Tag Archives: Museums

Arts & Culture: “Must-See Museum Exhibitions In January 2020” (Sotheby’s)

Later this month, Jacques-Louis David’s Neoclassical masterpiece of Napoleon crossing the alps will travel to New York for the very first time. Displayed at the Brooklyn Museum alongside Kehinde Wiley’s contemporary reinterpretation, both works in this unprecedented pairing reflect the unique conditions of their respective times.
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It’s just one of January’s must-see exhibitions, chosen by Tim Marlow, the Design Museum in London’s new director and CEO. Don’t miss this and other exhibitions opening this month in Basel, Cornwall, and Los Angeles.

2020 Exhibitions: “Marie Cuttoli – The Modern Thread From Miró To Man Ray” (Barnes Foundation)

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In 1930s Paris, leading modern artists experimented with tapestry design, thanks to pioneering entrepreneur Marie Cuttoli (1879–1973). Cuttoli lived between Algeria Marie Cuttoli Modern Tapestry from Picasso to Le Corbusier bookand Paris and collected work by artists such as Pablo Picasso, Joan Miró, and Georges Braque.

This exhibition traces her career, from her early work in fashion and interiors to her revival of the French tapestry industry. She commissioned the most celebrated artists of her time—Rouault, Léger, Picasso, Braque, Le Corbusier, Man Ray, and Miró, among others—to create designs for the historic tapestry workshops in Aubusson. By uniting these important paintings and drawings with the resulting tapestry, this exhibition shows their true purpose, revealing modernism’s profound dialogue with the decorative arts.

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Art: “Bassins de Lumières” Opens As Largest Digital Art Center In World, Bordeaux (April 17, 2020)

Bassins de Lumières Digital Art Center Bordeaux France April 2020 OpeningLocated in Bordeaux’s former submarine base, the BASSINS DE LUMIÈRES will present monumental immersive digital exhibitions devoted to the major artists in the history of art and contemporary art. The submarine base’s surface area is three times the size of that of the Carrières de Lumières in Les Baux-de-Provence and five times that of the Atelier des Lumières in Paris.

The digital exhibitions will be perfectly adapted to the monumental architecture of the submarine base and will be reflected in the water of the four enormous basins, thereby adding a new dimension to the immersive experience. Visits will be conducted on gangways above the water and along the quays of the enormous basins.

On 17 April 2020, Culturespaces will open the largest digital art centre in the world: the Bassins de Lumières. France’s leading private operator in the management and promotion of monuments, museums, and art centres, Culturespaces is pursuing the creation of digital art centres and immersive exhibitions.

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Art Videos: “J.M.W. Turner – Watercolors From Tate” At Mystic Seaport Museum

British painter J.M.W. Turner was both prolific and peripatetic, producing more than 30,000 watercolors during a lifetime in which he traveled throughout Europe.

J.M.W. Turner Watercolor Paintings Exhibitions PBS Newshour December 26 2019

But these works are extremely susceptible to light damage and can be shown only once in a generation. Now, they’re on view at the Mystic Seaport Museum in Connecticut — their only North American stop. Jared Bowen of WGBH reports.

History & Culture: Heard Museum Of American Indian Art In Phoenix Celebrates 90 Years

90 years ago today, Maie Bartlett Heard, curator Allie Walling BraMé along with a small group of friends and volunteers spent Christmas Day making final preparations for the opening of the Heard Museum. The next day, December 26, 1929, the Heard Museum began our now nine decade long and ongoing legacy of advancing American Indian Art.

This short video poem written, recorded and edited by longtime artist and friend of the Heard Museum, Steven J. Yazzie (Diné) is our very sincere thank you to you.

Heard Museum 90th Celebration Poem, December 2019

Heard Museum in Phoenix Celebrates 90 Years

“Home” By Steven J. Yazzie (Diné)
Voiced by: Jenn Henry
Music: Better Now, Phillip Daniel Zach

Why do we come here to these walls painted shades of off white
In search of beauty
or memory
or place
Where the sounds of children can be heard echoing in these vast
and intimate spaces
And where everyone has just arrived here from a journey
What brings us to the feet of stone
or textile
or dried paint
In the galleries of our hearts and truths
Our histories are revealed
and our humanity ensured
This place of my youth and older age
This place of beauty
stewardship
and celebration
Is home

Top New Interviews: Art Historian And Louvre Director Michel Laclotte

From a BrooklynRail.org online interview:

The Art and Spirit of Paris by Michel Laclotte“…I am almost more interested in the paintings I didn’t get! I wish I could do a small photo exhibition of all the works that we failed to get. Of the early titans, we have two important ones, Giotto and Cimabue, but we don’t have Duccio, the third master of the birth of painting in Europe, if I may say. There was one in the Stoclet collection in Brussels, that we were following through dealer friends, but finally it was purchased by the Met. Also Velázquez, our biggest weakness!”

