Category Archives: Home Design

New Zealand Home Tour: Mahuika – Waiheke Island

Blending into the black of the bush, Mahuika is a private island house that embraces the external environment. Faced with a challenging site, Daniel Marshall Architects (DMA) uses the unique building context to infuse Mahuika with a sense of legend and soul, crafting a secluded home with a fiery past.

Video Timeline: 00:00 – An Introduction to the Private Island House 00:32 – Mahuika – Fire and Renewal 01:09 – Utilising Natural Light 01:35 – Remote and Private 01:55 – The Pool 02:24 – The Kitchen Appliances 03:12 – Bathrooms and Bedrooms 03:55 – Challenges of the Build 04:18 – The Materials 04:43 – What the Architect is Most Proud Of

A private island house, Mahuika is located on Waiheke Island in the Hauraki Gulf of New Zealand. After a shocking incident that saw the project burnt just weeks before it was initially due to be completed, DMA named the home after the Māori Goddess of Fire. The timber-framed structure is designed so that the living room occupies the architectural cantilever, shading the pool below whilst bedrooms spread across different levels of the home.

In both surrounding context and brief, Mahuika presented DMA with obstacles to overcome. The changeable nature of the Auckland climate meant that the interior design and architecture of the private island house had to complement flitting natural light and striking external scenes. In addition, the design of the house had to be conducive to minimal visits to the shops during the week.

DMA convincingly responds to the difficulties proposed by the project, finding beauty within innovative solutions. The practice embraces the environment as part of the reality of living in a private island house, applying floor-to-ceiling glazing to the architecture of Mahuika in promotion of an authentic lifestyle.

In the kitchen, a generous whole foods storage system meets the requirements of the home whilst the sleek surface of Fisher & Paykel appliances reflects the view of the bush and sea. In Mahuika, the Auckland climate has the ideal subject. DMA designs the private island house to gracefully accept the ever-changing natural elements and vistas, welcoming them as defining features and reflecting them back out as parts of itself.

Architecture: Hopetoun In Melbourne, Australia

A solid concrete dwelling, The Hopetoun is a luxury super house, complete with a tennis court and sleek garage. Meticulously designed by FGR Architects, the new build combines architecture, lighting and textural detail to reveal internal spaces of surprising delicacy.

Video Timeline: 00:27 – Entering the Super House 01:21 – Minimalist Architecture 01:57 – Connection Between Spaces 02:19 – Positioning the House 02:59 – Lighting in the House 03:40 – Concrete Architecture 04:37 – Utilising Stone and Timber 04:54 – Breaking Tradition

Located in the leafy Melbourne suburb of Toorak, The Hopetoun is a super house designed to accommodate a large family. Situated on the corner of a road, the house is crafted to dramatically embrace the breadth of its site, presenting a broad and expansive façade to the street. A house tour of the property sheds light on the layout of the super house, carefully planned by the architect.

FGR Architects configures the home to maximise solar penetration via the northern aspect, fitting the sunlit side of the house with ample glazing and arranging the internal spaces to reflect the need for natural light. Whilst the southern orientation houses utilities and services, the northern counterpart is occupied by the most frequently habited rooms. A sculptural set of stairs forms the highlight of the interior design. FGR Architects uses lighting to express the structural prowess of the concrete super house, including the implemented overhangs within the architecture.

The delicate interaction between the undulating texture of the concrete walls and the warm wash of artificial light presents lighting almost as a material in itself, equal amongst the concrete, glass, stone and timber. Utilising the refined nature of concrete in relation to light, FGR Architects is able to create a sophisticated super house that possesses the robust material character to age elegantly through time. 00:00 – Introduction to the Super House

Architecture: Otsu House In Casuarina, Australia

A modern-day dream home, Otsu House is a refreshing and timeless exploration of texture, material and light. The site’s proximity to the beach called for a pared back and neutral colour palette, filling the internal spaces with warmth and reflective character.

Video Timeline: 00:00 – Introduction to the House 00:29 – Design Influenced by the Environment 01:04 – Designing for Light and Airflow 01:25 – Concrete and Clay Finishes 02:57 – The Courtyard 03:15 – Neutral Colour Palette 03:40 – Landscaping and Pool Design 04:10 – Helical Staircase 04:53 – Ensuite Bathroom Features 05:18 – Concrete Kitchen Bench 05:36 – Successful Partnership

With easy access to the beach, it was important that the materials used within the structure were able to be self-maintained and endure the harsh Australian climate and beachside environment.

