
The New Criterion – March 2024 Preview



Times Literary Supplement (February 14, 2024): The latest issue features Thinking AI; London literary consequences, A new play in the great tradition, and Household terrors…

Times Literary Supplement (February 7, 2024): The latest issue features ‘Cancel Culture’ – The limits of academic free speech; An Auschwitz memoir; Wittgenstein’s bombshell; Horrible legions and Dutch artobiography…
The New York Review of Books (February 6, 2024) – The latest issue features:
The Supreme Court must decide if it will honor the original meaning of the Fourteenth Amendment and bar Donald Trump from holding public office or trash the constitutional defense of democracy against insurrections.
In Dürer’s Lost Masterpiece, Ulinka Rublack traces the global connections of the merchants who were the creative agents of the European art market in the sixteenth and early seventeenth centuries.
Dürer’s Lost Masterpiece: Art and Society at the Dawn of a Global World by Ulinka Rublack
In 2017, the Brazilian journalist Eliane Brum moved from São Paulo to a small city in the Amazon. Her new book vividly uncovers how the rainforest is illegally seized and destroyed.
Banzeiro Òkòtó: The Amazon as the Center of the World by Eliane Brum, translated from the Portuguese by Diane Whitty


Literary Review of Canada -March 2024: The latest issue features:

The Storm of Progress: Climate Change, AI, and the Roots of Our Dangerous Ethical Myopia by Wade Rowland
The Compassionate Imagination: How the Arts Are Central to a Functioning Democracy by Max Wyman

Literary Review – February 2, 2024: The latest issue features ‘We Are Free to Change the World: Hannah Arendt’s Lessons in Love and Disobedience’;
By STUART JEFFRIES
We Are Free to Change the World: Hannah Arendt’s Lessons in Love and Disobedience By Lyndsey Stonebridge
When Hannah Arendt looked at the man wearing an ill-fitting suit in the bulletproof dock inside a Jerusalem courtroom in 1961, she saw something different from everybody else. The prosecution, writes Lyndsey Stonebridge, ‘saw an ancient crime in modern garb, and portrayed Eichmann as the latest monster in the long history of anti-Semitism who had simply used novel methods to take hatred for Jews to a new level’. Arendt thought otherwise.
By Norma Clarke
Hardy Women: Mother, Sisters, Wives, Muses By Paula Byrne
The title of Paula Byrne’s Hardy Women is a pun on Thomas Hardy’s name and a gesture to the enthusiasm that greeted Hardy’s fictional women. Bathsheba Everdene in Far from the Madding Crowd, Tess Durbeyfield in Tess of the d’Urbervilles and Sue Bridehead in Jude the Obscure were new kinds of women, and Hardy’s fame, which was immense and began with the publication of Far from the Madding Crowd, rested to a large extent on the heroines he created. One young reader wrote to him of Tess, ‘I wonder at your complete understanding of a woman’s soul.’ Hardy’s discontented wife Emma wondered at it too. She observed, ‘He understands only the women he invents – the others not at all.’
London Review of Books (LRB) – February 1, 2024: The latest issue features Origins of the Gay Novel; Protest, what is it good for?; Poems of Enheduana; Caspar David Friedrich, Israel’s War and more….
By James Butler
If We Burn: The Mass Protest Decade and the Missing Revolution
by Vincent Bevins.
The Populist Moment: The Left after the Great Recession
by Anton Jäger and Arthur Borriello.
Enheduana: The Complete Poems of the World’s First Author
by Sophus Helle.


Times Literary Supplement (January 31 2024): The latest issue features ‘Back to Nature’ – The counterculture begins with Thoreau; Enlightenment dimmed; The secret state and the IRA; Homosexuality in early modern Europe and A family haunting….

Times Literary Supplement (January 24, 2024): The latest issue features ‘The Rich Are Always With Us’ – Ferdinand Mount on taming the plutocrats; Empire’s balance sheet; Who is Charles III?; Silvia Townsend Warner’s revival and ChatGPT goes to college…

THE NEW YORK TIMES BOOK REVIEW (January 19, 2024): The latest issue features the excitement over advance copy reviews of a January novel, Kaveh Akbar’s “Martyr!” …“You’ve got to read this,” one editor said. “One of the most electric novels I’ve read in a long while,” another said. This kind of thing — everyone thrilled by the same book — is unusual at the TBR, and explains why “Martyr!,” about a grieving young man’s search for meaning, graces our cover this week.

In “Martyr!,” the poet Kaveh Akbar turns a grieving young man’s search for meaning into a piercing family saga.
Martyr!, by Kaveh Akbar
Reviewed by By Junot Díaz
Cyrus Shams, the aching protagonist at the heart of Kaveh Akbar’s incandescent first novel, is a veritable Rushdiean multitude: an Iranian-born American, a “bad” immigrant, a recovering addict, a straight-passing queer, an almost-30 poet who rarely writes, an orphan, a runner of open mics, an indefatigable logophile, a fiery wit, a self-pitying malcontent. But above all else Cyrus is sad; profoundly, inconsolably, suicidally sad.
Here are the books discussed in this week’s episode: