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The Enduring Power of Place: Step Into Historian David McCullough’s Work

By Michael Cummins, Editor, August 12, 2025

A vast stone arch, a suspension of steel, a ribbon of concrete stretching across a chasm—these are not merely feats of engineering or infrastructure. They are, in the words of the great historian David McCullough, monuments to the human spirit, physical places that embody the stories of ingenuity, perseverance, and sacrifice that created them. While the written word provides the essential narrative framework for understanding the past, McCullough’s work, from his celebrated biographies to his upcoming collection of essays, History Matters (2025), consistently champions the idea that visiting and comprehending these physical settings offers a uniquely powerful and visceral connection to history.

These places are not just backdrops; they are tangible testaments, silent witnesses to the struggles and triumphs that have shaped our world, offering a depth of understanding that written accounts alone cannot fully provide. In History Matters, McCullough writes, “History is a guide to navigation in perilous times. History is who we are and why we are the way we are.” This philosophy is the essay’s core, as we explore how the places he chronicled are integral to this understanding.

In his extensive body of work, McCullough frequently returned to this theme, demonstrating how the physical presence of a historical site grounds the abstract facts of the past in the authentic, palpable reality of the present. He believed that the stories of our past are a “user’s manual for life,” and that the places where these stories unfolded are the most direct way to access that manual. By examining four of his most iconic subjects—the Brooklyn Bridge, the “White City” of the 1893 World’s Fair, the Panama Canal, and Kitty Hawk—we can see this philosophy in action.

Each of these monumental endeavors was an audacious, against-all-odds project that faced incredible technical and personal challenges, including political opposition, financial struggles, and tragic loss of life. Yet, McCullough uses them as a lens to explore the character of the people who built them, the society of the time, and the very idea of American progress and ingenuity. These structures, built against overwhelming odds, stand as powerful reminders that history is an active, ongoing force, waiting to be discovered not just in books, but in the very soil and stone of the world around us.

The Brooklyn Bridge

The Brooklyn Bridge stands as a primary example of a physical place as tangible testimony to human ingenuity. In his landmark book The Great Bridge (1972), McCullough details the seemingly insurmountable challenges faced by the Roebling family in their quest to connect Manhattan and Brooklyn. In the mid-19th century, the idea of spanning the East River, with its powerful currents and constant ship traffic, was seen as an engineering impossibility. The technology for building such a massive structure simply did not exist. The bridge, therefore, was not merely constructed; it was invented. The vision of John Roebling, who conceived the revolutionary design of a steel-wire suspension bridge, was cut short by a tragic accident. His son, Washington, took over the project, only to be struck down by the debilitating effects of “the bends,” a crippling decompression sickness contracted while working in the underwater caissons. These massive timber and iron chambers, filled with compressed air, allowed workers to lay the foundations for the bridge’s monumental stone towers deep below the riverbed. The work was brutal, dangerous, and physically taxing. Washington himself spent countless hours in the caissons, developing the condition that would leave him partially paralyzed. As McCullough writes, “The bridge was a monument to faith and to the force of a single will.” This quote captures the essence of the Roeblings’ spirit, and the enduring structure itself embodies this unwavering faith.

Paralyzed and often bedridden, Washington continued to direct the project from his window, observing the progress through a telescope while his wife, Emily Warren Roebling, acted as his liaison and de facto chief engineer, mastering advanced mathematics and engineering to communicate her husband’s instructions to the men on site. The Roeblings’ story is a personal drama of vision and perseverance, and the physical bridge is a direct reflection of it. The monumental stone towers, with their Gothic arches, are a direct result of the design choices made to withstand immense pressure. The intricate web of steel cables, which Roebling so meticulously calculated, hangs as a monument to his genius. The wooden promenade, a feature initially ridiculed by critics, stands as a testament to the Roeblings’ foresight, offering a space for the public to walk and experience the grandeur of the structure.

A person can read McCullough’s narrative of the Roeblings’ saga and feel inspired by their resilience. However, standing on the promenade today, feeling the subtle vibrations of the traffic below, seeing the cables stretch into the distance, and touching the cold, ancient stone of the towers provides a profound, non-verbal understanding of the sheer audacity of the project. The physical object makes the story of vision, sacrifice, and perseverance feel not like a distant myth, but like a concrete reality, etched into the very materials that compose it. The bridge becomes a silent orator, telling its story without a single word, through its breathtaking scale and enduring presence. It connects us not only to a piece of engineering but to the very human story of a family that poured its life’s work into a single, magnificent idea.

