Preview: The New Yorker Magazine – Sept 12, 2022

A crew films a very small dog in the middle of a bustling movie set.

George Balanchine’s Soviet Reckoning

New York City Ballet’s 1962 tour of the U.S.S.R. forced the great choreographer to confront the regime he’d fled and the people he’d left behind.

John Cuneo’s “Top Dog”

The artist discusses canine stars, his first trip abroad, and keeping a sense of the spontaneous in his work.

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