THE NEW YORK REVIEW OF BOOKS (April 24, 2025): The latest issue features the Art Issue—with Susan Tallman on warp and weft, Ingrid D. Rowland on Vitruvius, Jerome Groopman on antivaccine lunacy, Martin Filler on the new Frick, Julian Bell on art in an age of crisis, Lisa Halliday on Claire Messud, Heather O’Donnell on the Morgan librarian, Noah Feldman on the rule of law, Jarrett Earnest on fancy furnishings, Madeleine Thien on Fang Fang, Coco Fusco on Felix Gonzalez-Torres, Jed Perl on Surrealism, poems by Ben Lerner and Carmen Boullosa, and much more.
Two exhibitions focused on weaving go beyond the functional, the folkloric, and the feminine, tracking fiber’s escape from the connotations of the grid.
Woven Histories: Textiles and Modern Abstraction – an exhibition at the Museum of Modern Art, New York City, April 20–September 13, 2025
Weaving Abstraction in Ancient and Modern Art – An exhibition at the Metropolitan Museum of Art, New York City
Vitruvius’s Ten Books on Architecture was not only a manual of the building arts but a treatise on how to extend and consolidate the Roman Empire, and lent itself all too well to the autocratic ambitions of Renaissance princes.
All the King’s Horses: Vitruvius in an Age of Princes by Indra Kagis McEwen
During a burgeoning measles outbreak, HHS Secretary Robert F. Kennedy Jr. has continued to make contradictory remarks, publicly endorsing the measles vaccine while raising doubts about its safety.
Booster Shots: The Urgent Lessons of Measles and the Uncertain Future of Children’s Health by Adam Ratner
So Very Small: How Humans Discovered the Microcosmos, Defeated Germs—and May Still Lose the War Against Infectious Disease by Thomas Levenson
In an ambitious and long-overdue renovation, the architect Annabelle Selldorf attempted to harmonize with the Frick’s Classical aesthetic while asserting her Modernist credentials.
One hundred years after André Breton launched the Surrealist movement, we’re still trying making sense of its aims and effects.
Surrealism – an exhibition at the Centre Pompidou, Paris, September 4, 2024–January 13, 2025, and the Philadelphia Museum of Art, November 8, 2025–February 6, 2026
Manifestoes of Surrealism by André Breton, translated from the French by Richard Seaver and Helen R. Lane
Revolution of the Mind: The Life of André Breton, Revised and Updated Edition by Mark Polizzotti
Surrealism in Exile and the Beginning of the New York School by Martica Sawin
Surrealism and Painting by André Breton, translated from the French by Simon Watson Taylor, with an introduction by Mark Polizzotti
Marion Milner believed in the importance of creative fulfilment (the ‘genius’ inside every one of us) and offered a kind of manual for finding it. From her earliest self-experiments through decades of psychoanalytic practice she took seriously the need to feel ‘real in living’, and tried to theorise the therapeutic potential of aesthetic experience, however minimal.
William had spent most of his life in the care of the state. His story was one of intergenerational trauma, common to many families in the West of Scotland, and of the lies Scotland tells itself about its treatment of its most vulnerable young people.
Angela Merkel’s low-key, unflappable persona makes it easy to overlook how extraordinary her story is. A life composed of such unlike elements has never been possible before and will never be so again, at least in Europe.
While few would question Messiaen’s importance in 20th-century music, his religious modernism has always been met with accusations of idolatry, inauthenticity and bad taste.
A Century of Tomorrows: How Imagining the Future Shapes the Present by Glenn Adamson
There have always been oracles, prophets, soothsayers, utopians, seers, or futurologists to make predictions about what will pass, and no matter how often they are wrong or discredited, humanity’s need remains.
Paris in Ruins: Love, War, and the Birth of Impressionism by Sebastian Smee
Paris 1874: The Impressionist Moment – an exhibition at the Musée d’Orsay, Paris, March 26–July 14, 2024, and the National Gallery of Art, Washington, D.C., September 8, 2024–January 19, 2025
One hundred and fifty years after Impressionist paintings were first exhibited, it takes a certain effort to recover their original radicalism.
Unit X: How the Pentagon and Silicon Valley Are Transforming the Future of War by Raj M. Shah and Christopher Kirchhoff
Bringing Silicon Valley’s drive for innovation to defense contracting has been a slow process, but the war in Ukraine has led tech firms to plunge into the war business.
