On the art of Ade Darmawan and Timoteus Anggawan Kusno By Hung Duong
With every odd stacked against it, Venice rises to the surface as Italy’s art capital By Travis Jeppesen
By Mateus Nunes
The exhibition ‘Matthew Wong l Vincent van Gogh: Painting as a Last Resort’ invites you to discover more about Wong’s work and his artistic connection with Van Gogh. On view at the Van Gogh Museum from 1 March until 1 September 2024.
Hurvin Anderson imagines the barbershop
HURVIN ANDERSON’S “BARBERSHOP” series belongs to a long tradition of painterly fascination with the spaces of social interaction that reflect both the physical realities and ideological aspirations of society at large. Anderson’s exhibition “Salon Paintings” at England’s Hastings Contemporary, organized in collaboration with the Hepworth Wakefield, also in England, and Kistefos Museum in Jevnaker, Norway, brings together a body of work he produced between 2006 and 2023 that portrays, albeit in the loosest sense of the word, men’s hair salons.
Petzel Gallery | East 67th Street
“Time Travel: Italian Masters Through a Contemporary Lens,” a group exhibition that featured a selection of Renaissance paintings alongside works created by present-day artists, was a type of paragone, except that the debate was not whether painting or sculpture is the superior art form, but whether these historical pieces—executed at a time when grand themes and exquisite craft, among other criteria, determined their value—are better or worse than objects made by artists now, when such antiquated metrics seem well beside the point.
Trade was conducted on an unprecedented scale, banks were established, and coinage proliferated like never before. The widespread use of money in everyday life transformed every aspect of European society, including its values and culture. Bringing together some of the most acclaimed manuscripts in the Morgan’s collection and other exceptional objects including a renaissance purse, a brass alms box, and a hoard of coins, this exhibition will explore the fate of the avaricious, attitudes towards the poor, contentious lending practices, and money management.
The famous Hours of Catherine of Cleves, the Hours of Henry VIII, and the Prayer Book of Queen Claude de France will be presented from a decidedly new angle, combining economic and art history to consider the early history of capitalism and the crisis in values that it sparked. These will feature alongside lesser known treasures, including an Italian account book in its original binding and a stunning leaf from a register of creditors made in Bologna, Italy, in 1394–95. As people today reflect on fluctuating markets, disparities in wealth, personal values, and morality, the themes addressed in this exhibition are as relevant as ever.
Curated by Stephan Wolohojian and Ashley E. Dunn
“MANET/DEGAS,” the fall blockbuster at the Metropolitan Museum of Art, New York, begins with an unabashed, double-barreled bang: Édouard Manet’s last great self-portrait, paired up alongside one of Edgar Degas’s first. The juxtaposition provides a thrilling object lesson in the stolid compare-and-contrast curatorial methodology that defines the exhibition, but if it’s meant to show the two artists on an equal footing, it doesn’t stage a fair fight. Forty-six years old when he executed Portrait of the Artist (Manet with a Palette), ca. 1878–79, Manet is at the height of his painterly power, looking backward and forward at once.
Fifteen artists reflect on 2023
By Kenturah Davis, Vaginal Davis, Anri Sala, Tracey Emin, Doron Langberg, Dena Yago, Adam Alessi, Oto Gillen, Mire Lee, Nigel Howlett, Lúcia Koch, K.R.M. Mooney, Sula Bermúdez-Silverman, Niklas Taleb, Party Office
To take stock of the past year, Artforum asked an international group of artists to select a single exhibition or event that most memorably caught their attention in 2023.
KENTURAH DAVIS
Lauren Halsey (Metropolitan Museum of Art, New York)
Emerging onto the Met’s rooftop, I’m greeted by sphinxes with faces carved in the likeness of the artist’s loved ones. These figures surround and protect a large architectural monument, its surfaces engraved with coded inscriptions that pay homage to the people and energy of South Central Los Angeles. The structure forgoes the exuberant color I’ve come to expect in Halsey’s work, making me think about the ways Egyptian art and architecture have changed over time—once colorfully embellished, and now animated purely by shadows. In this way, Halsey’s sanctuary suggests that it’s been standing there for millennia, transformed by the sun and communing with the cosmos.
VAGINAL DAVIS
Annette Frick (MARTa Herford, Germany)
You can easily get royally preggers if you stand too close to the hairy eyeball of Annette Frick. For more than forty years, the Berlin-based photographer-filmmaker and consummate artiste has been known mainly for her captivating chronicles of underground queer scenes. At her retrospectacle “A Moment in No Man’s Land,” was enchanted by her sensual large-format self-portraits and stunning nude cycle “Aus dem Wasser” (Out of the Water), 2007–2008, referring to mythological figures such as Ondine and Lilith. I had never seen her architecture-portrait hybrids and was mesmerized, wondering just what else she has hidden in her voluptuous archive.
ANRI SALA
Saâdane Afif (Wilhelm Hallen, Berlin)
It’s difficult to express the poetry and poignancy of Saâdane Afif’s exhibition “The Coalman,” part of the artist’s larger endeavor to give form to a heptahedron. Here, the artist installs his personal collection of coal sculptures handcrafted by miners in their spare time alongside Is it possible that you have no coal left?, 2023, a facsimile of a letter from French composer Claude Debussy to his coal merchant, penned during the particularly severe winter of 1916–17. The repurposed missive serves as a coda to the exhibition as a whole, posing a question that resonates in manifold ways in the present (perhaps even applying to a shortage of new forms).
October 27, 2023 through January 28, 2024
Combining highlights from the Morgan’s collection with carefully selected loans, this exhibition will provide a comprehensive look at the Tiepolos’ work as draftsmen, focusing on the role of drawing in their creative process and the distinct physical and stylistic properties of their graphic work. At the core of the collection and exhibition are substantial groups of Giambattista’s drawings that relate to major ceiling fresco projects of the 1740s and 1750s.