The White City

The “White City” of the 1893 World’s Columbian Exposition, as chronicled in The Devil in the White City (2003), serves as a different but equally powerful example of a place as a testament to human will and ambition. Unlike the permanent structures of the Brooklyn Bridge and Panama Canal, the White City was a temporary, almost mythical creation. Built from scratch on swampy land in Chicago, it was a colossal feat of city planning and architectural design that captured the imagination of the world and showcased America’s coming of age. The place itself—with its majestic, neoclassical buildings, grand boulevards, and sprawling lagoons—was a physical manifestation of a nation’s collective vision. The narrative is driven by figures like architect Daniel Burnham, who, much like Washington Roebling, faced immense pressure, logistical nightmares, and constant political infighting. The physical challenges were immense: transforming a marsh into a breathtaking cityscape in just a few short years, all while coordinating the work of an entire generation of architectural titans like Frederick Law Olmsted and Louis Sullivan.

McCullough uses the White City to show how an ambitious idea can be willed into existence through relentless determination. The physical city, for its brief, glorious existence, was the living embodiment of American progress, ingenuity, and the Gilded Age’s opulent grandeur. It was a place where millions came to witness the future, to marvel at electric lights, and to see new technologies like the Ferris wheel. As McCullough writes, “The fair, a world of its own, had a power to transform those who visited it.” This quote highlights the profound, almost magical impact of this temporary place. However, McCullough masterfully contrasts the gleaming promise of the White City with the dark underbelly of the era, epitomized by the psychopathic serial killer H.H. Holmes and his “Murder Castle,” located just a few miles away. The physical contrast between these two places—the temporary, luminous dream and the permanent, sinister reality—is central to the book’s power. Even though the structures of the White City no longer stand, the historical record of this magnificent place—its photographs, its architectural plans, and McCullough’s vivid descriptions—serves as a tangible window into that moment in time, reminding us of the powerful, transformative potential of a shared human vision and the complex, often contradictory, nature of the society that produced it.

The Panama Canal

Finally, the Panama Canal serves as a powerful testament to the theme of human sacrifice and endurance. The canal was not just a feat of engineering; it was a grueling, decades-long battle against nature, disease, and bureaucratic inertia. As chronicled in McCullough’s Pulitzer Prize-winning book, The Path Between the Seas (1977), the French attempt to build a sea-level canal failed catastrophically under the direction of Ferdinand de Lesseps, the engineer of the Suez Canal. They grossly underestimated the challenges of the tropical climate, the unstable geology, and the devastating diseases, costing thousands of lives and ultimately leading to financial ruin. The subsequent American effort, led by figures like Dr. William Gorgas, who tirelessly fought the mosquito-borne diseases, and engineer John Frank Stevens, who abandoned the sea-level plan for a lock-and-lake system, was equally defined by a titanic human cost. The physical canal itself—the vast, deep Culebra Cut that slices through the continental divide, the enormous locks that lift ships over a mountain range, the sprawling Gatun Lake—serves as a permanent memorial to this immense struggle.

The sheer physical scale of the canal is an emotional and intellectual experience that far surpasses any numerical data. One can read that “25,000 workers died” during the French and American construction periods, a statistic that, while tragic, can be difficult to fully comprehend. But to stand at the edge of the Culebra Cut, staring down at the colossal gorge carved out of rock and earth, is to feel the weight of those lives. The physical presence of the cut makes the abstract struggle of “moving a mountain” feel real. The immense size of the locks and the power of the water filling them evokes a sense of awe not just for the engineering, but for the human will that made it happen. The canal is not just a shortcut for global trade; it is a monument to the thousands of unnamed laborers who toiled in oppressive conditions and to the few visionaries who refused to give up. As McCullough wrote, the canal was a testament to the fact that “nothing is more common than the wish to move mountains, but a mountain-moving event requires uncommon determination.” The physical place makes the concept of perseverance tangible, demonstrating in steel, concrete, and water that impossible tasks can be conquered through sheer, relentless human effort. The canal also represents a pivot point in American history, marking the nation’s emergence as a global power and its willingness to take on monumental challenges on the world stage.

Kitty Hawk

In The Wright Brothers, McCullough presents a different kind of historical place: one that is not a monumental structure, but a desolate, windswept beach. The story of Wilbur and Orville Wright’s quest to achieve controlled, powered flight is inextricably linked to this specific location on the Outer Banks of North Carolina. Kitty Hawk was not a place of grandeur, but one of raw, challenging nature. Its consistent, stiff winds and soft, sandy dunes made it an ideal testing ground for their gliders. This place was a crucial collaborator in their scientific process, a physical laboratory where they could test, fail, and re-evaluate their ideas in relative isolation. As McCullough writes of their success, “It was a glorious, almost unbelievable feat of human will, ingenuity and determination.” This triumph was born not on a grand stage, but on a patch of ground that was, at the time, little more than a remote stretch of sand.