‘I don’t think character exists anymore’, Rachel Cusk declared in a 2018 interview. This was not the first time Cusk appeared to be announcing the atrophy of the traditional novel. In a 2014 interview with The Guardian, Cusk stated she was ‘certain autobiography’ was ‘increasingly the only form in all the arts’. Inversely, fiction and its conventional preoccupation with ‘making up John and Jane’, Cusk argued, was only becoming more ‘ridiculous’, ‘fake and embarrassing’. It is precisely this disregard for literary orthodoxy that runs through Cusk’s widely acclaimed trilogy of autofictional novels – Outline (2014), Transit (2016) and Kudos (2018).
My twin brother calls from the hospital. He’s finished his blood draw and wants to know the word in Portuguese for watermelon. I recite the word for him – melancia – though my brother’s mind isn’t likely to keep hold of it. Zach can no longer keep a hold of his house keys or his phone, which he left yesterday in the bathroom sink. Before we hang up, I ask him to please wait for me in the lounge area for outpatient services, not to wander outside the hospital.
Jacqueline Feldman’s Precarious Lease: The Paris Document – out from Fitzcarraldo Editions on 30 January – delivers captivating literary reportage on Parisian squats of the early 2010s. Feldman introduces us to people who transformed abandoned buildings into homes, shelters and hubs for artistic creation. With echoes of Agnès Varda’s work, Feldman’s prose is compassionate and honest, acknowledging her own role as an observer. She answered these questions by email about her fifteen-years-long project, begun in 2009.
To understand the body, “we might picture the heart as a pump, the brain as a kind of computer, the lungs as bellows, the kidney as filters”. But what about the immune system — asks immunologist John Trowsdale in his engaging analysis. It has no straightforward analogy, operating simultaneously as an antiviral software, a surveillance camera, a weapons system and a way to share resources. The system is “unobtrusive yet extensive, nowhere and everywhere, redundant yet essential, powerful yet remote”.
Wild Chocolate
Rowan Jacobsen Bloomsbury (2024)
When residue inside decorative pots from ancient Mexico was analysed, it yielded traces of cacao — early evidence of cocoa consumption. The Spanish word chocolate might have been influenced by the Nahuatl (Aztec) cacahuatl, or cacao water. Journalist Rowan Jacobsen’s appealing book explores wild chocolate’s history as he travels through Central and South America, meeting chocolate makers, activists and Indigenous leaders who revive the bean’s variety in taste and prestige, lost during its modern industrial manufacture.
Talking Images
Eds Silvia Ferrara et al. Routledge (2024)
The logo of the Beijing 2008 Paralympic Games was a figure with a red dot ‘head’, blue ‘body’ and single, straight green ‘leg’ — adapted from the Chinese character zhi, meaning ‘birth, life’, ‘arrival’ and ‘achievement’. It is one of a huge variety of “talking images” in a collection edited by three scholars interested in writing. Images range from Palaeolithic symbols and ancient Mesopotamian pictograms to modern Chinese calligraphy and Indian comics. The book traces links between images, marks, language and writing.
Do Plants Know Math?
Stéphane Douady et al. Princeton Univ. Press (2024)
Charles Taylor’s revelatory Cosmic Connections: Poetry in the Age of Disenchantment (Harvard University Press, 2024) draws together different strands from Taylor’s storied philosophical career to present a new account of Romantic poetry. “Philosophy moves us because it convinces us; poetry convinces us because it moves us.” Taylor asks what it would mean to take seriously poetry’s ambition to reveal new dimensions of the world through the resources of image and symbol. Readers of Friedrich Hölderlin or William Wordsworth are familiar with the feeling that a poem is true or right in some deep sense, without being able to defend or even describe that rightness in philosophical terms. Consider the climax of Wordsworth’s “Lines Composed a Few Miles Above Tintern Abbey,” which serves as Taylor’s central example. The poet discerns
A motion and a spirit, that impels All thinking things, all objects of thought, And rolls through all things.
A New Theory of Evolution
By Jessica Riskin
Evolution Evolving: The Developmental Origins of Adaptation and Biodiversity (Princeton University Press, 2024) makes for an exhilarating reading. It is not just a book but an intellectual revolution. The authors show that the experiences and behaviors of living beings shape the course of evolution. You might find it strange that this would be a revolutionary idea. You might wonder how it could possibly be otherwise: How could the experiences and behaviors of living beings have no bearing whatsoever on the course of evolution?
Adventures With Books
By Priya Satia
Debate about the role of Western education in Britain’s colonies and former colonies (including the United States) is as old as the British empire itself. Those ever-evolving debates have, in turn, been studied for decades by historians, literary scholars, sociologists, and other scholars trained in the Western system that has become a global inheritance. Saikat Majumdar’s The Amateur: Self-Making and the Humanities in the Postcolony (Bloomsbury Academic, 2024) opens up a startlingly fresh perspective on these debates, attending to the unexpected and agonistic ways in which this education system shaped particular individuals whose work has had profound impact around the world.
