Tag Archives: Georgia O’Keeffe

Reviews: ‘The Week In Art’

The Week In Art Podcast (December 6, 2024): The Art Newspaper’s editor, Americas, Ben Sutton, and our art market editor, Kabir Jhala, are in Florida and report on the sales and the mood on the first VIP day at Art Basel Miami Beach.

On 8 December, the cathedral of Notre-Dame in Paris will reopen, more than five years after the fire that partly destroyed it. Ben Luke talks to one of the architects responsible for its rise from the ashes, Pascal Prunet. And this episode’s Work of the Week is The Madonna and Child with Saints (1526-27) by Parmigianino, better known as The Vision of Saint Jerome.

The painting this week returned to public display for the first time in 10 years, in a new exhibition at the National Gallery in London, following conservation, and we talk to Maria Alambritis, the show’s co-curator.

Art Basel Miami Beach, until Sunday, 8 December.

Notre-Dame reopens on Sunday, 8 December.

Parmigianino: The Vision of Saint Jerome, National Gallery, London, until 9 March 2025

Reviews: ‘The Week In Art’

The Week In Art Podcast (November 15, 2024): UK museums are at a moment of transformation with a new generation of directors taking the helm at several of the major national institutions in London. So for this landmark 300th episode, we felt it was a good moment to look at the challenges and opportunities for museums now and in the future.

We invited Gus Casely-Hayford of V&A East, Nicholas Cullinan of the British Museum and Karin Hindsbo of Tate Modern to join our host Ben Luke for a wide-ranging discussion.

Reviews: ‘The Week In Art’

The Week In Art Podcast (November 8, 2024): This week: two exhibitions in London are showing remarkable works made during the Renaissance. At the King’s Gallery, the museum that is part of Buckingham Palace, Drawing the Italian Renaissance offers a thematic journey through 160 works on paper made across Italy between 1450 and 1600.

Ben Luke talks to Martin Clayton, Head of Prints and Drawings at the Royal Collection Trust, about the show. At the Royal Academy, meanwhile, the timescale is much tighter: a single year, 1504 to be precise, when Michelangelo, Leonardo and Raphael were all in Florence. We talk to Julien Domercq, a curator at the Academy, about this remarkable crucible of creativity.

And this episode’s Work of the Week is a magnum opus of Renaissance textiles: the Battle of Pavia Tapestries, made in Brussels to designs by Bernard van Orley, and currently on view in an exhibition at the de Young Museum in San Francisco. Thomas Campbell, the director of Fine Arts Museums of San Francisco, talks to The Art Newspaper’s associate digital editor, Alexander Morrison, about the series.

Drawing the Italian Renaissance, King’s Gallery, Buckingham Palace, London, until 9 March 2025

Michelangelo, Leonardo, Raphael: Florence, c.1504, Royal Academy of Arts, London, 9 November-16 February 2025

Art and War in the Renaissance: The Battle of Pavia Tapestries, de Young Museum, San Francisco, US, until 12 January; Museum of Fine Arts, Houston, Texas, spring 2025

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Reviews: ‘The Week In Art’

The Week In Art Podcast (June 14, 2024): This week: it’s arguably the best loved of the major art fairs among collectors and dealers, but what have we learned about the art market at this year’s Art Basel, in its original Swiss home?

The Art Newspaper’s acting art market editor, Tim Schneider, tells us about the big sales in Switzerland amid the wider market picture. The journalist Lynn Barber has a new book out, called A Little Art Education, in which she reflects on her encounters with artists from Salvador Dalí to Tracey Emin. We talk to her about the highs and lows of several decades of artist interviews.

And this episode’s Work of the Week is Woman Leaning on a Portfolio (1799) by Guillaume Lethière. Lethiére was born in Guadeloupe in the Caribbean to a plantation-owner father and an enslaved mother, but eventually became one of the most notable painters of his period in France and beyond. We talk to Esther Bell and Olivier Meslay, the curators of a major survey of Lethière’s work opening this week at the Clark Art Institute in Williamstown, Massachusetts, US, and travelling later in the year to the Louvre in Paris.

Art Basel, Basel, Switzerland, until Sunday, 16 June.

A Little Art Education by Lynn Barber, Cheerio, £15 (hb).