McCullough’s narrative emphasizes how the physical conditions of Kitty Hawk—the powerful gales, the endless expanse of sand, and the isolation from the public eye—were essential to the Wrights’ success. They didn’t build a monument to their achievement in a city; they built it in the middle of nowhere. It was a place of quiet, methodical work, of relentless trial and error. The physical space itself was a character in their story, a partner in their success. The first flight did not happen on a grand stage, but on a patch of ground that was, at the time, little more than a remote stretch of sand. Today, when one visits the Wright Brothers National Memorial, the monument is not just the stone pylon marking the first flight, but the entire landscape—the dunes, the wind, and the expansive sky—that made their achievement possible. This place reminds us that some of history’s greatest triumphs begin not with a bang, but in the quiet, isolated spaces where innovation is allowed to thrive.

Conclusion

Beyond these specific examples, McCullough’s philosophy, as expected to be reiterated in History Matters, argues that this direct, experiential connection to place is vital for a vibrant and engaged citizenry. It is the authenticity of standing on the same ground as our forebears that makes history feel relevant to our own lives. A book can tell us about courage, but a place—the Brooklyn Bridge, the Panama Canal, the White City, or a humble battlefield—can make us feel it. These places are the physical embodiment of the narratives that have defined us, and by seeking them out, we are not simply looking at the past; we are a part of a continuous story. They remind us that the qualities of human ingenuity, sacrifice, and perseverance are not merely historical attributes, but enduring elements of the human condition, available to us still today.

Ultimately, McCullough’s legacy is not only in the stories he told but also in his fervent plea for us to recognize the importance of the places where those stories occurred. His work stands as a powerful argument that history is not abstract but is profoundly and permanently embedded in the physical world around us. By preserving and engaging with these historical places, we are not just honoring the past; we are keeping its most powerful lessons alive for our present and for our future. They are the tangible proof that great things are possible, and that the struggles and triumphs of those who came before us are forever etched into the landscape we inhabit today. His writings on these three monumental locations—one that stands forever as a testament to the Roeblings’ vision, another that vanished but whose story remains vivid, and a third that forever altered global commerce—each demonstrate the unique and irreplaceable power of place in history. As he so often reminded us, “We have to know who we are, and where we have come from, to be able to know where we are going.”

THIS ESSAY WAS WRITTEN AND EDITED UTILIZING AI

The Curated Persona vs. The Cultivated Spirit

“There is pleasure in the pathless woods,
There is rapture on the lonely shore,
There is society where none intrudes,
By the deep sea, and music in its roar.”
— Lord Byron, Childe Harold’s Pilgrimage

Intellicurean (July 20, 2025):

We are living in a time when almost nothing reaches us untouched. Our playlists, our emotions, our faces, our thoughts—all curated, filtered, reassembled. Life itself has been stylized and presented as a gallery: a mosaic of moments arranged not by meaning, but by preference. We scroll instead of wander. We select instead of receive. Even grief and solitude are now captioned.

Curation is no longer a method. It is a worldview. It tells us what to see, how to feel, and increasingly, who to be. What once began as a reverent gesture—a monk illuminating a manuscript, a poet capturing awe in verse—has become an omnipresent architecture of control. Curation promises freedom, clarity, and taste. But what if it now functions as a closed system—resisting mystery, filtering out surprise, and sterilizing transformation?

This essay explores the spiritual consequences of that system: how the curated life may be closing us off from the wildness within, the creative rupture, and the deeper architecture of meaning—the kind once accessed by walking, wandering, and waiting.

Taste and the Machinery of Belonging

Taste used to be cultivated: a long apprenticeship shaped by contradiction and immersion. One learned to appreciate Bach or Baldwin not through immediate alignment, but through dedicated effort and often, difficulty. This wasn’t effortless consumption; it was opening oneself to a demanding process of intellectual and emotional growth, engaging with works that pushed against comfort and forced a recalibration of understanding.

Now, taste has transformed. It’s no longer a deep internal process but a signal—displayed, performed, weaponized. Curation, once an act of careful selection, has devolved into a badge of self-justification, less about genuine appreciation and more about broadcasting allegiance.

What we like becomes who we are, flattened into an easily digestible profile. What we reject becomes our political tribe, a litmus test for inclusion. What we curate becomes our moral signature, a selective display designed to prove our sensibility—and to explicitly exclude others who don’t share it. This aesthetic alignment replaces genuine shared values.

This system is inherently brittle. It leaves little room for the tension, rupture, or revision essential for genuine growth. We curate for coherence, not depth—for likability, not truth. We present a seamless, unblemished self, a brand identity without flaw. The more consistent the aesthetic, the more brittle the soul becomes, unable to withstand the complexities of real life.

Friedrich Nietzsche, aware of human fragility, urged us in The Gay Science to “Become who you are.” But authentic becoming requires wandering, failing, and recalibrating. The curated life demands you remain fixed—an unchanging exhibit, perpetually “on brand.” There’s no space for the messy, contradictory process of self-discovery; each deviation is a brand inconsistency.

We have replaced moral formation with aesthetic positioning. Do you quote Simone Weil or wear linen neutrals? Your tastes become your ethics, a shortcut to moral authority. But what happens when we are judged not by our love or actions, but by our mood boards? Identity then becomes a container, rigidly defined by external markers, rather than an expansive horizon of limitless potential.

