A century of art from Northern Ireland inevitably paints a complex picture https://t.co/UUfXNeLxXN
— Apollo Magazine (@Apollo_magazine) November 2, 2021
Art Exhibits: ‘Portrait Of Northern Ireland’, Belfast
Tag Archives: Apollo Magazine
International Art: Apollo Magazine – November 2021
FEATURES | Andrew Russeth on the imperial splendours of the National Palace Museum of Korea; Tacita Dean interviewed by Robert Barry; Susan Moore views one of the world’s finest collections of 17th-century Chinese porcelain; Claudia Tobin on the aesthetic investigations of the writer Vernon Lee in Florence
| REVIEWS | Nancy Princenthal on Jasper Johns in Philadelphia and New York; Michael Prodger on Frans Hals’s male portraits; Douglas Murphy on Sophie Taeuber-Arp at Tate Modern; Nicola Jennings on the Spanish baroque sculptor Luisa Roldán; Charles Nicholl cracks open a book about medieval manuscripts; Andrew James Hamilton on the efforts to find a lost Maya sculpture; Thomas Marks on watching the drama of a restaurant in real time |
| MARKET | A preview of the second part of Asian Art in London, and the latest art market columns from Susan Moore, Emma Crichton-Miller and Samuel Reilly |
| PLUS | Bernadine Bröcker Wieder and Douglas McCarthy ask if museums should be dabbling in NFTs; Rosamund Bartlett on Dostoevsky’s taste in Old Masters; Samuel Reilly visits David Livingstone’s birthplace; Will Wiles defends architectural photographers from their critics; Kirsten Tambling on Louis Wain, the man who drew cats; and Robert O’Byrne on the most expensive project in the history of art-book publishing |
Cover Previews: Apollo Magazine – September 2021
FEATURES | Jonathan Griffin on mysticism and modern art; Yasmine Seale watches Sheila Hicks at work; Andrew Lloyd Webber gives Sophie Barling a tour of Drury Lane; Eve M. Kahn at the Phillips Collection in Washington, D.C.; Valeria Costa-Kostritsky on the Museum of Homelessness
| REVIEWS | Susan Owens on Gustave Moreau’s fables at Waddesdon; Aimee Ng on the Medici at the Met; Emilie Bickerton on Georges Méliès at the Cinémathèque Française; Peter Parker on Richard Chopping in Salisbury; Tom Stammers on history in the age of Romanticism; Kitty Hauser on the life of Francis Bacon; David Ekserdjian on Italian paintings at the Norton Simon; Sameer Rahim on the Umayyad Mosque in Damascus; Rebecca Ann Hughes on the tricks of the white-truffle trade |
| MARKET | Jo Lawson-Tancred selects her highlights of TEFAF Online; and the latest art market columns from Susan Moore; Emma Crichton-Miller and Samuel Reilly |
| PLUS | Susan Moore and Niru Ratnam ask if the art world has a sense of humour; Diane Smyth on the rise of falling in photography; Martin Herbert at the restored Neue Nationalgalerie in Berlin; William Dunbar on a cave monastery in Georgia; Gillian Darley on the visions of Joseph Gandy; Robert O’Byrne on the forgotten art of Ignazio Hugford |
Views: ‘Richard Chopping: The Original Bond Artist’
In April 1956, at the suggestion of his friend Francis Bacon, Richard Chopping took the society hostess Ann Fleming to see some of his trompe l’oeil paintings, which were then on show at the Arthur Jeffress Gallery in Mayfair. Impressed by these pictures, Fleming invited the artist to meet her husband, Ian, who was looking for someone to provide dust-jacket illustrations for his James Bond novels.
31 AUGUST 2021
Chopping was immediately offered the job, and his striking designs remain the work for which he is best known and are, for many collectors, the reason the novels are particularly prized.
As this small but imaginatively curated exhibition demonstrates, there was a great deal more to Chopping than James Bond. Nevertheless, the highly detailed, finely executed and often macabre paintings he produced for Fleming are characteristic of his work as a whole. Born in Essex in 1917, Chopping moved to London at the age of 18 with little idea of what he wanted to do, but soon got a job on the magazine Decorations of the Modern Home.
