As birth rates plunge, many politicians want to pour money into policies that might lead women to have more babies. Donald Trump has vowed to dish out bonuses if he returns to the White House. In France, where the state already spends 3.5-4% of gdp on family policies each year, Emmanuel Macron wants to “demographically rearm” his country. South Korea is contemplating handouts worth a staggering $70,000 for each baby. Yet all these attempts are likely to fail, because they are built on a misapprehension.
Governments’ concern is understandable. Fertility rates are falling nearly everywhere and the rich world faces a severe shortage of babies. At prevailing birth rates, the average woman in a high-income country today will have just 1.6 children over her lifetime. Every rich country except Israel has a fertility rate beneath the replacement level of 2.1, at which a population is stable without immigration. The decline over the past decade has been faster than demographers expected.
Naturally, I too will be staying at the Bayerischer Hof. —Franz Kafka
The Hotel Bayerischer Hof in Munich is an indestructible fortress of Mitteleuropean culture where tour guides like to pause. Richard Wagner repaired to the Hof for tea after his opera performances in Munich; Sigmund Freud fell out with Carl Jung in the Hof over the status of the libido; Kafka stayed at the Hof when he gave his second, and final, public reading to a hostile audience. A decade later, Hitler learned to crack crabs at the Hof under the supervision of a society hostess, and Joseph Goebbels counted on its rooms for a good night’s rest. The Hof weathered the revolutions of 1848; it withstood the revolution of 1918–19, in which the socialist leader Kurt Eisner was assassinated in front of the hotel and Bavaria briefly became a workers’-council republic; it rebuffed the Nazis’ attempts to buy it in the Thirties; and, after it was nearly destroyed by an Allied bombing raid in 1944, it was reconstructed with beaverlike industry. Today its wide façade of three hundred and thirty-seven rooms imposes itself over the small Promenadeplatz like a slice of meringue cake too large for its plate. Every February, hundreds of diplomats, politicians, academics, and arms dealers convene here for the Munich Security Conference.
Money—where it comes from, where it goes—was on my mind as I drove from Brooklyn to Philadelphia last fall, a Friday the thirteenth. I spent most of the trip on a Zoom call with my wife and our doula, discussing what combination of night nurses, babysitters, and nannies we’d need come the birth of our twins, our second and third sons. Nary a dollar figure was uttered, seemingly out of respect, just as those attending a funeral avoid naming the actual cause of death.
The New Yorker (May 13, 2024): The new issue‘s cover featuresBarry Blitt’s “Class of 2024” – The campus tensions take center stage.
An Israeli Newspaper Presents Truths Readers May Prefer to Avoid
Haaretz consistently attempts to wrestle with the realities of what is going on in Israel, Gaza, and the West Bank.
By David Remnick
A British Nurse Was Found Guilty of Killing Seven Babies. Did She Do It?
Colleagues reportedly called Lucy Letby an “angel of death,” and the Prime Minister condemned her. But, in the rush to judgment, serious questions about the evidence were ignored.
At first glance, the world economy looks reassuringly resilient. America has boomed even as its trade war with China has escalated. Germany has withstood the loss of Russian gas supplies without suffering an economic disaster. War in the Middle East has brought no oil shock. Missile-firing Houthi rebels have barely touched the global flow of goods. As a share of global gdp, trade has bounced back from the pandemic and is forecast to grow healthily this year.
The New Yorker (May 6, 2024): The new issue‘s cover featuresMark Ulriksen’s “Shotime” – For many fans, the real harbinger of spring is the beginning of baseball season.
The New Yorker (April 29, 2024): The new issue‘s cover featuresFaith Ringgold’s “Sonny’s Bridge, 1986” – The late artist’s work recalls her pioneering spirit through vivid, inventive designs.
Also: Kamasi Washington, “The Outsiders” reviewed, Bang on a Can’s Long Play Festival, and more.
The Return, Again, of the Power Lunch
Four Twenty Five, a luxe new dining room from the mega-restaurateur Jean-Georges Vongerichten, takes square aim at the expense-account crowd.
Donald Trump’s Sleepy, Sleazy Criminal Trial
The most striking aspect of the former President’s hush-money trial so far has been that, for the first time in a decade, Trump is struggling to command attention.
Boomers Daily 