James Baldwin reminds us that identity, much like love, must be earned anew each day. It’s arduous labor. Curation offers no such labor—only the performative declaration of arrival. In the curated world, to contradict oneself is a failure of brand, not a deepening of the human story.

Interruption as Spiritual Gesture

Transformation—real transformation—arrives uninvited. It’s never strategic or trendy. It arrives as a breach, a profound disruption to our constructed realities. It might be a dream that disturbs, a silence that clarifies, or a stranger who speaks what you needed to hear. These are ruptures that stubbornly refuse to be styled or neatly categorized.

These are not curated moments. They are interruptions, raw and unmediated. And they demand surrender. They ask that we be fundamentally changed, not merely improved. Improvement often implies incremental adjustments; change implies a complete paradigm shift, a dismantling and rebuilding of perception.

Simone Weil wrote, “Attention is the rarest and purest form of generosity.” To give genuine attention—not to social media feeds, but to the world’s unformatted texture—is a profoundly spiritual act. It makes the soul porous, receptive to insights that transcend the superficial. It demands we quiet internal noise and truly behold.

Interruption, when received rightly, becomes revelation. It breaks the insidious feedback loop of curated content. It reclaims our precious time from the relentless scroll. It reminds us that meaning is not a product, but an inherent presence. It calls us out of the familiar, comfortable loop of our curated lives and into the fertile, often uncomfortable, unknown.

Attention is not surveillance. Surveillance consumes and controls. Attention, by contrast, consecrates; it honors sacredness. It is not monitoring. It is beholding, allowing oneself to be transformed by what is perceived. In an age saturated with infinite feeds, sacred attention becomes a truly countercultural act of resistance.

Wilderness as Revelation

Before curation became the metaphor for selfhood, wilderness was. For millennia, human consciousness was shaped by raw, untamed nature. Prophets were formed not in temples, but in the harsh crucible of the wild.

Moses wandered for forty years in the desert before wisdom arrived. Henry David Thoreau withdrew to Walden Pond not to escape, but to immerse himself in fundamental realities. Friedrich Nietzsche walked—often alone and ill—through the Alps, where he conceived eternal recurrence, famously declaring: “All truly great thoughts are conceived by walking.”

The Romantic poets powerfully echoed this truth. William Wordsworth, in Tintern Abbey, describes a profound connection to nature, sensing:

“A sense sublime / Of something far more deeply interfused, / Whose dwelling is the light of setting suns…”

John Keats saw nature as a portal to the eternal.

Yet now, even wilderness is relentlessly curated. Instagrammable hikes. Hashtagged retreats. Silence, commodified. We pose at the edge of cliffs, captioning our solitude for public consumption, turning introspection into performance.

But true wilderness resists framing. It is not aesthetic. It is initiatory. It demands discomfort, challenges complacency, and strips away pretense. It dismantles the ego rather than decorating it, forcing us to confront vulnerabilities. It gives us back our edges—the raw, unpolished contours of our authentic selves—by rubbing away the smooth veneers of curated identity.

In Taoism, the sage follows the path of the uncarved block. In Sufi tradition, the Beloved is glimpsed in the desert wind. Both understand: the wild is not a brand. It is a baptism, a transformative immersion that purifies and reveals.

Wandering as Spiritual Practice

The Romantics knew intuitively that walking is soulwork. John Keats often wandered through fields for the sheer presence of the moment. Lord Byron fled confining salons for pathless woods, declaring: “I love not Man the less, but Nature more.” His escape was a deliberate choice for raw experience.

William Wordsworth’s daffodils become companions, flashing upon “that inward eye / Which is the bliss of solitude.” Walking allows a convergence of external observation and internal reflection.

Walking, in its purest form, breaks pattern. It refuses the algorithm. It is an act of defiance against pre-determined routes. It offers revelation in exchange for rhythm, the unexpected insight found in the meandering journey. Each footstep draws us deeper into the uncurated now.

Bashō, the haiku master, offered a profound directive:

“Do not seek to follow in the footsteps of the wise. Seek what they sought.”

The pilgrim walks not primarily to arrive at a fixed destination, but to be undone, to allow the journey itself to dismantle old assumptions. The act of walking is the destination.

Wandering is not a detour. It is, in its deepest sense, a vocation, a calling to explore the contours of one’s own being and the world without the pressure of predetermined outcomes. It is where the soul regains its shape, shedding rigid molds imposed by external expectations.

Creation as Resistance

To create—freely, imperfectly, urgently—is the ultimate spiritual defiance against the tyranny of curation. The blank page is not optimized; it is sacred ground. The first sketch is not for immediate approval. It is for the artist’s own discovery.

Samuel Taylor Coleridge defined poetry as “the best words in the best order.” Rainer Maria Rilke declared, “You must change your life.” Friedrich Nietzsche articulated art’s existential necessity: “We have art so that we do not perish from the truth.” These are not calls to produce content for an audience; they are invitations to profound engagement with truth and self.

