The largest of them, l’Île aux Moines, is the most popular with tourists. Others belong to private owners, who live out their desert island dream. Oysters are farmed all year round on this storm-protected inland sea.
We take a closer look. Read more about this story in our article: https://f24.my/9r7U.y
Working spontaneously, de Balincourt develops his expressive paintings through an improvisational approach that borders on abstraction. In this new interview, the artist dissects his process and the ways that he explores the natural world, globalization, technology, and psychology in his works.
To learn more about this exhibition, visit: https://www.pacegallery.com/exhibitio…
To learn more about Jules de Balincourt, visit: https://www.pacegallery.com/artists/j…
They live on these plains in semi-freedom and are reared by enthusiasts: the manadiers. These bulls are reared for one purpose: to become champions of the bullring in the Courses camarguaises. But the animals aren’t put to death and suffer no injuries. The raseteurs, wearing white, must collect the rosettes tied to the bull’s horns. We take a closer look.
Read more about this story in our article: https://f24.my/9mds.y
The Museum of Modern Art and HIstory in the MOAH Cedar Annex gave her a solo exhibit “Bird By Bird” in February 2022. The birds have led to many other exhibition opportunities.
“I think of myself as a drawing informed painter. This means that I mainly draw my images beforehand and during the painting process. My desire to contribute to society on a deeper level drives me in the nature series to create narrative stories around my birds. I wish to connect humans to nature and to each other. Even in nature I desire to record history and people and how we all connect to nature. It is important to preserve our wildlife and question the environment that humans create.”
July 1–September 10, 2023
Gstaad
Since 1977, Setsuko has resided in the Grand Chalet of Rossinière, close to Gstaad, making this an opportunity for her to exhibit within reach of her Swiss home. Into Nature furthers the bodies of work presented in Into the Trees, Setsuko’s debut exhibition at Gagosian Paris in 2019, and Into the Trees II, a solo presentation at Gagosian Rome in 2022.
On view in Gstaad are new ceramic sculptures, produced at Astier de Villatte’s Paris workshop and made of terra-cotta glazed in white enamel. Setsuko’s renderings of trees, with their delicately modeled representations of acorns, blooms, foliage, and fruit, emphasize the rooted solidity of their trunks to convey lasting strength and emergent growth. Reminiscent of Japanese ceramics dating back to the age of Jōmon earthenware (c. 10,500–300 BCE), these works also refer to the animistic Japanese religion Shintō, to which trees are of central symbolic importance.
Marie Hermann currently teaches at the School of the Art Institute of Chicago (SAIC).
A modern art pioneer, renowned Swiss painter Ferdinand Hodler (1853–1918) created works that range from vast symbolist compositions to intimate, realist portraits and nearly abstract landscape paintings. This exhibition of approximately sixty works, primarily on paper, will focus on the role of drawing in his practice, from quick compositional sketches to elaborate oil studies.
Most of the drawings Hodler produced were preparatory studies for his large-scale figure compositions; these offer a fascinating account of his working process, which involved technical experiments with imprints, tracing, and collages. A few of his portrait drawings will also be featured, including a poignant series in which he recorded the illness and death of his lover Valentine Godé-Darel.
These rarely seen drawings offer a compelling survey of Hodler’s singular contribution to early modernism.
Boomers Daily 