hopeful. They will see us pass through our current spinning apocalypse.’

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Literary Tribute: Rachel Carson “Dreams Of The Sea” (The New Yorker)

The New Yorker Radio Hour logoBefore she published “Silent Spring,” one of the most influential books of the last century, Rachel Carson was a young aspiring poet and then a graduate student in marine biology. Although she couldn’t swim and disliked boats, Carson fell in love with the ocean. Her early books—including “The Sea Around Us,” “The Edge of the Sea” and “Under the Sea Wind”—were like no other nature writing of their time, 

The Edge of the Sea Rachel CarsonJill Lepore says: Carson made you feel you were right there with her, gazing into the depths of a tide pool or lying in a cave lined with sea sponges. Lepore notes that Carson was wondering about a warming trend in the ocean as early as the 1940s, and was planning to explore it after the publication of “Silent Spring.” If she had not died early, of cancer, could Carson have brought climate change to national attention well before it was too late?

Excerpts from Carson’s work were read by Charlayne Woodard, and used with permission of Carson’s estate.

Rachel Louise Carson (May 27, 1907 – April 14, 1964) was an American marine biologist, author, and conservationist whose book Silent Spring and other writings are credited with advancing the global environmental movement.

Carson began her career as an aquatic biologist in the U.S. Bureau of Fisheries, and became a full-time nature writer in the 1950s. Her widely praised 1951 bestseller The Sea Around Us won her a U.S. National Book Award, recognition as a gifted writer, and financial security. Her next book, The Edge of the Sea, and the reissued version of her first book, Under the Sea Wind, were also bestsellers. This sea trilogy explores the whole of ocean life from the shores to the depths.

Late in the 1950s, Carson turned her attention to conservation, especially some problems that she believed were caused by synthetic pesticides. The result was the book Silent Spring (1962), which brought environmental concerns to an unprecedented share of the American people. Although Silent Spring was met with fierce opposition by chemical companies, it spurred a reversal in national pesticide policy, which led to a nationwide ban on DDT and other pesticides. It also inspired a grassroots environmental movement that led to the creation of the U.S. Environmental Protection Agency. Carson was posthumously awarded the Presidential Medal of Freedom by President Jimmy Carter.

Bio from Wikipedia

Literature: A Reading Of “Letters Of John Keats To His Family And Friends” – “Inside His Brilliant Mind”

Letters of John Keats to His Family and Friends by John KEATS (1795 – 1821) and Sidney COLVIN (1845 – 1927)

