Tag Archives: The New Yorker

Previews: The New Yorker Magazine – June 26, 2023

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The New Yorker – June 19, 2023 issue: Edward Steed’s “A Loveliness of Ladybugs” – In his cover for the June 26, 2023, issue, Ed Steed heralds summer, depicting some colorful Coccinellidae—the scientific term for the family of small beetles colloquially known as the ladybug, a swarm of which is collectively called a loveliness. I talked to the artist about the joy of painting, an affection for the little things, and the luck of the ladybugs.

What Can We Do About Pandemic-Related Learning Loss?

Pages falling from a calendar onto a student working at a desk.

Remote school was devastating for many students. In Richmond, Virginia, a plan to switch to a year-round calendar brought promise and pushback.

By Alec MacGillis

Previews: The New Yorker Magazine – June 19, 2023

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The New Yorker – June 19, 2023 issue: Roz Chast’s “Fireworks Megastore”. The artist discusses stumbling across surprises while shopping, and rebelling against efficiency.

How Dowries Are Fueling a Femicide Epidemic

Top panel shows a red sunset bottom panel is a woman with her hand over her chest and a man's hands on her shoulder

Every year in India, many thousands are killed in marriage-payment disputes. Why does this war on women persist?

By Manvir Singh

In September 21, 2021, my mother sent a message to my extended family’s WhatsApp group: “Neeti had a heart attack and suddenly passed away—too tragic!” Neeti was a daughter of her sister, and someone I’d known all my life. But my cousin and I inhabited different worlds. I was born and raised in suburban New Jersey; she was a lifelong Delhiite. To me, Neeti and her identical twin, Preeti, exuded an urban glamour. At weddings, they sported chic, oversized sunglasses and matching, pastel-colored Punjabi-style outfits. Their faces looked a lot like my mom’s: long, with prominent cheekbones and almond-shaped eyes.

Biden’s Dilemma at the Border

America’s broken immigration system has spawned a national fight, but Congress lacks the political will to fix it.

Two people wear fatigues shown from the waistdown.

By Dexter Filkins

Earlier this year, in a helicopter above the Mexican border, a team of Texas state troopers searched for people crossing into the United States. As they flew over a neighborhood west of El Paso, the radio crackled with the voices of Border Patrol agents on the ground below, calling out migrants who were evading them.

New Yorker 2023 Reviews: Richard Brody’s Best Films

The New Yorker (June 9, 2023) – At the midway point of the year, the film critic discusses his top three films of the year.

00:00 Richard Brody’s Top 3 Films 00:14 Pinball: The Man Who Saved the Game 01:26 A Thousand and One 03:01 Showing Up 04:19 Final Thoughts

Previews: The New Yorker Magazine – June 12, 2023

Sasha Velours “The Look of Pride”
Art by Sasha Velour

The New Yorker – June 12, 2023 issue: The artist behind the cover for the June 12, 2023, issue, Sasha Velour, is a gender-fluid drag queen, author, television and theatre performer, and visual artist. In 2017, she was named the winner of the ninth season of “RuPaul’s Drag Race.” 

How the Marvel Cinematic Universe Swallowed Hollywood

Many superheroes breaking through the word Hollywood

Robert Redford, Gwyneth Paltrow, Paul Rudd, and Angela Bassett now disappear into movies whose plots can come down to “Keep glowy thing away from bad guy.”

By Michael Schulman

The Writer Who Insists He Knew Tennessee Williams

An illustrated portrait of James Grissom writing on a notepad. From his pen emanates a cloud in which we see a scene...

James Grissom says that he met the playwright and his famous muses, and quoted them extensively in his work. Not everyone believes him.


By Helen Shaw

How a Fringe Legal Theory Became a Threat to Democracy

A seesaw with a collection of colorful US States on one side and the shape of the entire United States on the other. The...

Lawyers tried to use the independent-state-legislature theory to sway the outcomes of the 2000 and 2020 elections. What if it were to become the law of the land?