The dream home embraces open spaces, reminiscent of the nearby ocean. A continued theme of open space is felt throughout the house and is extended out towards the garden. The entryway is greeted with a void and an enticing sculptural staircase. Feeling as though it evolved out of the ground, the staircase draws the eye inward and up to the second level. The curve of the stairs reflects the textured clay render, Rockcote Japanese Otsumigaki, used throughout the interior and evokes a visual connection to ocean waves.

The Otsumigaki is both subtle and reflective, interacting with natural light and giving forth a lustre that is completely distinctive to the interior space. The raw nature of the Japanese clay and concrete used throughout the dream home acts as a significant connection to the beachfront. The textured material brings with it a warmth whilst also an endurance to the elements, specifically the salt from the ocean and the strength of the Australian sun.

Concrete is also used in the home’s ceiling, allowing for both thermal and noise barriers within the interior spaces. The material is also used in the kitchen bench and is in keeping with the natural, neutral colour palette present within the dream home. Otsu House also features a courtyard space, acting as both a lightwell and a visual connection for the downstairs rooms. The doors are able to be opened to allow a breeze to flow throughout the dream home, creating patterns with light and shadows. The linen curtains soften the raw concrete throughout and provide a delicate balance within the natural material palette.

Architectural Tours: Malvern House – 100-Year Old ‘Modern’ In Australia

Malvern House sees Lande Architects convert a one-hundred-year-old house into a modern home with a minimal addition. Traditionally, when architects convert a one-hundred-year-old house into a refreshed dwelling, they take care to preserve the heritage features of the property – Malvern House was no different.

Video Timeline: 00:00 – Blueland 00:09 – Introduction to the 100 Year Old House 00:45 – Modernising a Weatherboard Victorian Cottage 01:23 – The Client Brief 02:08 – Green Motif Throughout the House 03:30 – Utilising Natural Light 04:10 – Outdoor Areas 04:25 – Working Together with the Clients 04:58 – Blueland Home Cleaning Products 06:24 – Final Look at the Converted House

Lande Architects retains the original, decorative front of the Victorian weatherboard cottage, maintaining a connection to the defining architecture of the location. Lande Architects reconfigures the extension of Malvern House – located to the rear of the structure and comprising of the kitchen, living and dining spaces – to propose a larger footprint. Seven internal courtyards are added in adherence to the brief, which stipulated that the pockets of green space should feature within the interior design.

Softly defined by functional glazing, the courtyards form an important part of the overall scheme as Lande Architects convert a one-hundred-year-old house into a modern home. The design of Malvern House champions efficiency. Lande Architects insulates the home with double brick walls and a large concrete slab positioned to the north orientation, with the slab absorbing heat during the day and radiating the heat back into the house overnight.

Cross-flow ventilation is provided via the seven courtyards. Such mastery over the internal environment of Malvern House sees Lande Architects convert a one-hundred-year-old house into a home that can meet 21st century standards of liveability. Whilst the heritage front of Malvern House remains purposefully untouched, the rear extension is changed for the better. Lande Architects converts a one-hundred-year-old-house into a residence with a rich and evolving narrative.

Modern Homes: Bunkeren In Newcastle, Australia

Crafted by James Stockwell Architect, Bunkeren could be the best modern house in the world. Considered more landscape than building, the concrete dwelling is a robust insertion within the surrounding natural context. Embedded into a rocky forest edge just south of Newcastle,

Video Timeline: 00:00 – Introduction to the Best Modern House in the World 00:40 – The Concept 01:30 – Designing for Family and the Landscape 02:09 – House Inspired by Danish Design 02:25 – Intimate Spaces 02:44 – Bunker within the Landscape 03:20 – Benefits of a Concrete Bunker House 04:20 – Bringing Natural Light into the House 04:55 – The Cellar 05:30 – Materiality 06:12 – Indoor-Outdoor Living 07:05 – Highlights of the House 07:28 – The Architect’s Favourite Part of the House

Bunkeren sits on the land of the Awabakal people. Externally, the building is reminiscent of the inspiring botanical garden that once occupied the location in the late 1800s; sprouting greenery covers the top of floating concrete platforms where, beneath, the internal spaces are held. A sense of architectural freedom is permitted by minimising necessary supporting columns and removing the need for load-bearing walls, lending structural significance and an impressive silhouette to what is considered the best modern house in the world.

