Tag Archives: New York

GAGOSIAN QUARTERLY – SPRING 2026 PREVIEW

Gagosian Quarterly Spring 2026 | Gagosian Quarterly

Gagosian Quarterly: The Spring 2026 issue features Jeff Koons pays homage to Duchamp’s tremendous generosity. On the occasion of an exhibition of historic works by Jasper Johns, Larry Gagosian reflects on the artist’s crosshatching technique and its impact on audiences past and present. We also trace the evolution of Michael Heizer’s complex negative sculptures and celebrate the fortieth anniversary of Nan Goldin’s The Ballad of Sexual Dependency.

The House on Utopia Parkway: Joseph Cornell’s Studio Re-Created by Wes Anderson

The House on Utopia Parkway: Joseph Cornell’s Studio Re-Created by Wes Anderson is an exhibition conceived by curator Jasper Sharp and the acclaimed American filmmaker. The show brings Cornell’s New York studio to the heart of Paris, transforming Gagosian’s storefront gallery into a meticulously staged tableau—part time capsule, part life-size shadow box—for the first solo presentation of the artist’s work in Paris in more than four decades. In this video, Anderson discusses the genesis of the exhibition and the process by which it came together.

Michael Heizer: Negative Sculpture

Michael Heizer: Negative Sculpture

Across his nearly six-decade career, Michael Heizer has continued to probe the possibilities of sculptural form defined by its absence. His exhibition Negative Sculpture features Convoluted Line A and Convoluted Line B, among the artist’s most complex negative sculptures. Here, we consider a selection of works that have preceded the new sculptures.

Over the Guardrails, Into the Water

Over the Guardrails, Into the Water

Mike Stinavage meets with actor—and now director—Kristen Stewart to talk about her debut feature-length film, The Chronology of Water.

Berthe Weill

Berthe Weill

Valentina Castellani is the author of Trading Beauty: Art Market Histories from the Altar to the Gallery (2026), an expansive history of the art market and of the dealers who charted its course. Here—inspired by the recent exhibition Make Way for Berthe Weill: Art Dealer of the Parisian Avant-garde at the Musée de l’Orangerie, Paris—Castellani considers the impact of the French gallerist.

Titus Kaphar: The Fire This Time

Titus Kaphar: The Fire This Time

On the occasion of his exhibition The Fire This Time at Gagosian, Paris, Titus Kaphar explores themes of history, representation, and collective memory in his recent paintings and hand-carved wood sculptures.

A Tremendous Generosity: Jeff Koons on Marcel Duchamp

A Tremendous Generosity: Jeff Koons on Marcel Duchamp

Jeff Koons tells Alison McDonald about his appreciation for the pioneering artist and thinker Marcel Duchamp.

Jonas Wood: The Rules of the Game

Jonas Wood: The Rules of the Game

Following a recent visit to Jonas Wood’s Los Angeles studio, Justin Beal thinks through the artist’s paintings of tennis courts—the subject of an exhibition at Gagosian, Beverly Hills—examining their relation to the game, color theory, and the rewards of practice.

Game Changer
Beatrice Wood

Beatrice Wood

Salomé Gómez-Upegui honors Beatrice Wood, the “Mama of Dada,” an underappreciated trailblazer within the movement who went on to become a brilliant ceramist.

Jasper Johns: Between the Clock and the Bed

Jasper Johns: Between the Clock and the Bed

On January 22, Gagosian, in partnership with Castelli Gallery, opened an exhibition of historic works by Jasper Johns at the 980 Madison Avenue gallery in New York. A survey of the crosshatch paintings and drawings that dominated his practice from 1973 to 1983, the presentation united works that have rarely been seen with loans from sources including distinguished American museums. The exhibition commemorates the fiftieth anniversary of this body of work’s debut at Castelli Gallery in 1976. Here, Larry Gagosian speaks with the Quarterly’s Alison McDonald about the impetus for this project, his memories of seeing the exhibition in 1976, and the enduring impact of these paintings on artists and collectors.

