
Science News website

Science News website
New York Times columnist David Brooks and Washington Post columnist Jonathan Capehart join Amna Nawaz to discuss the week in politics, including the bombings in Kabul, Afghanistan that killed U.S. service members, the commission investigating the Jan. 6 riot, and voting rights legislation.
The decision to pivot an entire business to focus on the coronavirus is an obvious one in hindsight, at least for Moderna, BioNTech and Pfizer, which succeeded beyond anyone’s expectations — and will reap billions of dollars in sales of their vaccines this year alone.
It wasn’t such a clear decision in the early months of 2020, though that’s when Moderna’s chief executive, Stephane Bancel, and BioNTech’s chief, Ugur Sahin, starting turning their ships, they told CNBC in interviews for this documentary about the vaccine race, produced by CNBC senior health and science reporter Meg Tirrell and senior digital producer Sam Rega.
“The night that China locked down Wuhan, I’m like: ‘When was the last time I know a city has been locked down because of an infectious disease?’” Bancel recalled. “And what goes through my mind is: what do the Chinese know that we don’t know?“ Bancel said he awoke sweating at 4 a.m., realizing, “Jeez, there’s going to be a pandemic like 1918.” For Sahin, it was reading a paper in the Lancet in late January describing the outbreak in China.
“I did a number of calculations, fast calculations, and realized it had already spread,” Sahin said. “And it was clear that it was already too late to stop the disease.” But he was convinced BioNTech, then focused mainly on personalized cancer therapies, may be able to do something. His company reached out to Pfizer, he said, proposing to work on a vaccine for the novel coronavirus using the same technology, messenger RNA, on which they’d already partnered to try to tackle the flu.
“We had the first contact a few days after starting the project,” Sahin said. “At that time, Pfizer was not yet interested.” Albert Bourla, Pfizer’s CEO, confirmed Sahin’s account, saying in the earliest months of 2020, he was focused on maintaining the company’s operations in China. But by late February, he said, he’d determined Pfizer needed to work on a treatment and a vaccine.
“What is the best approach?” Bourla said he asked his team. Kathrin Jansen, head of Pfizer’s vaccine research and development, said they assessed all existing technologies, including protein-based vaccines and vaccines using viral vectors. “They all have too few pros and too many cons,” she said.
But messenger RNA was a risk; it had never been used before as an approved vaccine or drug. “I wrestled a little bit with the decision,” Bourla said. But after another meeting with the team, “they convinced me.” That’s when Sahin called a second time. The outbreak, by that point, was already in New York, he said. Reaching Jansen, he described the work that BioNTech already had underway, and asked if Pfizer would like to work together. “And I said: absolutely,” Jansen remembered. “Let’s talk about this.”
At Moderna, it was never a question that messenger RNA would be the way forward; that was the technology around which the company was founded in 2010. But that didn’t mean questions didn’t exist. “Even going into March, there were voices that said vaccines were false hope,” recalled Dr. Stephen Hoge, Moderna’s president.
“It did feel for a period of time that we needed to defend even the idea of trying.” “When we were thinking about how do we get into Phase 1, what does it look like to prepare for a pandemic, the eyes of the world felt as though they were looking at Moderna as this biotech … ‘what are they trying to do?’” said Hamilton Bennett, Moderna’s senior director of vaccine access and partnerships.
“It was only when we transitioned in that March notification from the WHO that this was a global pandemic, it’s an emergency, that I think people started to realize that what we’re doing isn’t playing in a sandbox trying to demonstrate our technology,” Bennett said. “We’re developing a vaccine that’s going to stop the pandemic.” The companies succeeded, in what became one of the greatest medical races in history. Here, they recall how it happened.
The race between covid-19 vaccines and variants is on. Alok Jha, The Economist’s science correspondent, and Natasha Loder, health policy editor, discuss what this means for the future Read more of our coverage on coronavirus: https://econ.st/3t1L6wx
News Intern Rachel Fritts talks with host Sarah Crespi about a new way to think about endometriosis—a painful condition found in one in 10 women in which tissue that normally lines the uterus grows on the outside of the uterus and can bind to other organs.
Next, Raphael Townshend, founder and CEO of Atomic AI, talks about predicting RNA folding using deep learning—a machine learning approach that relies on very few examples and limited data.
Finally, in this month’s edition of our limited series on race and science, guest host and journalist Angela Saini is joined by author Lundy Braun, professor of pathology and laboratory medicine and Africana studies at Brown University, to discuss her book: Breathing Race into the Machine: The Surprising Career of the Spirometer from Plantation to Genetics.
Concerns over prescription drug prices have grown into a big political issue, with nearly one in four Americans saying it’s difficult to afford their medications, according to a March 2019 poll by the Kaiser Family Foundation. Pharmacies technically set their own prices for generic drugs, but there are other players involved that complicate the process. Here’s how the system works and what customers can do to save money.
Chapters 0:00 – Introduction 1:16 – Why pharmacies exist 3:50 – How pharmacies make money 8:51 – Regulations 10:55 – How customers can save money
The contemporary architecture of Japan has long been among the most inventive in the world, recognized for sustainability and infinite creativity. No fewer than seven Japanese architects have won the Pritzker Prize.

Since Osaka World Expo ’70 brought contemporary forms center stage, Japan has been a key player in global architecture. With his intentionally limited vocabulary of geometric forms, Tadao Ando has since then put Japanese building on the world’s cultural map, establishing a bridge between East and West. In the wake of Ando’s mostly concrete buildings, figures like Kengo Kuma (Japan National Stadium intended for the Olympic Games, originally planned for 2020), Shigeru Ban (Mount Fuji World Heritage Center), and Kazuyo Sejima (Kanazawa Museum of 21st Century Art of Contemporary Art) pioneered a more sustainable approach. Younger generations have successfully developed new directions in Japanese architecture that are in harmony with nature and connected to traditional building. Rather than planning on the drawing board, the architects presented in this collection stand out for their endless search for forms, truly reacting on their environment.
Presenting the latest in Japanese building, this book reveals how this unique creativity is a fruit of Japan’s very particular situation that includes high population density, a modern, efficient economy, a long history, and the continual presence of disasters in the form of earthquakes. Accepting ambiguity, as seen in the evanescent reflections of Sejima’s Kanazawa Museum, or constant change and the threat of catastrophe is a key to understanding what makes Japanese architecture different from that of Europe or America.
This XL-sized book highlights 39 architects and 55 exceptional projects by Japanese masters—from Tadao Ando’s Shanghai Poly Theater, Shigeru Ban’s concert hall La Seine Musical, SANAA’S Grace Farms, Fumihiko Maki’s 4 World Trade Center, to Takashi Suo’s much smaller sustainable dental clinic. Each project is introduced with photos, original floor plans and technical drawings, as well as insightful descriptions and brief biographies. An elaborate essay traces the country’s building scene from the Metabolists to today and shows how the interaction of past, present, and future has earned contemporary Japanese architecture worldwide recognition.