A house tour of Bunkeren – named according to the Danish translation of ‘bunker’ – reveals the negotiated peaks and pitfalls of the bunker configuration. In materiality and position, the home expresses a reassuring invulnerability; partly shielded by the rocky landscape and comprised of concrete, Bunkeren can retain its structural integrity in the event of a bushfire or storm. Crafted by the architect to be low maintenance, the home does not require painting and cannot be eroded by mould or termites. The enveloping botanical element of the design supports the forest ecosystem and microclimates by interacting with natural species. James Stockwell Architect designs the interior to combat the limited natural light and ventilation associated with the architecture of a traditional bunker. Skylights and an internal garden draw light into the underground aspects of the home in an aesthetically engaging manner, whilst the elevated nature of the concrete platforms allows space for fresh air to travel through the dwelling. The interior design of Bunkeren contributes to its potential as the best modern house in the world. Whilst utilising the work of local artists, James Stockwell Architect also takes care to reflect the influence of Danish design culture in consideration of the homeowners’ lifestyle. In application of the Danish principle of proportion, all decoration is scaled to human level, emphasising the togetherness of the family unit. The design also champions the Danish furniture inherited by the homeowners. A restrained approach to styling sees each space defined by a sense of intimacy, with the absence of elaborate ornamentation establishing an unimposing, experientially gentle atmosphere. The most unique aspect of the home – through which James Stockwell Architects proposes Bunkeren as the best modern house in the world – is the cellar, situated at the lowest level. Inside the space, the rock into which the residence is settled within is left exposed, providing visual drama, natural tactility and a reflection of the external environment, blurring the line between the home and landscape. Warmed by the additional materials of wood, concrete and brass, the cellar exudes individuality. In 20 years, the foliage surrounding Bunkeren will have grown, until the building cannot be clearly distinguished from its natural context. It is this foresight that allows Bunkeren to be considered the best modern house in the world.

Architecture: SRG House In Sydney, Australia (Video)

As an architect’s own home, SRG House by Studio Johnston balances its heritage context with contemporary design aesthetics. Facing the nearby water, the family home retains natural qualities through a strong connection to the surrounding bushland. Despite its inner-city location, the structure has an almost tree house-like quality to it, relating to its waterfront position in subtle and interesting ways.

The original building was dilapidated and had a number of unsympathetic alterations. Being an architect’s own home and after being stripped back, SRG House was reimagined to capture an element of discovery, seen through the materials used and maintained. The house stands as three storeys with an entrance at its middle level. To the left sits the kitchen, and adjacent to this is the dining area with inbuilt furniture.

The house tour then follows the floor plan out to the living space that looks out towards the water. In the original structure, the downstairs space was underutilised and was transformed to become bedrooms and a lounge room overlooking the pool.

Video Timeline: 00:00 – Introduction to the Architect’s Own Home 00:40 – Heritage and History of the Tree House 01:27 – House Design of the Architect’s Own Home 02:10 – Reimagining and Utilising Materials 03:40 – The Aspect of the Tree House 04:23 – The Architect’s Favourite Part of the Home 04:58 – Materials, Products and Furniture Round-Up

New Architecture Tours: ‘Villa LP’ In Hanoi, Vietnam

Concrete, curtain creepers and light wells define this beautiful villa that is designed to house three generations.

We were set to design a house for a three-generation family with different lifestyles between the family members. While the grandparents are used to the traditional Vietnamese lifestyle, the married couple and their children are familiar with the modern way of living in foreign countries. The elders in this family have been living in this area for a long time and have a strong connection with the neighbors and interact with their acquaintances daily while their children and grandchildren only travel to Vietnam a few times per year so big spaces to accommodate a large family gathering as well as multiple social events is a must. 

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Tiny Homes: Asprolithos Villa On Kythnos, Greece

With a breathtaking view of the Aegean Sea, Asprolithos Villa was designed to reflect the simplicity and aesthetic of traditional Greek design. Constructed of locally sourced stone, each of the three villas has been whitewashed to maximise the reflection of light and heat. Each of the villas is connected to the other by large outdoor communal areas, surrounded by a contrasting raw stone wall. Inside, the 40 square metre spaces have been divided into zones by raising the living area, and recessing parts of the kitchen. The villa’s built-in sofa allows the area around it to function as additional storage, while also doubling as a small desk. Throughout the villa, the focus is always looking out towards the sea. Creating a calm relaxing environment as you move from zone to zone.