Even creation is now heavily curated by metrics. Poems are optimized for engagement. Music is tailored to specific moods. But art, in its essence, is not engagement; it is invocation. It seeks to summon deeper truths, to ask questions the algorithm can’t answer, to connect us to something beyond the measurable.

To make art is to stand barefoot in mystery—and to respond with courage. To write is to risk being misunderstood. To draw is to embrace the unpolished. This is not inefficiency. This is incarnation—the messy, beautiful process of bringing spirit into form.

Memory and the Refusal to Forget

The curated life often edits memory for coherence. It aestheticizes ancestry, reducing complex family histories to appealing narratives. It arranges sentiment, smoothing over rough edges. But real memory is a covenant with contradiction. It embraces the paradoxical coexistence of joy and sorrow.

John Keats, in his Ode to a Nightingale, confronts the painful reality of transience and loss: “Where youth grows pale, and spectre-thin, and dies…” Memory, in its authentic form, invites this depth, this uncomfortable reckoning with mortality. It is not a mood board. It is a profound reckoning, where pain and glory are allowed to dwell together.

In Jewish tradition, memory is deeply embodied. To remember is not merely to recall a fact; it is to retell, to reenact, to immerse oneself in the experience of the past, remaining in covenant with it. Memory is the very architecture of belonging. It does not simplify complex histories. Instead, it deepens understanding, allowing generations to draw wisdom and resilience from their heritage.

Curation flattens, reducing multifaceted experiences to digestible snippets. Memory expands, connecting us to the vast tapestry of time. And in the sacred act of memory, we remember how grace once broke into our lives, how hope emerged from despair. We remember so we can genuinely hope again, with a resilient awareness of past struggles and unexpected mercies.

The Wilderness Within

The final frontier of uncuration is profoundly internal: the wilderness within. This is the unmapped territory of our own consciousness, the unruly depths that resist control.

Søren Kierkegaard called it dread—not fear, but the trembling before the abyss of possibility. Nietzsche called it becoming—not progression, but metamorphosis. This inner wilderness resists styling, yearns for presence instead of performance, and asks for silence instead of applause.

Even our inner lives are at risk of being paved over. Advertisements and algorithmic suggestions speak to us in our own voice, subtly shaping desires. Choices feel like intuition—but are often mere inference. The landscape of our interiority, once a refuge for untamed thought, is being meticulously mapped and paved over for commercial exploitation, leaving little room for genuine self-discovery.

Simone Weil observed: “We do not obtain the most precious gifts by going in search of them, but by waiting for them.” The uncurated life begins in this waiting—in the ache of not knowing, in the quiet margins where true signals can penetrate. It’s in the embrace of uncertainty that authentic selfhood can emerge.

Let the Soul Wander

“Imagination may be compared to Adam’s dream—he awoke and found it truth.” — Keats

To live beyond curation is to choose vulnerability. It is to walk toward complexity, to embrace nuances. It is to let the soul wander freely and to cultivate patience for genuine waiting. It is to choose mystery over mastery, acknowledging truths revealed in surrender, not control.

Lord Byron found joy in pathless woods. Percy Bysshe Shelley sang alone, discovering his creative spirit. William Wordsworth found holiness in leaves. John Keats touched eternity through birdsong. Friedrich Nietzsche walked, disrupted, and lived with intensity.

None of these lives were curated. They were entered—fully, messily, without a predefined script. They were lives lived in engagement with the raw, untamed forces of self and world.

Perhaps / The truth depends on a walk around a lake, / A composing as the body tires, a stop. // To see hepatica, a stop to watch. / A definition growing certain…” Wallace Stevens

So let us make pilgrimage, not cultivate a profile. Let us write without audience, prioritizing authentic expression. Let us wander into ambiguity, embracing the unknown. And let us courageously welcome rupture, contradiction, and depth, for these are the crucibles of genuine transformation.

And there—at the edge of control, in the sacred wilderness within, where algorithms cannot reach—
Let us find what no curated feed can ever give.
And be profoundly changed by it.

THIS ESSAY WAS WRITTEN AND EDITED BY INTELLICUREAN USING

Birthright, Borders, And The U.S. Constitution

In the July 11, 2025 episode of Bloomberg Law’s Weekend Law podcast, the spotlight turned to the Supreme Court and one of the most urgent constitutional questions of the present era: can the federal government deny citizenship to children born in the United States based solely on their parents’ immigration status?

At the center of the discussion was a new executive order issued by the Trump administration. The order aims to withhold automatic citizenship from children born to undocumented immigrants. In response, a federal judge in New Hampshire has not only issued a temporary nationwide block on the order but also certified a class-action lawsuit that could have sweeping implications.

This development, as legal analyst and former DOJ official Leon Fresco explained, is not merely procedural—it is strategic. The case, still in its early stages, may force the Supreme Court to revisit the meaning of the Fourteenth Amendment’s Citizenship Clause.