Michel Laclotte, President of the Louvre (1987 – 1995)

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Joachim Pissarro (Rail): The premise of these three interviews is that all three personalities, each one, of course, with its own personal intonation and distinctive input, took charge of this antiquated and august institution, the Louvre, and you especially, Monsieur Laclotte, accompanied it towards the 21st century, end of the 20th century to 21st century. I think this was an incredible challenge. How did you take charge of such an ancient—two-century old—institution and how did you bring it into its present and prepare its future?

To read more: https://brooklynrail.org/2019/12/art/Michel-Laclotte-with-Joachim-Pissarro

Museum Insider: How Composer Steve Reich Reads Sculpture (MoMA/BBC Video)

The Way I See It BBC MoMAIn this episode of The Way I See It, our radio collaboration with BBC, we’ve captured composer Steve Reich’s audible awe as he sees his friend Richard Serra’s monumental 2015 sculpture Equal for the first time. As Reich puts it, he and Serra are “in tune to the same frequencies,” so their meeting in Manhattan in the 1960s and subsequent friendship was both important and inevitable.

Working in sound and steel respectively, both Reich and Serra rejected traditional compositional structures—one of harmony and the other of form—to give shape to their work. Reich is the recipient of countless awards, including two Grammys, a Pulitzer, and, recently, the Golden Lion at the Venice Biennale. His works are performed in concert halls all over the world, and recently at Glastonbury Festival. Find “The Way I See It” on BBC Sounds or wherever you get your podcasts. https://www.bbc.co.uk/programmes/m000…

New Museum Openings: “Fotografiska New York” Showcasess The World’s Greatest Photographers

From a The Art Newspaper online release:

Fotografiska New York Museum Opened Dec 14 2019 Sally Mann quote“People want to see photography and right now there are not a lot of places to do that,” he says. Showing “the best photography in the world” remains Fotografiska’s core mission, Broman says.

The global expansion of Fotografiska is finally taking shape. The Stockholm-based photography hub, founded in 2010 by brothers Jan and Per Broman, will open its New York outpost on 14 December, almost two months later than previously announced.

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https://www.fotografiska.com/nyc/

This follows a venue launched in June in Tallinn, Estonia, and anticipates the arrival in late 2020 of Fotografiska London, billed as the world’s largest photography gallery by the British Journal of Photography.

To read more: https://www.theartnewspaper.com/news/first-fotografiska-takes-manhattan

Art Criticism: “A Poet’s Response To Carpeaux’s ‘Why Born Enslaved!'” (MetCollects Video)

“It is critical to reckon with the power imbalance enacted when a white male artist transposes the body of a black woman into an emblem of enslavement.”

Why Born Enslaved! was first conceived in 1868 by Jean-Baptiste Carpeaux, one of the greatest French sculptors of the nineteenth century. The bust portrays a woman straining against a rope pulled taut around her arms, back, and breast. Her shoulders project forward and the right tendon of her neck protrudes as she twists her body in one direction and turns her head sharply in the other.

A poet's response to Carpeaux's Why Born Enslaved! MetCollects Video

In The Gallery by Wendy S. Walters

The figure’s defiant, uplifted gaze extends her spiraling movement and conveys her perseverance through pain as the work’s rhetorical title, inscribed on the sculpture’s base, proclaims, “Pourquoi Naitre Esclave!”

To read more: https://www.metmuseum.org/art/online-features/metcollects/why-born-enslaved

Art History: “Bullets And Steel” In Elizabethan Armor (Art Institute Of Chicago Video)

Jeffrey D. Wasson, the armorer who crafted the accurate replica of the Art Institute’s Greenwich armor, and Jonathan Tavares, the Art Institute’s associate curator of arms, armor and European decorative arts before 1700, discuss how utilizing experimental archaeology allowed them to uncover the methods used by Renaissance armorers in crafting the bulletproof protection.

To read more: https://www.artic.edu/events/4684/conversation-bullets-and-steelthe-making-of-elizabethan-armor-2