From a The Week online article:
The disease kills 12,000 Americans during mild flu seasons and up to 56,000 in severe ones, with 90 percent of the victims over 65 years old.
Although the U.S. has one of the highest vaccination rates in the world, only 45 percent of adults and 63 percent of children get flu shots each year. Scientists estimate that if the vaccination rates were boosted to between 80 and 90 percent, it could effectively stop seasonal flu from spreading because of herd immunity.

How does the vaccine work?
The flu vaccine contains inactive or weakened versions of three or four different strains of the influenza virus. Most people receive the vaccine via injection, but there is also a nasal spray available. The weakened viruses can’t cause serious illness, but they trigger and train the immune system to fight off the invading microorganisms. White blood cells generate an army of antibodies, which attack and destroy the vaccine viruses by attaching themselves to parts of the virus known as antigens. The vaccine antigens have the same shape as real flu antigens, so the immune system now has antibodies that match up with the real flu virus. That experience teaches the immune system to recognize future flu infections and quickly make antibodies to attack the invading viruses. It takes about two weeks after receiving the vaccine to develop immunity, which is why doctors recommend getting it early in the flu season, which begins in October and can last as late as May.
To read more: https://theweek.com/articles/874101/flu-vaccine-everything-need-know
Since I work as a fine artist now, there are fewer commercial entities to please, so I’ve discovered something that should have been very obvious. If you want to engage the viewer, don’t tell them everything, encourage them to ask their own questions. An artist should not describe—he or she should interpret. If you design into your work a bit of mystery—areas where the viewer must “fill in the blanks”—you set up an unspoken dialog with your viewers and an emotional weight will begin to develop organically. This is just one example of course, but an important one.
Making the Special Edition Photographs is an assignment I continue to this day, with Ansel’s vision and standards always in mind as I work. The prints are still made directly from Ansel’s negatives and in the “traditional” way: in a wet darkroom with amber safelights, chemicals and running water. The prints are still silver-gelatin prints, meaning that the image-forming element is literally metallic silver. Precious.


NPR’s Tamara Keith and Amy Walter of the Cook Political Report join Judy Woodruff to discuss the latest political news, including what the death of ISIS leader al-Baghdadi means for President Trump and how the impeachment inquiry might shift after the House takes a formal vote on it this week.