A Futuristic Smart Sustainable Mountain pod designed to utilize solar power using a petals mechanism that allows it to open up and close down to charge up the pod using photovoltaic cells mounted on the petals.
Inspired by a flower motion, the petals when open allows for a 360° view of the surrounding, the mechanism could also potentially allow the pod to collect rainwater to be self-sufficient and of the grid hide out.
The Huckleberry is a 30’x10′ extra-wide single-story tiny house on wheels with an open concept living space, a walk-through bathroom, and a main floor bedroom. It’s packed with unique features like a vintage wood stove and claw foot bathtub, handmade cabinetry, rough sawn wood, diamond-shaped windows, and a lot more!
It was designed and built by Rewild Homes Ltd on Vancouver Island, British Columbia and you can follow them here: https://www.rewildhomes.com/
Located away from prying eyes, in the heart of the village, a few steps from the ski slopes and at the end of a private road, the Chalet Fleur des Neiges dominates with a breathtaking view of the Dents du Midi chain. Easy to access, it benefits from a privileged setting as well as an enchanting landscape with its generous wooded garden.
Le Lustre, a beautiful modern-contemporary duplex penthouse, located in the historic heart of Chamonix. Covering more than 400m2 and with a rooftop south-facing terrace of more than 100m2, the duplex offers breath-taking 360 degree views of the Mont Blanc mountain landscape. Over a 2-year period, with the involvement of leading architect firms from Hong Kong and Chamonix in conjunction with the best local artisans, Le Lustre moved from concept to reality and this iconic building came back to life in the center of town.
Chamonix-Mont-Blanc (usually shortened to Chamonix) is a resort area near the junction of France, Switzerland and Italy. At the base of Mont Blanc, the highest summit in the Alps, it’s renowned for its skiing. Year-round, cable cars take visitors up to several nearby peaks with panoramic views, including Aiguille du Midi above town, and Pointe Helbronner, across vast glacier fields on the Italian border.
Tree House by Madeleine Blanchfield Architects is a light-filled family home near Bronte Beach in Sydney. As the architect’s own home, the project exemplifies the studio’s experiential design approach, which sees light, form and materiality coalesce to create an experience of place.
The architecture and interiors evoke mood and respond to the changes in light over the course of the day, while the elevated position within the treetops that gives Tree House its name creates a calming atmosphere. With the living space located at the top floor of the architect’s own home, a journey is created through the architecture via a sculptural staircase.
The sculptural forms created by the spiral staircase are balanced by the more pared back interiors, which take their cues from the natural setting. Pale timber, concrete and terracotta tiles, along with the careful approach to both natural and artificial light, reflect the design’s connection to the garden that surrounds it and the nearby beach. This use of few materials detailed to create a highly refined architectural response is characteristic of an architect’s own home.
It highlights how Madeleine Blanchfield Architects has created an experiential home in which simple elements such as materials, details, and changes in light can enhance the mood of a space, resulting in a family home whose architecture, interiors and garden work together to create a sense of lightness and calm.
“You just sort of gulp,” Marino explains of projects like the sprawling 1916 San Francisco mansion that he labored on for more than three years, overhauling its nearly two dozen rooms for effervescent East Coast transplants with three teenagers, two French bulldogs, and a passion for pedigreed real estate.
“It was a Herculean task,” Marino continues. “There was no roof, the exterior walls were under boarding, and there were no floor slabs. It all looks so pretty now, but it was painful.” And, he quips with a laugh, “if there’s an earthquake anywhere in North America, from Vancouver to Teotihuacán, for God’s sake run here.”
Not only is the house in the city’s Pacific Heights enclave, one of the most theatrical residences ever conceived by the genius society architect Willis Polk, the Spanish Renaissance Revival palacio—wrapped around a two-story courtyard crowned with a vast glass roof—had long been home to one of Marino’s friends, Georgette “Dodie” Rosekrans.
The husband and wife also possessed phenomenal sangfroid, accepting with barely a blink the seismic requirements that demanded gutting the house and driving concrete pilings 30 feet into the ground.
She was a tiny, couture-clad movie-theater heiress, while her husband, John, was a Spreckels sugar–fortune scion who also manufactured, of all things, Hula Hoops and Frisbees. As for the four-story house where they lived from 1979 until their respective deaths (his in 2001, hers in 2010), it’s been described, with good reason, as the most beautiful house in America.
Even now, the approach to the 1,200-acre property is just as it must have been centuries ago: a long, winding ride through pale, undulating fields, leading to a dignified hilltop retreat. The three-story ivy-wrapped building is ringed by 20-foot obelisk-like cypress trees — a private citadel entered through a wrought-iron gate. Beyond the vista of olive groves, another fortresslike outcropping is visible in the distance: the mottled russet city of Siena, three miles away.
WHEN RENÉ CAOVILLA, the 82-year-old Venetian shoe designer, was first shown the Tuscan villa he bought in 1977, he fell in love with it instantly. He wasn’t only taken with the house, a 15th-century red brick monastery that had undergone a slow transformation into an austere 20-bedroom private home in the 17th century, but the Chianti landscape as well — the whole of classical history evoked in a flash.