Read by: Nemo and Eva Davis

Chapters: 00:00:00  – 00 – Preface 00:21:11 – 01 – Letter 1 – to Charles Cowden Clarke 00:22:21 – 02 – Letter 2 – to Benjamin Robert Haydon 00:24:06 – 03 – Letter 3 – to Benjamin Robert Haydon 00:25:00 – 04 – Letter 4 – to Charles Cowden Clarke 00:26:57 – 05 – Letter 5 – to John Hamilton Reynolds 00:28:25 – 06 – Letter 6 – to John Hamilton Reynolds 00:29:52 – 07 – Letter 7 – to George and Thomas Keats 00:34:17 – 08 – Letter 8 – to John Hamilton Reynolds 00:42:14 – 09 – Letter 9 – to Leigh Hunt 00:50:13 – 10 – Letter 10 – to Benjamin Robert Haydon 01:00:31 – 11 – Letter 11 – to Messrs. Taylor and Hessey 01:03:50 – 12 – Letter 12 – to Messrs. Taylor and Hessey 01:06:07 – 13 – Letter 13 – to Mariane and Jane Reynolds 01:10:34 – 14 – Letter 14 – to Fanny Keats 01:18:27 – 15 – Letter 15 – to Jane Reynolds 01:26:44 – 16 – Letter 16 – to John Hamilton Reynolds 01:34:49 – 17 – Letter 17 – to Benjamin Robert Haydon 01:37:39 – 18 – Letter 18 – to Benjamin Bailey 01:43:58 – 19 – Letter 19 – to Benjamin Bailey 01:51:33 – 20 – Letter 20 – to Benjamin Bailey 01:54:19 – 21 – Letter 21 – to Charles Wentworth Dilke 01:55:20 – 22 – Letter 22 – to Benjamin Bailey 02:05:23 – 23 – Letter 23 – to John Hamilton Reynolds 02:11:23 – 24 – Letter 24 – to George and Thomas Keats 02:16:25 – 25 – Letter 25 – to George and Thomas Keats 02:26:06 – 26 – Letter 26 – to Benjamin Robert Haydon 02:28:19 – 27 – Letter 27 – to John Taylor 02:29:30 – 28 – Letter 28 – to George and Thomas Keats 02:35:45 – 29 – Letter 29 – to John Taylor 02:37:09 – 30 – Letter 30 – to George and Thomas Keats 02:45:42 – 31 – Letter 31 – to Benjamin Bailey 02:53:40 – 32 – Letter 32 – to John Taylor 02:55:38 – 33 – Letter 33 – to John Hamilton Reynolds 03:00:19 – 34 – Letter 34 – to John Hamilton Reynolds 03:09:32 – 35 – Letter 35 – to John Taylor 03:10:23 – 36 – Letter 36 – to George and Thomas Keats 03:14:06 – 37 – Letter 37 – to John Hamilton Reynolds 03:20:52 – 38 – Letter 38 – to George and Thomas Keats 03:25:16 – 39 – Letter 39 – to John Taylor 03:28:39 – 40 – Letter 40 – to Messrs. Taylor and Hessey 03:29:39 – 41 – Letter 41 – to Benjamin Bailey 03:39:27 – 42 – Letter 42 – to John Hamilton Reynolds 03:46:04 – 43 – Letter 43 – to Benjamin Robert Haydon 03:51:10 – 44 – Letter 44 – to Messrs. Taylor and Hessey 03:52:54 – 45 – Letter 45 – to James Rice 03:58:59 – 46 – Letter 46 – to John Hamilton Reynolds 04:06:50 – 47 – Letter 47 – to Benjamin Robert Haydon 04:12:07 – 48 – Letter 48 – to John Hamilton Reynolds 04:17:53 – 49 – Letter 49 – to John Hamilton Reynolds 04:20:39 – 50 – Letter 50 – to John Taylor 04:24:29 – 51 – Letter 51 – to John Hamilton Reynolds 04:29:41 – 52 – Letter 52 – to John Hamilton Reynolds 04:46:49 – 53 – Letter 53 – to Benjamin Bailey 04:52:06 – 54 – Letter 54 – to Benjamin Bailey 04:57:26 – 55 – Letter 55 – to John Taylor 04:59:14 – 56 – Letter 56 – to Thomas Keats 05:08:57 – 57 – Letter 57 – to Fanny Keats 05:18:23 – 58 – Letter 58 – to Thomas Keats 05:28:49 – 59 – Letter 59 – to Thomas Keats 05:39:49 – 60 – Letter 60 – to John Hamilton Reynolds 05:48:19 – 61 – Letter 61 – to Thomas Keats 06:01:55 – 62 – Letter 62 – to Benjamin Bailey 06:16:12 – 63 – Letter 63 – to Thomas Keats 06:30:05 – 64 – Letter 64 – to Thomas Keats 06:43:57 – 65 – Letter 65 – to Mrs. Wylie 06:50:42 – 66 – Letter 66 – to Fanny Keats 06:53:45 – 67 – Letter 67 – to Fanny Keats 06:55:12 – 68 – Letter 68 – to Jane Reynolds 06:56:23 – 69 – Letter 69 – to Charles Wentworth Dilke