Nan Goldin: Another Word for Love

Nan Goldin: Another Word for Love

For the fortieth anniversary of Nan Goldin’s genre-defining photobook The Ballad of Sexual Dependency (Aperture, 1986), Gagosian, London, will be exhibiting all of its 126 photographs, the first time the entire body of work will be shown in the United Kingdom. To celebrate the occasion, David Velasco looks back to the series’ creation and evolution, considering the radical exploration of seeing and love at the core of The Ballad.

Frank Gehry: Every Building, a Self-Portrait

Frank Gehry: Every Building, a Self-Portrait

Deborah McLeod, senior director at Gagosian, Beverly Hills, reflects on the generous and innovative vision of Frank Gehry. Having worked with the architect and artist for more than a decade, McLeod addresses his outsize impact on the city of Los Angeles and the world beyond.

Fashion and Art: Thomas Gainsborough

Fashion and Art: Thomas Gainsborough

The Frick Collection, New York, opened Gainsborough: The Fashion of Portraiture on February 12. The first exhibition devoted to the English artist’s portraiture ever held in New York, the show comprises more than two dozen paintings and explores the role of fashion in Gainsborough’s depictions, in terms both of the sitters’ clothes and of the larger context of class, labor, craft, and time. Aimee Ng, the Frick’s Peter Jay Sharp Chief Curator, has been working on the show for a decade; last fall she met with the Quarterly’s Derek C. Blasberg to talk about this historic project.

Preview: The New Yorker Magazine – Dec. 16, 2024

Santa exits the subway.

The New Yorker (December 9, 2024): The latest issue features Eric Drooker’s “A Seasonal Delivery” – Santa Claus—he’s just like the rest of us.

President Emmanuel Macron Has Plunged France into Chaos

Lawmakers have toppled the government for the first time since 1962. How did we get here? By Lauren Collins

What Will Elon Musk and Vivek Ramaswamy Accomplish with Doge?

Two political newcomers have arrived to slash big government, but so far the project seems less revolutionary than advertised.

Preview: The New Yorker Magazine – Dec. 9, 2024

The Knicks players outside Madison Square Garden.

The New Yorker (December 2, 2024): The latest issue features John Cuneo’s “Garden Party” – The Knicks are making a joyful comeback.

Stopping the Press

After spending years painting the media as the “enemy of the people,” Donald Trump is ready to intensify his battle against the journalists who cover him. By David Remnick

R.F.K., Jr., Wants to Eliminate Fluoridated Water. He Used to Bottle and Sell It

Donald Trump’s nominee to lead H.H.S. once started a bottled-water line, Keeper Springs. What was in it? By Charles Bethea

On the Block: Where Jerry Lewis and Buddy Hackett Once Schvitzed

The tummlers have moved on, but the distinctive Friars Club building, in midtown, is going to the highest bidder. By Bruce Handy

Preview: The New Yorker Magazine – Dec. 2, 2024

A young person works on a farmhouse as turkeys wearing Groucho goggles look on.

The New Yorker (November24, 2024): The latest issue features Tom Toro’s “Incognito” – Putting on a friendly face.

The Fundamental Problem with R.F.K., Jr.,’s Nomination to H.H.S.

Kennedy has many bad ideas. Yet the irony of our political moment is that his more reasonable positions are the ones that could sink his candidacy. By Dhruv Khullar

How Old Age Was Reborn

“The Golden Girls” reframed senior life as being about socializing and sex. But did the cultural narrative of advanced age as continued youth twist the dial too far? By Daniel Immerwahr

How to Make Fuel (or Booze) from Thin Air

Air Company, a startup that has used water and carbon dioxide to make vodka and to power automobiles, taste-tests its product and discusses getting Elon Musk’s business. By Adam Iscoe

Preview: The New Yorker Magazine – Nov. 18, 2024

A view of the Manhattan Bridge seen through a window above a desk in Brooklyn.

The New Yorker (November 18, 2024): The latest issue features Javier Mariscal’s “Desk with a View” Sudden glimpses of urban artistry.

Javier Mariscal’s “Desk with a View”

Sudden glimpses of urban artistry. By Françoise MoulyArt by Javier Mariscal

Why N.S.A. Rules Say No to Smartphones, No to Texting, Yes to Podcasts

The agency, known for listening, is getting into the (extremely vetted) talking game, with “No Such Podcast.”

