Set out at 9 am across Tower Bridge and experienced South Bank.
Borough Market is a must visit and it delivered delicious stall after stall of every cheese, meat, vegetable and savory or sweet foods.
We then continued along the Thames for a quick view of Shakespeare’s Globe, followed by a tour of the Tate Modern.
We then hopped aboard the Tate Boat for a trip to the Tate Britain at Millbank. This is the home of the largest collection of J.M.W. Turner paintings in the world.
John Constable and Thomas Gainsborough are also in abundance.
Headed north to Buckingham Palace before walking through St. James Park to the National Gallery.
The National Gallery is amazing. A must visit for Renoir, Van Gough, Monet and Rembrandt.
We finished up with a visit to St. Paul’s Cathedral and a great final walk along the Thames to the hotel near The Tower.
Édouard Manet was a provocateur and a dandy, the Impressionist generation’s great painter of modern Paris. This first-ever exhibition to explore the last years of Manet’s short life and career reveals a fresh and surprisingly intimate aspect of this celebrated artist’s work. Stylish portraits, 
luscious still lifes, delicate pastels and watercolors, and vivid café and garden scenes convey Manet’s elegant social world and reveal his growing fascination with fashion, flowers, and his view of the parisienne—a feminine embodiment of modern life in all its particular, fleeting beauty.
Revere’s place in history was cemented by 
The exhibition was organized by the 
Rigorously unsentimental in his attitude to the world around him, Mr. Frank deviated from form in 1950, taking what was arguably his most romantic picture. He had his reasons. He was in love. The year before he had met artist Mary Lockspeiser, who became his first wife. In “Tulip/Paris,” he photographed a young man who is holding behind his back a tulip — presumably intended for the woman standing in the background. An old man, at the other end of life’s arc, approaches the viewer. It is a classic romantic Paris street photograph.
“It’s a way of life that’s gone and I don’t think it’s a bad state that it’s gone. But realistically it must’ve been livable on a level by pretty well everyone involved or it wouldn’t have gone on for a thousand years.”
The latest documentary on PBS from Ken Burns starts this Sunday, and will likely get your foot tapping. “Country Music” is an eight-part series, featuring never-before-seen footage and photos. Amna Nawaz sat down with Burns, who has now had more than 30 films on PBS telling the stories of America. The conversation is part of our ongoing series on arts and culture, Canvas.
The works on view illustrate how Klee responded to his personal difficulties and the broader social realities of the time through imagery that is at turns political, solemn, playful, humorous, and poetic. Ranging in subject matter, the works all testify to Klee’s restless drive to experiment with his forms and materials, which include adhesive, grease, oil, chalk, and watercolor, among others, resulting in surfaces that are not only visually striking, but also highly tactile and original. The novelty and ingenuity of Klee’s late works informed the art of the generation of artists that emerged after World War II, and they continue to hold relevance and allure for artists and viewers alike today.
Achille Salvagni is recognised as one of the most sophisticated and innovative creatives working today. His influences range from the rich heritage of generations of master designers before him, to cutting-edge contemporary design tendencies. Combining Italian craftsmanship with his passion for noble materials, Salvagni’s timeless interiors reflect his unique approach and the understated elegance of his aesthetic.
Witness to the radical aesthetics that gripped Paris in the late nineteenth and early twentieth centuries, Vallotton developed his own singular voice. Today we recognize him as a distinctive artist of his generation. His lampooning wit, subversive satire, and wry humor is apparent everywhere in his artistic production. Vallotton’s trenchant woodcuts of the 1890s solidified his reputation as a printmaker of the first rank while boldly messaging his left-wing politics.
dozen lenders. Swiss-born and Paris-educated, Vallotton (1865–1925) created lasting imagery of fin-de-siècle Paris.
Boomers Daily 