Legal Strategy: Class Action as Constitutional Tool

Fresco’s key insight concerned how litigants are adapting to recent changes in judicial thinking. After the Supreme Court expressed skepticism toward broad nationwide injunctions, many believed such tools were effectively dead. But Fresco pointed out that class-action certification remains a viable, and perhaps more precise, alternative.

The New Hampshire judge’s ruling created a nationwide class of plaintiffs: all children born on or after February 20, 2025, to parents who are either unlawfully present or not U.S. citizens or lawful permanent residents. The judge carefully excluded parents from the class, narrowing the focus to the children’s citizenship claims. This move strengthens the class’s legal position, emphasizing a uniform constitutional harm.

Fresco characterized this approach as both narrow in structure and expansive in effect. By building the case around a specific constitutional injury—the denial of citizenship by birth—the lawsuit avoids the kinds of inconsistencies that often weaken broader claims.


The Constitutional Question: What Does “Jurisdiction” Mean?

At the heart of the dispute lies the interpretation of the Citizenship Clause of the Fourteenth Amendment: “All persons born or naturalized in the United States, and subject to the jurisdiction thereof, are citizens of the United States.”

For over a century, the courts have understood this to include virtually everyone born on U.S. soil, with only narrow exceptions. The Trump administration’s order proposes a reinterpretation—arguing that undocumented immigrants and their children are not “subject to the jurisdiction” of the United States in the full constitutional sense.

This argument is novel, but not entirely new. Versions of it have circulated in fringe legal circles for years. What is new is the attempt to enforce this interpretation through executive power. If allowed to stand, it would mark a major departure from long-established constitutional norms.


Tactical Delay: The Risk of a Judicial “Stay”

Fresco raised a more immediate concern: that the Supreme Court may avoid ruling on the merits of the case altogether—at least for now. The Court, he warned, might grant a temporary stay that would allow the executive order to take effect while the lawsuit works its way through the lower courts.

This would mirror a pattern seen in other immigration cases, such as those involving Temporary Protected Status and humanitarian parole, where short procedural rulings allowed sweeping policy shifts without a full constitutional review.

The danger of such a stay is not theoretical. If the executive order goes into effect, children born under it would enter legal limbo. Denied citizenship, they would lack basic documents and protections. Challenging their status later could take years—possibly decades. In this way, even a temporary policy can create permanent consequences.


The Role of the Court: Principle or Procedure?

A central theme of the podcast segment was the evolving role of the judiciary in overseeing executive actions. Fresco questioned how the Court could reject a class-action lawsuit like this one without also undermining the logic that allows nationwide relief in other types of cases—such as defective products that cause uniform harm across the country.

If the courts are willing to permit class certification for consumer safety, why would they deny it in a case concerning citizenship—a matter of constitutional identity?

Fresco’s analogy was sharp: the law allows national class actions over faulty cribs or pharmaceuticals; why not over a birthright denied?

His point revealed the tension between procedural restraint and constitutional responsibility. If the Court is serious about limiting nationwide injunctions, it must offer a consistent, principled rationale for where it draws the line.


The Political Climate: Avoidance Through Silence

Toward the end of the discussion, Fresco referenced former Attorney General Alberto Gonzalez, who has speculated that the Supreme Court may simply lack the votes to strike down the executive order directly. That possibility may explain the Court’s hesitancy to take up the issue.

Justice Neil Gorsuch’s past remarks—asking how the Court might “get to the merits fast”—suggest at least some justices recognize the urgency. But urgency does not always lead to clarity. If the Court allows the order to take effect temporarily, and then delays review, it could set in motion changes that are difficult to reverse.

In effect, the Court would be allowing the executive branch to reshape constitutional practice through interim decisions. That prospect, Fresco warned, is not only legally unstable but socially volatile.


The Stakes: Citizenship as Constitutional Reality

Ultimately, what this case asks is not only a legal question but a civic one: Is citizenship a stable constitutional right, or can it be redefined by policy?

The class-action strategy now moving through the courts offers one possible defense: a method of forcing judicial engagement by focusing on clear constitutional harm and avoiding broad, unwieldy claims. It is, in Fresco’s words, an effort to meet the Court on its own procedural terms.

Yet the deeper conflict remains. The very idea of birthright citizenship—once considered legally untouchable—is now on trial. Whether the courts decide quickly or delay, the consequences will be lasting.


Conclusion: The Constitution on the Line

The Bloomberg Law discussion offered more than a legal update. It revealed how quickly constitutional assumptions can be unsettled—and how creative legal strategies are now being used to hold the line.

The New Hampshire ruling, and the class it created, represent a new phase in this fight. Narrow in scope but vast in significance, the lawsuit calls on the judiciary to answer directly: Is a child born on U.S. soil a citizen, or not?