Psychedelic Rabbit Holes
By Susan Stryker
I came for the acid, and stayed for the deep roots of gender theory that I found in Benjamin Breen’s Tripping on Utopia: Margaret Mead, the Cold War, and the Troubled Birth of Psychedelic Science (Grand Central Publishing, 2024). Admittedly, gender is not the main focus of Breen’s book. But in using the personal, professional, and intellectual partnership of Margaret Mead and Gregory Bateson to structure the narrative of this work of breathtaking originality, Breen reveals the kernel of a far-flung constellation of ideas and contexts that has rewired my brain’s understanding of the gender concept’s origins.
What does political revolution require of writers, artists, photographers, and filmmakers? How do they transform their ways of making in order to keep pace with such upheaval? In Soviet Factography: Reality Without Realism (University of Chicago Press, 2024), Devin Fore uncovers an entire archive of radical responses to these questions in the wake of the Russian Revolution of 1917, revealing a fascinating array of original strategies to record a world turned upside down. We follow all manner of “factographic” authors and artists (writer Sergei Tret’iakov and filmmaker Dziga Vertov are only the best known) as they scramble to register the revolution as immediately as possible. Their aim is not to arrest this transformation but, on the contrary, to dynamize it anew, to carry it forward into all areas of life, private and public, subjective and social. This riveting study of “reality in revolution” pressures our understanding of both terms; it also shows us how a reordering of any society involves a refashioning of its individuals.
Corinne Fowler’s enjoyable and thought-provoking The Countryside: Ten Rural Walks Through Britain and Its Hidden History of Empire (Scribner, 2024) achieves many things with an admirably light touch. Combining her lifelong passion for walking with her pathbreaking work linking England’s buildings and landscapes to the nation’s imperial past, she explores the many ways in which rural Britain was indelibly shaped by its overseas endeavors. She highlights how money, people, and rural industries closely connected the Cotswolds to Calcutta, the Scottish Highlands to Jamaica, Cornwall to West Africa and the Americas, and so on.
Ego, Redux
By Jonathan Lear
It surprised me to discover that The Revised Standard Edition of the Complete Psychological Works of Sigmund Freud (Rowman & Littlefield, 2024) is distinguished by its fidelity to two authors, not just one. Over 30 years in the making — though time was wasted with in-fighting among psychoanalysts — The Revised Standard Edition (RSE) aims to reanimate the distinctive translation into English of James Strachey. This is striking because so many of Strachey’s choices — for example, translating Ich as “Ego,” or Besetzung as “cathexis” — have been the subject of intense criticism. Why, the criticism goes, translate the wonderfully colloquial German that Freud used into a Latinized, “scientific” English? And why not use the occasion of a revised edition to make corrections?
Neil Gong’s Sons, Daughters, and Sidewalk Psychotics: Mental Illness and Homelessness in Los Angeles (University of Chicago Press, 2024) does what the best ethnographies do: provide the reader with an empathetic understanding of its subject. Gong’s comparative work provides a portrait of “sidewalk psychotics” in Los Angeles and compares their experiences to the children of elite families who have similar mental-health struggles.
For those on the street, the aim of most social programs begins with getting them housed. Gong follows people from homelessness into apartments and finds that our social programs of “tolerant containment” do little to tackle mental-health challenges. Policies and programs that focus on housing first are meant to provide a wider range of services, and through detailed observations Gong shows that this rarely happens. The mantra seems to be: get housed, and hopefully the rest will take care of itself. Once housed, people are quite free from intervention or monitoring, including free from programs that might help them address their mental health.
In 1660, the first national post was established in England. By the Victorian age, there were 12 mail deliveries a day in London; friends could dash off a letter in the morning and expect to continue an exchange until late at night. Today, the personal letter in its physical form is largely extinct. But in the era of WhatsApp chats and exchanges on X, its legacy has never been more obvious. Far more than the novel, confession, or diary, the letter is the literary genre at the origins of the modern self: social rather than solitary, reactive rather than reflective, on the cusp of public and private life.
Wolfgang Streeck’s Taking Back Control?: States and State Systems After Globalism (Verso, 2024) may not make for particularly cheerful reading for the holidays. But it is essential for any scholar seeking to make sense of a range of current trends: the ongoing retreat from 1990s-style globalization, the crisis of liberal democracy, and the rapid return of hot wars, cold wars, and trade wars to a world that just yesterday claimed to have overcome them all. It was written before Donald Trump was re-elected as president of the United States, but it helps make sense not only of the recent U.S. election but the broad trend of elections over the last decade and a half, from roughly the start of the financial crisis of 2007-8 down to the present, and not only in the United States but around the world.
