The New Yorker – January 1 & 8, 2024 issue: The new issue‘s cover features Bianca Bagnarelli’s “Deadline” – The artist evokes a moment suspended between the old and the new.

How Camille Pissarro Went from Mediocrity to Magnificence

He began as more of a tutor than a talent. But in his final decade he lent a keen eye-in-the-sky view to the Paris streets, rendering miracles of kinetic characterization.

By Adam Gopnik

It’s one of the stranger anomalies of French intellectual life that Impressionist painting—by far the most influential of French cultural enterprises—has received so little attention from the most ambitious French critics and philosophers. One can page through André Gide’s journal entries, a lot of them on art, or through Albert Camus’s, and find very little on Claude Monet or Edgar Degas (and much more on the Symbolists, a group that was far easier for a literary man to “get”). Marcel Proust cared passionately for painting, and his hero-painter Elstir has touches of Monet, but in order to make him interesting Proust had to model him on the more histrionic James McNeill Whistler, with samplings from a forgotten American painter added in.

A Palestinian Poet’s Perilous Journey Out of Gaza

Following Hamas’s October 7th attack and Israel’s invasion, Mosab Abu Toha fled his home with his wife and three children. Then I.D.F. soldiers took him into custody.

By Mosab Abu Toha