In that answer lies the future of constitutional meaning—and the measure of whether the law remains anchored to principle, or drifts with the political tide.

THIS ESSAY AND REVIEW WAS WRITTEN BY AI AND EDITED BY INTELLICUREAN

REVIEW: “Judgment Calls – From Diddy’s Acquittal To The Supreme Court’s Shift”

THE FOLLOWING IS AN “AI REVIEW” OF THE JULY 3 EPISODE OF “BLOOMBERG LAW WITH JUNE GRASSO” PODCAST TRANSCRIPT:

In the dimly lit chambers of American justice, two parallel stories unfolded this term—one involving the cultural phenomenon of Sean “Diddy” Combs, the other the ideological recalibration of the United States Supreme Court. Each, in its own way, exposed the tensions inherent in a legal system grappling with the competing imperatives of moral condemnation, procedural fairness, and the inexorable gravitational pull of politics.

In federal court, Combs emerged, if not unscathed, then improbably triumphant. After six weeks of graphic testimony and the steady drip of lurid detail, jurors acquitted him of the most sensational accusations: racketeering conspiracy and sex trafficking, crimes that, had they stuck, would almost certainly have resulted in a life sentence. Instead, he was convicted only on two counts of transporting sex workers across state lines to participate in what prosecutors termed “freak-off parties.” In the pantheon of celebrity trials, this outcome was remarkable not merely for the verdict itself but for the rhetorical overreach that defined the government’s case.

Robert Mintz, a former federal prosecutor turned defense attorney, spoke to the case’s cautionary lesson about prosecutorial ambition. RICO—the Racketeer Influenced and Corrupt Organizations Act—was never an intuitive fit for Combs, a music mogul whose business dealings, however flamboyant, bore little resemblance to the mafia syndicates the statute was designed to dismantle. In the final analysis, jurors appeared unconvinced that the machinery of Combs’s empire—record labels, promotional companies, an entourage that blurred the line between personal and professional—was itself the instrument of a criminal conspiracy. They were similarly unconvinced that the two women at the heart of the government’s sex trafficking charges had been coerced rather than entangled in a toxic, if mutually complicit, set of relationships.

Perhaps more striking still was the defense’s strategy: they called no witnesses. Rather than counter the government’s narrative with competing testimony, Combs’s lawyers focused their energy on cross-examination, unspooling the contradictions and ambivalences embedded in the prosecution’s evidence. Here, too, lay a broader truth about modern criminal justice. The power to define the contours of the case—the charges themselves—can be as determinative as the evidence marshaled to prove them. When the government chooses to depict a defendant as the capo di tutti capi of an illicit empire, it must persuade a jury not only of wrongdoing but of a sweeping criminality that often strains credulity. When that narrative collapses, as it did here, the defense is left with the simpler task of pointing out the seams.

But Combs’s legal jeopardy is not yet at an end. Though acquitted of the most serious charges, he faces up to twenty years in prison on the counts that remain, even if the federal sentencing guidelines suggest a considerably lower range. The presiding judge, troubled by videotaped evidence of Combs assaulting one of the alleged victims, declined to release him pending sentencing—a reminder that in federal court, the most powerful voice is not the jury’s but the judge’s. It is not inconceivable that the final chapter of this saga will be harsher than the defense’s celebration suggested.

If Combs’s courtroom drama offered a microcosm of prosecutorial overreach, the Supreme Court’s term showcased a more profound shift: a conservative supermajority willing to reconfigure the balance of power between the judiciary and the executive—and, by extension, between individuals and the state. In conversation with constitutional law scholar Michael Dorf, host June Grasso illuminated the breadth of these changes. Over the past year, the Court issued a series of rulings that, taken together, represent a quiet revolution in the way the federal courts interact with presidential authority.

At the heart of this transformation was the Court’s decision to curtail nationwide injunctions—sweeping orders issued by district judges to block federal policies across the entire country. For decades, these injunctions served as a vital mechanism by which civil rights plaintiffs, immigrant communities, and other marginalized groups could halt executive overreach before it inflicted irreparable harm. Their disappearance is no mere procedural adjustment; it recasts the balance between the judiciary’s protective function and the executive’s prerogative to govern unencumbered.

This doctrinal shift accrued almost exclusively to the benefit of President Trump, whose administration had faced a phalanx of legal challenges. Whether the issue was the forced deportation of migrants, the exclusion of transgender Americans from military service, or the elimination of birthright citizenship, the Supreme Court’s majority showed an evident willingness to side with the executive branch on an emergency basis—often with scant explanation. Dorf described this posture as striking not merely for its partisanship but for its inconsistency: lower courts that blocked Trump policies were overruled with alacrity, even as those same justices castigated nationwide injunctions as judicial overreach.

