
Gulliver’s Warning
Like Gulliver in Lilliput, “greatness” in the political realm depends on the existence of a group deemed puny or weak.

Like Gulliver in Lilliput, “greatness” in the political realm depends on the existence of a group deemed puny or weak.

APOLLO MAGAZINE: The latest issue features ‘Hare Style’ – Vienna’s Albertina at 250…


By Andrea Wulf
An exemplary tour of the High Enlightenment might go something like this. You’d begin in the streets of 1760s London to feel the pulse of Georgian commerce. You’d then hop aboard one of Captain Cook’s colliers and cruise through the Pacific, having encounters every day. Returning to Europe you might watch Benjamin Franklin in diplomatic action at Passy and dine with Casanova in Vienna, before sailing up the Rhine with Humboldt. Having inspected the Soho Manufactory in Birmingham and admired the picturesque scenery of the Peak District, you’d cross the Channel just in time for the grand and bloody finale in Paris.
By Colin Kidd
Arriving as an undergraduate at Cambridge in 1961, Terry Eagleton was both overawed and underwhelmed by his supervisor, a man he calls Greenway in his memoir. ‘Greenway was the first truly civilised man I had ever encountered,’ Eagleton recalls.
By Deborah Lutz
We know so little about Emily Brontë. There are just a few snapshots, like the vivid recollection of her sister Charlotte’s great friend Ellen Nussey: ‘Her extreme reserve seemed impenetrable, yet she was intensely loveable … one of her rare expressive looks was something to remember through life, there was such a depth of soul and feeling..

TIMES LITERARY SUPPLEMENT: The latest issue features ‘Is DNA destiny?’ – Matthew Cobb on engineering humanity.
J. H. Prynne and Geoffrey Hill’s clash over ‘hazards in rubric’ By Gabriel Rolfe
‘Aside from writing, what is your chief distraction, obsession or side-hustle?’ Writers at the Hay Festival reveal their private passions
Cold War double agents, their lives and motives By Richard Davenport-Hines
Addictive anthologies of letters and diaries By Dinah Birch

TIMES LITERARY SUPPLEMENT: The latest issue features ‘Among Putin’s Russians’…
The ideology behind Hitler’s assault on the Soviet Union By Richard J. Evans
Previously unseen letters between Ezra Pound and Gladys Hynes By Ed Vulliamy
The rise, fall and survival of open-air swimming pools By David Horspool
Video games and political violence By Regina Rini

Bill Gates was the monopolistic father figure who Silicon Valley’s young founders rebelled against—and, in so rebelling, became.
Billionaire, Nerd, Savior, King: Bill Gates and His Quest to Shape Our World by Anupreeta Das
Source Code: My Beginnings by Bill Gates
The US-Israeli war against Iran, far from encouraging a popular uprising, has strengthened the regime’s grip and set back the cause of Iranian freedom indefinitely.
In Everthing Is Now, J. Hoberman chronicles a radical avant-garde’s attempts to jostle New York City out of its postwar complacency and moral retrenchment.
Everything Is Now: The 1960s New York Avant-Garde—Primal Happenings, Underground Movies, Radical Pop by J. Hoberman
Walter Lippmann was the most influential political commentator of his generation, but behind his preternatural confidence was a far more complicated and unsettled character.
Walter Lippmann: An Intellectual Biography by Tom Arnold-Forster


