From a Wall Street Journal article:
That’s how I felt while visiting “Homer at the Beach: A Marine Painter’s Journey, 1869-1880,” an intimate exhibition at the Cape Ann Museum. The show is handsome, historically rich and perfectly positioned here at this harbor venue, which devotes galleries to regional maritime and fishing artifacts, local decorative arts, Gloucester sea captain Elias Davis ’s house and the works of the renowned illustrator and marine painter Fitz Henry Lane (1804-1865), a Gloucester native with whom Boston-born Winslow Homer (1836-1910) had much in common.
An illustrator and painter, Homer is chiefly celebrated for his mature paintings of life on or near the sea. “Homer on the Beach” was never intended to be a gathering of Homer’s greatest maritime works. Therefore, it does not contain those revered later masterpieces such as “The Life Line” (1884), “The Herring Net” (1885) and “The Gale” (1883-93), but it lays their foundations and illumines the first leg of his voyage. Curated by William R. Cross, a museum consultant and chairman of the Advisory Board of the Yale Center for Faith and Culture, the show focuses on Homer’s artistic formation as a marine painter.
To read more: https://www.wsj.com/articles/homer-at-the-beach-a-marine-painters-journey-1869-1880-review-flotsam-jetsam-handsome-11567249200
Having earned the superlative of “most powerful waterfall in Europe” because of its massive flow rate (3,059,112 U.S. gallons per minute), standing near this unfettered display of power will give you a healthy respect for the fury of nature. 
Optimized for an individual or a couple, this mid-century modern design delivers a functional layout in a sophisticated package. The mud room entry features a 7 ft.+ width wardrobe, a separate W/D utility closet and a nook with a bench and cubbies. Connecting this space to the rest of the interior is a gallery with recessed lighting and clerestory windows. From the gallery, ascend up the custom designed oak ladder into the sleeping loft enclosed with large windows. A compact, yet surprisingly luxurious bathroom features a vanity, wall-hung toilet and a full size, walk-in shower with recessed lighting and a window. Flooded with natural light, the main living area opens up to a large galley kitchen and a convertible U-sofa that transforms into a queen bed for the occasional guest. Living extends outside through the sliding patio door onto a large hardwood deck that can be raised and closed for transport.
Running the course of a weekend, from Saturday 21st to Sunday 22nd September, 
The Huntington’s 
Dubbed “The Father of American Surrealism,” Clarence John Laughlin (American, 1905-1985) was the most important Southern photographer of his time and a singular figure within the burgeoning American school of photography. Known primarily for his atmospheric depictions of decaying antebellum architecture that proliferated his hometown of New Orleans, Laughlin approached photography with a romantic, experimental eye that diverged heavily from his peers who championed realism and social documentary.
The exhibition surveys Laughlin’s signature bodies of work made between 1935 and 1965, emphasizing his inventiveness, artistic influences, and deep connection to the written word. The High began collecting Laughlin’s work in 1974 and Strange Light: The Photography of Clarence John Laughlin is the first major presentation of Laughlin’s photographs by the High Museum following a landmark acquisition of his work in 2015.
Boomers Daily 