At the same time, the term’s most divisive rulings revealed a Court emboldened to advance a culturally conservative agenda. In a 6-3 decision, the justices upheld Tennessee’s ban on gender-affirming care for minors, dismissing the equal protection claims of transgender plaintiffs and casting doubt on whether such discrimination should trigger heightened constitutional scrutiny. In another ruling, religious parents were granted the right to withdraw their children from public school curricula that included LGBTQ-themed storybooks—a decision that critics warn will invite broader challenges to any teaching that conflicts with sectarian belief. In the aggregate, these rulings did more than roll back hard-won protections for LGBTQ Americans. They signaled a willingness to prioritize religious objections over the rights of vulnerable communities, an alignment that recurred throughout the term.

For Dorf, the most unsettling dimension was not the conservative tilt per se but the Court’s apparent comfort with what he called a “soft authoritarian” style of governance. The Roberts Court had already repealed the constitutional right to abortion and limited the federal government’s capacity to regulate firearms. What distinguished this term was its readiness to facilitate the Trump administration’s disregard for judicial orders—an erosion not of precedent but of the rule of law itself.

Whether these developments portend a lasting reorientation of American jurisprudence remains to be seen. What is clear, however, is that the ideological polarization of the Supreme Court is reshaping the lives of countless citizens in ways that transcend conventional partisanship. In this respect, the travails of Sean Combs and the ambitions of the Roberts Court are, improbably, two facets of the same American story: one in which the legal system’s power to punish and to protect is increasingly mediated by political will—and by the narratives that prevail when the evidence, the law, and the culture clash in the crucible of the courtroom.

Segment 1: The Verdict in Sean “Diddy” Combs’ Case

Guests:

  • Robert Mintz, former federal prosecutor, partner at McCarter & English

Topics:

  • Combs’ acquittal on the most serious charges (racketeering, conspiracy, sex trafficking)
  • Conviction on two lesser felonies (transportation to engage in prostitution)
  • Defense’s strategy to challenge overcharging
  • Impact of the 2016 video showing domestic violence
  • Potential sentencing: between ~2–5 years under guidelines, but judge has broad discretion
  • Judge’s refusal to release Combs pending sentencing due to danger concerns
  • Broader implications of prosecutorial overreach and the difficulties of proving coercion in complex, long-term relationships

Segment 2: The Supreme Court Term Review

Guest:

  • Michael Dorf, constitutional law professor, Cornell Law School

Topics:

  • The Supreme Court siding repeatedly with the Trump administration
    • Disbanding nationwide injunctions (limiting checks on executive power)
    • Facilitating major policy shifts (transgender military ban, deportations, birthright citizenship challenges)
  • LGBTQ rights decisions:
    • Upholding Tennessee’s ban on gender-affirming care for minors
    • Requiring schools to exempt religious families from LGBTQ-inclusive curricula
    • Concerns about the erosion of protections under equal protection doctrine
    • Forthcoming cases on transgender sports participation and conversion therapy bans
  • Second Amendment developments:
    • Court upholding ghost gun regulations
    • Declining to broadly immunize gun manufacturers
    • Signaling possible caution but not reversal of the pro-gun rights direction
  • Emergency docket criticism:
    • Pattern of granting Trump administration emergency relief with limited justification
    • Disregard for procedural norms
  • Overarching movement:
    • From traditional conservatism into enabling a more authoritarian style of governance

Summary

This episode of Bloomberg Law, hosted by June Grasso, offered an in-depth analysis of two major legal stories:

1. The Sean “Diddy” Combs Case
After a six-week federal trial with emotionally charged testimony, Combs was acquitted of racketeering and sex trafficking but convicted of transporting sex workers across state lines—a felony under the Mann Act. Prosecutors’ strategy to use RICO laws typically reserved for mob cases ultimately backfired, allowing the defense to argue overreach. While the jury found Combs’ conduct disturbing, they did not believe it rose to organized criminal enterprise. Despite securing partial convictions, the prosecution faces criticism for overcharging, which opened avenues for defense cross-examination and ultimately undermined their case. Combs remains in custody as he awaits sentencing, which could be significantly harsher than defense estimates due to the judge’s concerns about continued danger.

2. The Supreme Court’s Term
Professor Michael Dorf described a term marked by sweeping decisions that advanced a conservative agenda, often benefiting the Trump administration. The Court stripped lower courts of their ability to issue nationwide injunctions, effectively removing a key check on executive overreach. In LGBTQ cases, the Court upheld bans on gender-affirming care for minors, sided with religious parents seeking exemptions from inclusive curricula, and signaled openness to further limits on trans rights in upcoming cases. While the Court maintained some gun regulations, its overall jurisprudence continues a rightward trajectory, blending traditional conservative principles with deference to Trump’s more aggressive policies. Emergency docket decisions frequently favored the administration without full briefing, raising concerns about procedural fairness and erosion of judicial norms. Ultimately, the Court’s direction was characterized as not just conservative, but increasingly aligned with authoritarian tendencies.

THIS POSTING WAS WRITTEN BY AI AND EDITED BY INTELLICUREAN