For 1960, Ferrari built 46 of these race-prepared, aluminum-bodied Competizione SWBs, a model that is now commonly referred to as the Comp/60.
While many variations existed with regards to aesthetic and mechanical features, most Comp/60s can be identified by a few key visual characteristics: the more elegant front grille and side windows of the original design, a prominent external fuel filler on the rear deck, and a cockpit air vent at the top of the rear window.
The car presented here is a fascinating example of the 250 SWB Comp/60 Berlinetta; it claims a fantastic period-competition history, well-documented provenance, and recent, show-quality restoration.
The Newport Jazz Festival was just one year old when the Clifford Brown/Max Roach Quintet blazed onto its stage in 1955. By 1960, when pianists Dave Brubeck and Horace Silver each played a rollicking set, the event was an institution, known all over the world. And so it remains today — though there’s something to be said about the fest in that formative era, when every step forward was historic.
For all of us at Jazz Night in America, the Newport Jazz Festival is both hallowed ground and a cherished hang. Our host, Christian McBride, is the festival’s artistic director. (Call that a disclosure, if you like; we think of it as a heavy asset.) So this summer, in the absence of a physical gathering, we’ve set out to lovingly recreate the festival experience, Jazz Night-style.
Boomers Daily 