By Andrew Marantz

An extreme version of the theory could give state legislatures the power to award Electoral College votes however they see fit. Illustrations by Golden Cosmos

Previews: The New Yorker Magazine – June 5, 2023

Art by Masha Titova

The New Yorker – June 5, 2023 issue: Masha Titova’s “The Music of Art”. The magazine publishes its first synesthetic, collaborative, and interactive cover. By Françoise Mouly.

The Case For and Against Ed Sheeran

The pop singer’s trial for copyright infringement of Marvin Gaye and Ed Townsend’s “Let’s Get It On” highlights how hard it is to draw the property lines of pop.

By John Seabrook

The Trials and Triumphs of Writing While Woman

An illustration of two women's heads facing one another with a pen between them.

From Mary Wollstonecraft to Toni Morrison, getting a start meant starting over.

By Lauren Michele Jackson

When the critic Joanna Biggs was thirty-two, her mother, still in her fifties, was diagnosed with Alzheimer’s. “Everything wobbled,” she recalls. Biggs was married but not sure she wanted to be, suddenly distrustful of the neat, conventional course—marriage, kids, burbs—plotted out since she met her husband, at nineteen. It was as though the disease’s rending of a maternal bond had severed her contract with the prescribed feminine itinerary. Soon enough, she and her husband were seeing other people; then he moved out, and she began making pilgrimages to visit Mary Wollstonecraft’s grave.

Previews: The New Yorker Magazine – May 29, 2023

Marcellus Hall's “Open House” | The New Yorker

The New Yorker – May 29, 2023 issue:

Stephen Satterfield Puts Black Cuisine at the Center of U.S. History

A portrait of Stephen Satterfield.

The host of Netflix’s “High on the Hog” draws seductive stories from a bittersweet legacy.

By Dorothy Wickenden

Stephen Satterfield, the host of the Netflix food-history series “High on the Hog,” was bent over the stove in his parents’ kitchen, near Atlanta. It was one o’clock on a February afternoon, and he was preparing Sunday dinner for the family. Most of the meal was canonical Black Southern food: turnip greens simmered for hours, cheese grits, biscuits baked in a cast-iron skillet. 

What We Owe Our Trees

A black and white photograph of a dense forest.

Forests fed us, housed us, and made our way of life possible. But they can’t save us if we can’t save them.


By Jill Lepore

The woods I know best, love best, are made of Northern hardwoods, sugar maple and white ash, timber-tall; black and yellow birch, tiger-skinned; seedlings and saplings of blighted beech and striped maple creeping up, knock-kneed, from a forest floor of princess pine and Christmas fern, shag-rugged. White-tailed deer dart through softwood stands of pine and hemlock, bucks and does, the last leaping fawn, leaving tracks that look like tiny human lungs, trails that people can only ever see in the snow, even though, long after snowmelt, dogs can smell them, tracking, snuffling, shuddering with the thrill of the hunt and noshing on deer scat for dog treats. 

Two Weeks at the Front in Ukraine

A Ukrainian sniper positioned in a trench aims a rifle.

In the trenches in the Donbas, infantrymen face unrelenting horrors, from missiles to grenades to helicopter fire.

By Luke Mogelson

A twenty-two-year-old Ukrainian sniper, code-named Student, stuffed candy wrappers into his ears before firing a rifle at the Russians’ tree line. He’d been discharged from the hospital two weeks earlier, after being shot in the thigh.Photographs by Maxim Dondyuk for The New Yorker

Previews: The New Yorker Magazine – May 22, 2023

R. Kikuo Johnsons “Perennial”

The New Yorker – May 22, 2023 issue

How Philipp Plein Became the King of Low-Brow High Fashion

Philipp Plein jumps on a white couch.

The maximalist designer has positioned himself as an underdog hero of the common man, who is successful despite the falsity and the snobbery of the élites.