It is a bold move to write a biography in 2024 of an artist like Josiah Wedgwood, a British man of the 18th century. Iris Moon knows as much. She describes her book Melancholy Wedgwood (The MIT Press, 2024) as an “experimental biography,” by which she implies something more than defiance of the genre’s conventions. Wedgwood is most familiar today as the name attached to your grandmother’s prized vase. To a narrower audience, he is known as the ceramics entrepreneur whose successful factory embodies the emergence of modern capitalism in England. Neither of those stories is at the heart of Melancholy Wedgwood.
The circumstances that you bring to read — that bring you to read — shape how you receive a text. It just so happens that I was reviewing a stack of grant applications and planning an ethnographic writing course for next term when I stumbled upon The Ethnographer’s Way: A Handbook for Multidimensional Research Design (Duke University Press, 2024), by the anthropologists Kristin Peterson and Valerie Olson. This research-design manual, whose title is a play on Julia Cameron’s The Artist’s Way, is unconventional in many ways: It eschews a linear, hierarchically constructed style of formulating “scientific” research proposals and encourages a collective, creative, and conceptual approach to research design that pushes back against the demands of the neoliberal university and the idea of the “lone, isolated anthropologist.” It’s even a little woo-woo. (The authors admit as much). Peterson and Olson’s model for building and working in community from the inception of a research project aims to “mitigate disheartening experiences of disconnection that occur throughout institutionalized landscapes, such as those between professors and students, people working inside and outside of bounded organizations, and those with expertise versus those with experience.”
Not even the most optimistic of rebels could have predicted the rapid collapse, last weekend, of the Assad dynasty that ruled Syria with an iron fist for more than 50 years. Yet while there was relief and joy both inside Syria and among the nation’s vast displaced diaspora, it was also accompanied by apprehension over what might come next.
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Spotlight | Russia and Ukraine wait warily for Trump transition The idea of the US president-election as a saviour for Ukraine, as unlikely as it may seem, holds an appeal for an exhausted nation without a clear path to victory. Shaun Walker and Pjotr Sauer report
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Environment | The jailed anti-whaler defiant in face of extradition threat Capt Paul Watson talks to Daniel Boffey about his arrest on behalf of the Japanese government, his ‘interesting’ Greenland prison, and separation from his children
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Feature | The growing threat of firearms that can be made at home One far-right cell wanted to use 3D-printed guns to cause ‘maximum confusion and fear’ on the streets of Finland. Could the police intercept them in time? By Samira Shackle
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Opinion | Farage is lying in wait. Britain can’t afford for Starmer to fail It is not enough for the Labour leader’s ‘milestones’ to be achieved. Voters must feel the improvement in their daily lives, says Guardian columnist Jonathan Freedland
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Culture | The best books of 2024 From a radical retelling of Huckleberry Finn to Al Pacino’s autobiography, our critics round up their favourite reads of the year
Foreign Policy Magazine(December 8, 2023): The Best of Books 2024 on international politics, economics, and history that were featured in the magazine this year, selected by Foreign Affairs’ editors and book reviewers.
In a revelatory book, Farrell and Newman describe how the United States has turned its control over information networks into a hidden tool of economic domination—and warn of the risks of Washington’s weaponization of data power for ordinary people, as well as for the global financial system.read the review
In a major reconsideration of Cold War history, Radchenko examines the Soviet Union’s competing ambitions for revolution, security, and legitimacy—and how Soviet leadership, blinded by its own hubris and aggression, set the stage for the downfall of the USSR. read the review
Kahan argues that what unifies liberals across the centuries, including those involved in building and defending liberal democracy today, are their efforts to build societies free from the fear of arbitrary power. He sculpts a masterful and beautifully written history of liberalism’s long intellectual journey. read the review
In this sobering study, Levitsky and Ziblatt demonstrate how the United States’ enduring constitutional order—one forged in a pre-democratic age—increasingly thwarts the will of an expanding multicultural majority in favor of a shrinking rural white minority.read the review
Focused on the sophisticated and networked world of autocracy, dictatorship, and tyranny, Applebaum argues that what separates hardcore autocratic states, such as China and Russia, from softer illiberal and authoritarian regimes, such as those in Hungary, India, and Turkey, is the ruthlessness and reach of their dictatorial power and their deep hostility to the Western-led democratic world.read the review
News, Views and Reviews For The Intellectually Curious
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