Preview: The New Yorker Magazine – Nov. 18, 2024

A silhouette of Donald Trump.

The New Yorker (November 6, 2024): The latest issue features Barry Blitt’s “Back with a Vengeance” – Donald J. Trump’s second term.

On the morning of Wednesday, November 6th, Donald J. Trump was elected, for the second time, as President of the United States. For the cover of the November 18, 2024, issue, Barry Blitt depicted Trump’s looming silhouette—a reminder that a second term, though bound to include more moves from his all too familiar far-right playbook, will also undoubtedly usher in a new era of unprecedented extremism and intensified uncertainty in America.

Donald Trump’s Revenge

The former President will return to the White House older, less inhibited, and far more dangerous than ever before

Preview: The New Yorker Magazine – Nov. 11, 2024

Lady Liberty walks a tightrope over a city.

The New Yorker (November 4, 2024): The latest issue features Barry Blitt’s “Tightrope” – Lady Liberty’s precarious perch.

Standing Up to Trump

Jeff Bezos endorsed a Trump-era slogan—“Democracy Dies in Darkness”—for his newspaper, the Washington Post. Why wouldn’t he let it endorse a candidate? By David Remnick

Will Kamala Harris Win the Kamala Harris Vote?

The handful of Kamala Harrises who aren’t the Vice-President review the perks (wayward donors) and the perils (threatening phone calls) of their name. By Dan Greene

The Tucker Carlson Road Show

After his Fox show was cancelled, Carlson spent a year in the wilderness, honing his vision of what the future of Trumpism might look like. This fall, he took his act on tour. By Andrew Marantz

Preview: The New Yorker Magazine – Nov. 4, 2024

An abstract painting of runners.

The New Yorker (October 28, 2024): The latest issue features Lorenzo Mattotti’s “Strides” – The exhilarating blur of the New York City Marathon.

Trump’s Health, and Ours

Studies increasingly suggest that a healthy nation depends on a healthy democracy. By Dhruv Khullar

The Improbable Rise of J. D. Vance

“Hillbilly Elegy” made him famous, and his denunciations of Donald Trump brought him liberal fans. Now, as a Vice-Presidential candidate, he’s remaking his image as the heir to the MAGA movement. By Benjamin Wallace-Wells

The Aid Workers Who Risk Their Lives to Bring Relief to Gaza

As the war grinds on, logistical challenges are compounded by politics, repeated evacuations, and…By Dorothy Wickenden

Preview: The New Yorker Magazine-October 28, 2024

The undersole of a mans shoe obscures a sight of skyscrapers in Manhattans financial district.

The New Yorker (October 14, 2024): The latest issue features Eric Drooker’s “Crushing Wealth” – The market’s movers and shake

The Tight-Knit World of Kamala Harris’s Sorority

A.K.A., the oldest Black sorority, expects excellence and complete discretion. How are members responding to their most famous sister’s Presidential campaign? By Jazmine Hughes

The U.S. Spies Who Sound the Alarm About Election Interference

A group of intelligence officials confers about when to alert the public to foreign meddling. By David D. Kirkpatrick

How Republican Billionaires Learned to Love Trump Again

The former President has been fighting to win back his wealthiest donors, while actively courting new ones—what do they expect to get in return? By Susan B. Glasser

Preview: The New Yorker Magazine-October 21, 2024

A painted portrait of Alexei Navalny.

The New Yorker (October 14, 2024): The latest issue features Owen Smith’s “Alexei Navalny” – A portrait of the defiant Russian opposition leader.

How Alarmed Should We Be If Trump Wins Again?

How Alarmed Should We Be If Trump Wins Again?

Even many of the ex-President’s opponents haven’t grasped the scale of the man’s villainy. By Adam Gopnik

What the Polls Really Say About Black Men’s Support for Kamala Harris

After the 2016 election, progressives blamed white women for Hillary Clinton’s loss. This year, Black men have come under special scrutiny. By Jelani Cobb

Alexei Navalny’s Prison Diaries

The Russian opposition leader’s account of his last years and his admonition to his country and the world. By Alexei Navalny