Reviews: ‘The Week In Art’

The Week In Art Podcast (June 7, 2024): This week: we explore the Art Institute of Chicago’s exhibition dedicated to what Georgia O’Keeffe called her New Yorks—paintings of skyscrapers and views from one of them across the East River, which marked a turning point in her career.

Sarah Kelly Oehler, one of the curators of the show, tells us more. One of the most distinctive of all London’s contemporary art spaces, Studio Voltaire, is celebrating its 30th anniversary this year, and has begun a fundraising drive to consolidate its future, with a gala dinner this week and a Christie’s auction later this month. We talk to the chair of Studio Voltaire’s trustees and a non-executive director of Frieze, Victoria Siddall, about the anniversary and the precarious funding landscape, even for the UK’s most dynamic non-profits.

And this episode’s Work of the Week is an untitled painting from the Austrian painter Martha Jungwirth’s 2022 series Francisco de Goya, Still Life with Ribs and Lamb’s Head. Based on a work by the Spanish master in the Louvre in Paris, Jungwirth’s painting features in a new survey of her work that has just opened at the Guggenheim Bilbao in Spain. We speak to its curator, Lekha Hileman Waitoller.

Georgia O’Keeffe: My New Yorks, Art Institute of Chicago, until 22 September; High Museum of Art, Atlanta, from 25 October-16 February 2025.

The date of XXX, as the sale of works to benefit Studio Voltaire at Christie’s is called, is yet to be confirmed. Check the organisations’ websites for updates; Beryl Cook/Tom of Finland, Studio Voltaire, London, until 25 August.

Martha Jungwirth, Guggenheim Bilbao, until 22 September.

Art Exhibitions: ‘Georgia O’Keeffe -To See Takes Time’

Georgia O’Keeffe. Evening Star No. III. 1917. Watercolor on paper on board: 8 7/8 x 11 7/8" (22.7 x 30.4 cm). The Museum of Modern Art, New York. Mr. and Mrs. Donald B. Straus Fund

The Museum of Modern Art (April 10, 2023) – “To see takes time,”  Georgia O’Keeffe once wrote. Best known for her flower paintings, O’Keeffe (1887-1986) also made extraordinary series of works in charcoal, pencil, watercolor, and pastel.

Georgia O’Keeffe – To See Takes Time

April 9 to August 12, 2023

Reuniting works on paper that are often seen individually, along with key paintings, this exhibition offers a rare glimpse of the artist’s working methods and invites us to take time to look.

Best Photos of the Day
Installation view of Georgia O’Keeffe: To See Takes Time, on view at The Museum of Modern Art, New York from April 9 through August 12, 2023. Photo by Jonathan Dorado.

Over her long career, O’Keeffe revisited and reworked the same subjects, developing, repeating, and transforming motifs that lie between observation and abstraction. Between 1915 and 1918, a breakthrough period of experimentation, she made as many works on paper as she would during the next four decades, producing progressions of bold lines, organic landscapes, and frank nudes, as well as the radically abstract charcoals she called “specials.”

Even as she turned increasingly to painting, important series—including flowers in the 1930s, portraits in the ’40s, and aerial views in the ’50s—reaffirmed her commitment to working on paper. Drawing in this way enabled O’Keeffe to capture not only nature’s forms but its rhythms: tracing the sun’s spiraling descent in vividly hued pigment, or committing to velvety black the shifting perspective as seen from an airplane window.

Discover the important role working on paper played in Georgia O’Keeffe’s life and career.

Art Videos: “Georgia O’Keeffe’s Century Of American Art” (Sotheby’s)

Sotheby's AuctionsIn the final years of Georgia O’Keeffe’s nearly century-long life, she employed and befriended the young sculptor Juan Hamilton. The two would become inseparable, and upon her death in 1986, Hamilton inherited fine art and personal affects from the artist’s estate, including rarely seen pieces from the estate of O’Keeffe’s late husband, Joseph Stieglitz.

This March, Sotheby’s is honored to present these works in Alfred Stieglitz, Georgia O’Keeffe, Juan Hamilton: Passage, a dedicated auction in New York on 5 March 2020. In this episode of Expert Voices, Head of American Art Kayla Carlsen explores the stories behind this remarkable collection while highlighting exceptional works, including O’Keeffe’s Nature Forms – Gaspé, Stieglitz’s Hand and Wheel and Hamilton’s Untitled (Red Form).

(New York | 5 March 2020)