A Perfect Planet is an awe-inspiring exploration of Earth’s power and fragility.
PERFECT PLANET
Planet Earth is perfect. It orbits at the perfect distance from the sun; it tilts at just the right angle and has a decent sized moon to hold it in place. On top of that, the day-to-day workings of the planet naturally serve to nurture animals and plants.
This five part series will show how the forces of nature – weather, ocean currents, solar energy and volcanoes – drive, shape and support Earth’s great diversity of life. In doing so, it will reveal how animals are perfectly adapted to whatever the environment throws at them.
Wes Anderson’s new movie, “The French Dispatch,” which will open this summer, is about the doings of a fictional weekly magazine that looks an awful lot like—and was, in fact, inspired by—The New Yorker. The editor and writers of this fictional magazine, and the stories it publishes—three of which are dramatized in the film—are also loosely inspired by The New Yorker. Anderson has been a New Yorker devotee since he was a teen-ager, and has even amassed a vast collection of bound volumes of the magazine, going back to the nineteen-forties. That he has placed his fictional magazine in a made-up French metropolis (it’s called Ennui-sur-Blasé), at some point midway through the last century, only makes connecting the dots between “The French Dispatch” and The New Yorker that much more delightful.
Hooker’s novel MASH: A Novel About Three Army Doctors. The picture is the only theatrically released feature film in the M*A*S*H franchise, and it became one of the biggest films of the early 1970s for 20th Century Fox.
Boomers Daily 