These are the letters of John Keats, as written to family, close friends and others during his brief, eventful years as an artist. (However, the editor chose to exclude love letters to Fanny Brawne, respecting their private nature.) The celebrated Keats letters were written between 1816-1820, and include those colorful entries penned during his 44-day tour with Charles Brown as they rambled through England, Ireland and Scotland. Also included are the famous, lengthy ‘journal letters,’ written to his brother George and sister-in-law in America. Not only a poetic genius, Keats shines in epistolary form. His letters brim with the emotion, wit and intelligence he routinely shared with intimates. – Summary by NemoR

Literature: A Reading Of “For Whom The Bell Tolls” – Ernest Hemingway (1940)

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The first three chapters of Ernest Hemingway’s classic novel.

For Whom the Bell Tolls is a novel by Ernest Hemingway published in 1940. It tells the story of Robert Jordan, a young American volunteer attached to a Republican guerrilla unit during the Spanish Civil War. As a dynamiter, he is assigned to blow up a bridge during an attack on the city of Segovia.

It was published just after the end of the Spanish Civil War (1936–1939), whose general lines were well known at the time. It assumes the reader knows that the war was between a democratically elected, pro-working-class and anti-Catholic government, supported by the Soviet Union, which many foreigners like Robert went to Spain to help, and a successful, dictatorial, Catholic, pro-landowner revolt, supported by Nazi Germany and Fascist Italy. It was commonly viewed as the dress rehearsal for the Second World War. In 1940, the year the book was published, the United States had not yet entered the war, which had begun on Sept. 1, 1939, with Nazi Germany’s invasion of Poland.

The novel is regarded as one of Hemingway’s best works, along with The Sun Also RisesA Farewell to Arms, and The Old Man and the Sea.

Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American journalist, novelist, short-story writer, and sportsman. His economical and understated style—which he termed the iceberg theory—had a strong influence on 20th-century fiction, while his adventurous lifestyle and his public image brought him admiration from later generations. Hemingway produced most of his work between the mid-1920s and the mid-1950s, and he won the Nobel Prize in Literature in 1954. He published seven novels, six short-story collections, and two nonfiction works. Three of his novels, four short-story collections, and three nonfiction works were published posthumously. Many of his works are considered classics of American literature.

From Wikipedia

Podcasts: Playwright David Rabe Reads Philip Roth (New Yorker)

New Yorker FictionDavid Rabe joins Deborah Treisman to read and discuss “The Other Side of the Street,” by John Updike, which appeared in a 1991 issue of the magazine. 

Playwright David Rabe
Playwright David Rabe

Rabe, a fiction writer, playwright, and screenwriter, is the author of more than a dozen plays, including the Tony Award-winning “Sticks and Bones,” “In the Boom Boom Room,” and “Hurlyburly.” He received the PEN/Laura Pels Theatre Award as a Master American Dramatist in 2014. His novels include “Recital of the Dog” and “Girl by the Road at Night.” 

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WWI Literature: A Reading Of “In Another Country” – Ernest Hemingway (1927)

“In Another Country” is a poignant short story about the casualties of war, written by Noble Prize winner Ernest Hemingway, which deals with the experiences of an injured American army officer stranded and alienated in Italy who describes in first person narrative the events and the experiences of being rehabilitated during World War 1. It is a semi-autobiographical work of fiction.

In Another Country PDF

Summary (Wikipedia)

The short story is about an ambulance corps member in Milan during World War I. Although unnamed, he is assumed to be Nick Adams, a character Hemingway made to represent himself. He has an injured knee and visits a hospital daily for rehabilitation. There the “machines” are used to speed the healing, with the doctors making much of the miraculous new technology. They show pictures to the wounded of injuries like theirs healed by the machines, but the war-hardened soldiers are portrayed as skeptical, perhaps justifiably so.

As the narrator walks through the streets with fellow soldiers, the townspeople hate them openly because they are officers. Their oasis from this treatment is Cafe Cova, where the waitresses are very patriotic.

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