By Naomi Fry

Earth League International Hunts the Hunters

Andrea Crosta oversees an operation in Costa Rica.

A conservation N.G.O. infiltrates wildlife-trafficking rings to bring them down.

By Tad Friend

How a Disaster Expert Prepares for the Worst

Lucy Easthope writing on a notepad surrounded by smoke and debris.

Lucy Easthope, who has worked on major emergencies since 9/11, says that small interventions can make a significant difference.

By Sam Knight

Previews: The New Yorker Magazine – May 15, 2023

Bruce McCalls “Safe Travels”

The New Yorker – May 15, 2023 issue

Notes from Prince Harry’s Ghostwriter

A portrait of Prince Harry composed of scribbles that evoke writing, on a yellow piece of binder paper.

By J. R. Moehringer

Collaborating on his memoir, “Spare,” meant spending hours together on Zoom, meeting his inner circle, and gaining a new perspective on the tabloids.

The Filmmakers Who Voyaged Inside the Body

The filming of a human surgery.

By Alexandra Schwartz

For more than a decade, two “recovering” anthropologists have brought documentary closer to the human experience. Now they’ve made the camera part of our flesh and blood.

The Critics

Previews: The New Yorker Magazine – May 8, 2023

Barry Blitt's “Room at the Top” | The New Yorker
Art by Barry Blitt

The New Yorker – May 8, 2023 issue

Can Charles Keep Quiet as King?

Three angles of King Charles III within an illustration by Alma Haser.

As Prince of Wales, Charles was always ready with an opinion. Now, with his coronation at hand, his job is to have none.

“My great problem in life is that I do not really know what my role in life is,” Charles once said, adding, “I must find one.”Photo illustration by Alma Haser for The New Yorker; Source photographs from Getty

Barry Blitt’s “Room at the Top”

The artist discusses being young and adrift in London, and gives King Charles tips for painting with watercolors.

New Yorker covers don’t always reflect current events, but some staged proceedings, both anachronistic and immemorial, can be catnip for cartoonists and commentators alike. King Charles III automatically acceded to the throne when his mother, Queen Elizabeth II, died on September 8, 2022. Charles, the longest-serving heir apparent in Britain’s history, spent seven decades preparing for the role of monarch. He became the next in line to reign over the United Kingdom at three years old, when Elizabeth became queen, in 1952.

Previews: The New Yorker Magazine – April 24, 2023

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The New Yorker – April 24 & May 1, 2023 issue:

JooHee Yoon’s “Drawing Hands with A.I. (After M. C. Escher)”

A hand drawn on a piece of paper rises off the page and draws another hand on the piece of paper which in turn draws the...

The artist discusses artistry, artificial intelligence, and the human experience.

Chatbots and image generators, newly on the rise, have sparked our imaginations—and our fears. As artificial-intelligence machines sharpen their ability to translate written prompts into images that accurately capture both style and substance, some visual artists worry that their specialized skills might be rendered irrelevant.

“Drawing Hands,” M. C. Escher, 1948.

The Future of Fertility

A futuristic scene of metallic DNA strands which wrap around a central petri dish containing a human ovum.

A new crop of biotech startups want to revolutionize human reproduction.

In 2016, two Japanese reproductive biologists, Katsuhiko Hayashi and Mitinori Saitou, made an announcement in the journal Nature that read like a science-fiction novel. The researchers had taken skin cells from the tip of a mouse’s tail, reprogrammed them into stem cells, and then turned those stem cells into egg cells. 

Crooks’ Mistaken Bet on Encrypted Phones

A group of four men sit around a table piled with cocaine. They are illuminated by the light of a cell phone hovering...

Drug syndicates and other criminal groups bought into the idea that a new kind of phone network couldn’t be infiltrated by cops. They were wrong—big time.

Many criminals have been convicted as a result of encrypted-phone stings—more than four hundred in the U.K. alone.Illustration by Max Löffler