The New Yorker – July 24, 2023 issue: Emily Nussbaum on the Nashville underground, Benjamin Wallace-Wells on Gretchen Whitmer, Anthony Lane on “Mission: Impossible,” and more.
Country Music’s Culture Wars and the Remaking of Nashville

Tennessee’s government has turned hard red, but a new set of outlaw songwriters is challenging Music City’s conservative ways—and ruling bro-country sound.
On March 20th, at Nashville’s Bridgestone Arena, a block from the honky-tonks of Lower Broadway, Hayley Williams, the lead singer of the pop-punk band Paramore, strummed a country-music rhythm on her guitar. A drag queen in a ketchup-red wig and gold lamé boots bounded onstage. The two began singing in harmony, rehearsing a twangy, raucous cover of Deana Carter’s playful 1995 feminist anthem “Did I Shave My Legs for This?”—a twist on a Nashville classic, remade for the moment.
How Gretchen Whitmer Made Michigan a Democratic Stronghold

The Governor’s strategy for revitalizing her state has two parts: to grow, Michigan needs young people; to draw young people, it needs to have the social policies they want.
The latest documentary on PBS from Ken Burns starts this Sunday, and will likely get your foot tapping. “Country Music” is an eight-part series, featuring never-before-seen footage and photos. Amna Nawaz sat down with Burns, who has now had more than 30 films on PBS telling the stories of America. The conversation is part of our ongoing series on arts and culture, Canvas.