International Art: Apollo Magazine – June 2021
FEATURES | Peter Blake interviewed by Martin Gayford; Harry Pearson on art at the Olympics; Alexander Röstel goes in search of Bernardo Bellotto in Dresden; Rebecca Ann Hughes on troublesome tourists in Italy; Christina J. Faraday on ‘speaking pictures’ in Renaissance England
REVIEWS | Kristina Wilson on American folk art in Boston; Jennifer Mass scrutinises Guernica online; Xavier F. Salomon on Kraków’s royal tapestries; Tom Stammers on Marie Antoinette’s dairy; Daniel Trilling on the Benin Bronzes; Francesca Wade on Clive Bell; Alexander Marr on baroque swagger; and Damian Thompson on John Pawson’s cookbook
INTERNATIONAL ART: ‘APOLLO MAGAZINE – MAY 2021’
| INSIDE THE ISSUE |
| FEATURES | Michael Rakowitz interviewed by Daniel Trilling; Jon Day on smell and the visual arts; Susan Moore catches up with art collector and former Louvre director Pierre Rosenberg; Oliver Cox on country-house exhibitions in museums; Debika Ray assesses Narendra Modi’s architectural shake-up of New Delhi |
| REVIEWS | Kitty Hauser on new Australian art in Sydney; Matt Stromberg evaluates LACMA’s experimental rehang; Tom Fleming on the life of John Craxton; Clare Bucknell on a study of women’s self-portraits; Glenn Adamson on a history of Western ceramics; Mark Francis on Richard Hamilton, Pop pioneer |
| MARKET | Stephen Ongpin, Thomas Dane and François Chantala consider the future of London’s galleries and fairs; and the latest art market columns from Susan Moore, Emma Crichton-Miller and Samuel Reilly |
| PLUS | Xavier F. Salomon finds a lost Valadier masterpiece in Nicaragua; Isabella Smith visits imperial China through her TV screen; Samuel Reilly on Joan Eardley in Glasgow; Charles Holland on the post-war buildings of Raymond Erith; Thomas Marks on Daniel Spoerri’s tableaux of tables; and Robert O’Byrne picks over Apollo’s wartime diet |
INTERNATIONAL ART: ‘APOLLO MAGAZINE – APRIL 2021’
| INSIDE THE ISSUE |
| FEATURES | Glenn Adamson on Alice Neel’s compassionate portraits; Antony Gormley interviewed by Gabrielle Schwarz; Christopher Turner on the Surrealist houses of Edward James; Morgan Falconer on Jessica Morgan’s ambitious vision for the Dia Art Foundation; Kaywin Feldman on cultural leadership in 2021 |
| REVIEWS | Eve M. Kahn on the opening of the Frick Madison; Sukhdev Sandhu on ‘Grief and Grievance’ at the New Museum; Christopher Baker on friendship and portraiture in 18th-century France; Michael Prodger on art museums in the 21st century |
| MARKET | Susan Moore previews spring auctions and reviews sales in Paris and Brussels; Emma Crichton-Miller on collecting Tiffany glass; Samuel Reilly on Frieze New York and gallery reopenings in London |
| PLUS | Kirsten Tambling on satirical images of Robert Walpole; Tim Smith-Laing on Baudelaire’s cantankerous art criticism; Emilie Bickerton in Eugène Atget’s Paris; Emma Crichton-Miller on single-artist museums in Switzerland; Will Wiles on the future of department stores; Thomas Marks on the Georgian feasts of Niko Pirosmani; Robert O’Byrne on Spain before the Civil War |
International Art: ‘Apollo Magazine – March 2021’
FEATURES | Stephen Patience explores the glamourous world of Noël Coward; Gillian Wearing interviewed by Martin Herbert; Daisy Hildyard on the beasts of Francis Bacon; Kirsten Tambling on Queen Mary’s contributions to the Royal Collection; Phillip Prodger considers the merits of colourising early photographs and film
| REVIEWS | Linda Wolk-Simon on a new look for the Met’s Old Masters; Mark Pimlott on a survey of post-war museum design in Rotterdam; Morgan Falconer on Soviet ad men at MoMA; Peter Parker on 18th-century paintings of Udaipur; David Ekserdjian on five centuries of Raphael; Tanya Harrod on the letter-cutting of Ralph Beyer; Thomas Marks watches the Uffizi’s new cooking show |
| MARKET | Susan Moore previews March sales in London and New York and looks back at the winter season; Emma Crichton-Miller on collecting Judaica; Jo Lawson-Tancred on Art Dubai and other events not to miss |
| PLUS | Ed Vaizey and Charlotte Higgins on whether the government should be doing more for the arts; Sophie Barling visits the tent-tomb of Richard and Isabel Burton; Timothy Brittain-Catlin on Louis Kahn’s concrete castles; Dora Thornton on the golden age of brooch design; Robert O’Byrne on Georgian waxworks |
International Art: ‘Apollo Magazine’ (February 2021)
FEATURES | Matthew P. Canepa on the art of ancient Iran; Lisa Yuskavage interviewed by Jonathan Griffin; Rosamund Bartlett on how Russia fell for French impressionism; Will Wiles offers up an elegy for the VHS
REVIEWS | Tim Smith-Laing on drawings of Dante’s Divine Comedy; Robert Hanks on an exhibition about touch at the Fitzwilliam; Diana Evans on Lynette Yiadom-Boakye at Tate Britain; Kathryn Murphy on the enigmas of Aby Warburg’s image atlas; Isabelle Kent on the life of Goya; Adriano Aymonino on the history of marble; Thomas Marks on the art of TV chefs
PLUS | Nicholas Penny, Victoria Broackes and Geoffrey Marsh on blockbuster shows after Covid; Ben Street rifles through his postcards of paintings; Andrew Russeth moves to Seoul and heads straight to a museum; Edwin Heathcote defends the modern architectural frieze; Robert O’Byrne on the fickleness of taste
Art: ‘Apollo Magazine – December 2020 Issue’
| INSIDE THE ISSUE |
| FEATURES | Kirsten Tambling on Shakespearean relics; Susan Moore visits a museum-worthy collection of Old Masters; Alisa LaGamma on African art and attribution; Alice Gorman asks who is responsible for protecting space heritage |
| REVIEWS | Robert Barry on Bruce Nauman in London; Mark Evans on Prince Albert’s Raphael Collection in Woking; Imelda Barnard on Haegue Yang in St Ives; Caroline McCaffrey-Howarth on the history of European porcelain; Andrew Hussey on Isidore Isou; Thomas Marks on a collection of recipes by video artists |
| MARKET | Susan Moore previews December sales in New York and looks back at the autumn season; Emma Crichton-Miller on the enduring appeal of German limewood sculpture |
| PLUS | The Apollo Awards 2020; Caroline Campbell and Michael Prodger consider the consolations offered by historic paintings; Madeleine Schwartz on fakery and the Russian avant-garde; Christopher Turner in search of Bologna’s historical waxworks; Charles Holland on architectural copies and cover versions; Robert O’Byrne on the brilliantly named painter Hercules Brabazon Brabazon |
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