The Burlington Magazine: The latest issue features….
“The Consolidation of Collections: New Light on the 18th-Century British Art Market” An in-depth study by the editorial team and guest contributors exploring how major British estates restructured their private galleries during the mid-1700s. The article utilizes newly discovered ledger books to trace the provenance of several key Italian Baroque works.
“Paolo Veneziano and the International Gothic in Venice” Following the research trends seen in the early part of the year, this feature provides a technical analysis of recently restored altarpieces attributed to Veneziano, focusing on the use of ultramarine and gold leaf techniques that defined the Venetian style in the 14th century.
“Nicholas Lanier and the ‘Star’ Drawings: New Discoveries” Building on recent scholarship (featured in related symposiums), this article identifies several previously unrecognized drawings from the collection of Nicholas Lanier (1588–1666). It specifically examines the “star-shaped marks” used by Lanier and his uncle Jerome to catalog their sixteenth-century Italian acquisitions.
Editorial and Shorter Notices
Editorial: “The Future of Art History in the Digital Age” Editor Christopher Baker discusses the balance between traditional archival research and the integration of AI and digital imaging in art historical authentication.
Object in Focus: “George Frederic Watts’s Satan (1847)” A specialized notice providing a new interpretation of Watts’s massive canvas. The author argues that the figure’s pose was inspired by the Monte Cavallo Horse Tamers in Rome rather than the Apollo Belvedere, as previously thought.
Exhibition and Book Reviews
The Farnese Gallery Drawings (Musée du Louvre, Paris): A critical review by Ketty Gottardo on the exhibition focusing on the Carracci brothers’ preparatory works.
Studio Prints: A History, 1968–2011: A review of the new publication by Paul Holberton Publishing, detailing the impact of the London workshop on 20th-century printmaking.
Modernizing the Catalog: A review of the Patek Philippe exhibition and the intersection of fine horology with decorative arts history.

The small town of Weimar is overladen with historical associations. Goethe spent more than fifty years there as an employee and friend of Duke (later Grand Duke) Karl August. After the last grand duke abdicated in November 1918, the National Assembly met in Weimar to draw up a new republican constitution for Germany. Other symbolically charged venues considered were Nuremberg (home of Dürer) and Bayreuth (because of Wagner), but it was Weimar that gave its name to the period of German history from …
Having been named for her father, Louis, a mere dealer in antique tapestries, seemed insufficiently romantic to Louise Bourgeois, who was born on Christmas Day in 1911. She preferred the idea that her namesake was Louise Michel, ‘the red virgin of Montmartre’, an anarchist heroine of the Paris Commune. It wasn’t true, of course, but …
A phrase like ‘fortress England’ seems to echo down the centuries, and turns up again in This Little World, Nandini Das’s new study of identity and belonging, cross-border migration, assimilation and estrangement in the period between 1500 and the restoration of Charles II. Das seeks to unmask the period’s most fundamental assumptions about English … read more

TIMES LITERARY SUPPLEMENT: The latest issue features ‘A View of Her Own’….
Tracey Emin’s self-fashioning By Sophie Oliver
Women landscape painters reconsidered By Jenny Uglow
Mankind has escaped nuclear war, for now By P. D. Smith
Mexico’s challenge to received historical ideas By Benjamin T. Smith
The bittersweet contentment of old age By Rory Waterman
APOLLO MAGAZINE: The latest issue features Inside the crisis at the Louvre | how Marcel Duchamp invented modern art | an interview with Abbas Akhavan | Whistler shows his metal

FEATURES | Valeria Costa-Kostritsky explores the crisis at the Louvre; Hettie Judah talks to Abbas Akhavan before the artist represents Canada at the Venice Biennale; Ana María Bresciani of the Munchmuseet on Edvard Munch and the chocolate factory; Nicole Rudick on how Marcel Duchamp has been misunderstood; and Tara Contractor takes a closer look at Whistler’s love of metallic surfaces
REVIEWS | Sheila Barker on Raphael’s interest in women – and their interest in him; Zachary Ginsberg takes the temperature of contemporary American art at the Whitney Biennial; Digby Warde-Aldam admires Hurvin Anderson’s tricky balancing acts; Robert Hanks on the role of man’s best friend in art history; and William Aslet on the craftsmen behind some of Britain and Ireland’s best buildings
MARKET | Jane Morris on the status of online auctions; Emma Crichton-Miller on the mid-century French designers who married form, function and fun; in New York fair previews: Fatema Ahmed picks highlights from TEFAF; and Arjun Sajip looks ahead to Frieze
PLUS | Charles Darwent salutes the subtleties of Jasper Johns; Samuel Reilly on the threat to one of Glasgow’s most unusual attractions; Will Wiles applauds the witty architectural cartoons of Alan Dunn; Ivan Day on extravagant banquets in the Georgian era; Christina Makris visits the vineyard of Château La Coste; Helena Attlee is fired up by a depiction of Mount Etna; and Edward Behrens on a sale that shines new light on Gerhard Richter