A fresh look at the style, function, and material properties of these working drawings has yielded new insights into their purposes. Most significantly, the exhibition presents for the first time extremely rare pen studies for Tiepolo’s magnum opus, the ceiling fresco above the staircase of the Würzburg Residenz of 1752, and a group of bold sketches newly connected with his ceiling fresco of 1754 at the Venetian church of Santa Maria della Pietà.
Other sections of the exhibition highlight the introduction of Domenico to the family workshop, the exchanges between father and son, and the great series drawings by both: Giambattista’s fantastic heads and figures seen di sotto in su, and Domenico’s drawings of animals, biblical scenes, and contemporary life.
The exhibition will end with a wall including striking examples from Domenico’s late Punchinello series. October 27, 2023 through January 28, 2024
The story is told by Furio Rinaldi, curator of drawings and prints at the Fine Arts Museums of San Francisco, Jonathan K. Nelson, art historian at Syracuse University in Florence, and Cecilia Frosinini, art historian at the Opificio delle Pietre Dure in Florence. These voices speak in chorus to give us an original narrative that illuminates Botticelli’s life, process, and legacy.
Learn more about the exhibition: https://www.famsf.org/exhibitions/bot…
Botticelli Drawings is the first exhibition ever dedicated to the drawings of Renaissance artist Sandro Botticelli (ca. 1445 – 1510). Exploring the foundational role drawing played in Botticelli’s work, the exhibition traces his artistic journey, from studying under maestro Fra Filippo Lippi (c. 1406 – 1469) to leading his own workshop in Florence. Featuring rarely seen and newly attributed works, the exhibition provides insight into the design practice of an artist whose name is synonymous with the Italian Renaissance.
Botticelli’s drawings offer an intimate look into the making of some of his most memorable masterpieces, including Adoration of the Magi (c. 1500), which will be reunited with its preparatory drawing, surviving only in fragments. From Botticelli’s earliest recorded drawings through expressive designs for his final painting, the works on display reveal the artist’s experimental drawing techniques, quest for ideal beauty, and command of the line.
Botticelli Drawings is on view from November 19, 2023 – February 11, 2024.
Africa & Byzantium
Metropolitan Museum of Art, New York
19 November 2023 – 3 March 2024
Bringing together the art and culture of Byzantium and Africa, this ambitious New York exhibition looks in a new way at their importance to the development of the premodern world.
Africa & Byzantium comprises over 200 objects, from frescoes and mosaics to jewelry and manuscripts borrowed from many of the great collections, spanning over ten centuries of complex cultural exchange and influence.
Modigliani: Modern Gazes
Staatsgalerie Stuttgart
24 November 2023 – 17 March 2024
Modigliani: Modern Gazes focuses on the 20th-century Italian artist’s portraits of modern women From bohemian Paris who stare unapologetically at the viewer, defiant and – as the director of the Staatsgalerie, Christiane Lange puts it – “emancipated”.
Works by German-speaking contemporaries Paula Modersohn-Becker, Jeanne Mammen, Egon Schiele, Gustav Klimt and Wilhelm Lehmbruck also feature, in a show that places Modigliani in the wider cultural context of the young European avant-garde.
Mark Rothko: Paintings on Paper.
National Gallery of Art, Washington DC
19 November 2023 – 31 March 2024
Rothko exhibitions have always focused on his canvases but the artist drew no distinction between them and his paintings on paper – some of which were up to seven feet tall.
Forming the basis of Mark Rothko: Paintings on Paper, a ground-breaking show at the National Gallery of Art in Washington, many of the watercolors, acrylics and oil paintings on paper have never been seen before.
Botticelli Drawings
19 November 2023 – 11 February 2024
Legion of Honor, San Francisco
Although his reputation dwindled until the Pre-Raphaelites rediscovered his work in the 19th century, Sandro Botticelli is now one of the most revered of the Renaissance masters.
There has, however, never been a significant exhibition of his drawings so Botticelli Drawings – an admirable and important project – will give us the chance to trace his artistic journey in a more intimate way than ever before.
An Atlas of Es Devlin
Cooper Hewitt, New York
18 November 2023 – 11 August 2024
Devlin is a polymath and then some, with a wide ranging practice that incorporates stage design from La Scala in Milan to the Super Bowl. She is utterly compelling but hard to classify, which is why it is appropriate that Devlin herself will install her 30 year archive.
An Atlas of Es Devlin – featuring over 300 sketches, paintings, cutouts, and maquettes – will also stage a replica of her London studio along with giant film installations, a library programme including collective readings and the chance to participate in a cumulative artwork.
Watch our film to learn more about it. The First Folio is the first printed collection of William Shakespeare’s plays. It was produced in 1623, seven years after Shakespeare’s death, and contains 36 of Shakespeare’s works. Without this book we may not have had texts of 18 of Shakespeare’s plays, including Macbeth, Twelfth Night and The Tempest.
Find out more about the First, Second and Third Folios in the Royal Library and which kings owed them. Find out what Charles I wrote in the Second Folio shortly before his execution…
Discover how Holbein rose to become Henry VIII’s court painter and find out more about the techniques he used. See a rare moment where Holbein’s preparatory drawing and finished painting were reunited. Hans Holbein was one of the most talented artists of the 16th century.
From his arrival in England in search of work he rose to royal favor, chosen to paint the portraits of Henry VIII, his family and leading figures, among them Anne Boleyn and Sir Thomas More. By his death, Holbein’s work was as admired by his contemporaries as it is today. His portraits inspired the next generation of artists in their depictions of Edward VI, Mary I and Elizabeth I.
Boomers Daily 