This piece is a track from Laura Lootens album of works by Albéniz on CAvi music: Laura Lootens – Albéniz: Suite Española No. 1 Op. 47: No. 7, Castilla (arr. for solo guitar) and Laura Lootens / Albéniz: Suite Española Malagueña and Other Works
As a homage to well-known regions and towns of Albéniz’s home country, Spain, it is written in a Romantic, national style, and features typical dance rhythms of its corresponding localities. Born in 1860, Spanish composer Isaac Albéniz was mainly a pianist and wrote primarily for the piano.
More than any other musician, he succeeded in incorporating the Spanish guitar idiom and folklore into his style. Thus, for instance, his works contain allusions to rasgueado, a guitar technique that strums all six strings percussively in rapid succession, as we often hear in flamenco.
So it is no wonder that many of Albéniz’s piano works have also been performed on the guitar.
Album page: https://dgt.link/lootens-albeniz
Video direction: Jure Knez
The video opens with Maria stepping onto the stage and kneeling, as the aria is intended to be sung. It then tells the story of this poignant aria through the designer’s unique style, using the collage technique to create unique textures, expressions, and effects.
The New Criterion – November 2023 issue:
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