Tag Archives: Arts & Literature

The New Yorker Magazine Dec. 30, 2024 & Jan. 6, 2025

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The New Yorker (December 23, 2024): Diana Ejaita’s “Midnight Moments” – The magical blur of New Year’s Eve.

How Much Does Our Language Shape Our Thinking?

English continues to expand into diverse regions around the world. The question is whether humanity will be homogenized as a result. By Manvir Singh

Alice Munro’s Passive Voice

The celebrated writer’s partner sexually abused her daughter Andrea. The abuse transformed Munro’s fiction, but she left it to Andrea to confront the true story. By Rachel Aviv

Is There Any Escape from the Spotify Syndrome?

The history of recorded music is now at our fingertips. But the streamer’s algorithmic skill at giving us what we like may keep us from what we’ll love. By Hua Hsu

The New York Times Book Review – Dec. 22, 2024

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THE NEW YORK TIMES BOOK REVIEW (December 22, 2024): The latest features…

When Stephen Sondheim Transformed Theater, and Theatergoers, Forever

An incisive new book, “How Sondheim Can Change Your Life,”

The Books Readers Loved in 2024

Memorable characters, delightful nonfiction and poignant novels stuck with people across the world.

Why One of the World’s Most Elusive Writers Still Haunts Readers

Newly translated letters reveal the inner life of Paul Celan, offering clues to his enigmatic poems.

Reviews: ‘The Week In Art’

THE ART NEWSPAPER (December 20, 2024): It is the final episode of 2024 and so, as always, we review the year, looking at the top stories, the big issues and the best art.

Host Ben Luke is joined by The Art Newspaper’s contemporary art correspondent, Louisa Buck, our art market editor, Kabir Jhala, and Ben Sutton, our editor in the Americas.

Under discussion, among much else: the growing faultlines between institutions and artists in relation to Gaza; the big museum stories, from Saudi Arabian funding to attacks on artworks and restitution; a market roundup; culture and the climate emergency; and the panel’s exhibitions and biennials of the year.

Times Literary Supplement December 20, 2024 Preview

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Times Literary Supplement (December 18, 2024): The latest issue features ‘Faithful unto Death’…

The New Yorker Magazine – December 23, 2024 Issue

A detective investigates a word search.

The New Yorker Magazine (December 16, 2024): Kate Beaton’s “A Murder Mystery” – Take a closer look at the cover of the annual Cartoons & Puzzles Issue.

Syria After Assad

The scramble is on to define the future of Syria, quickly, to avert a war even more divisive than the conflict that has riven the nation for thirteen years. By Robin Wright

The Secret History of Risotto

The dish is governed by a set of laws that are rooted in tradition, rich in common sense, and aching to be broken or bent. By Anthony Lane

Brady Corbet’s Outsider American Epic

“The Brutalist,” the director’s nearly four-hour study of immigration, identity, and marriage, flowed from his own struggle to create art without compromise. “You really have to dare to suck to transcend,” he said. By Alexandra Schwartz

Arts: The Brooklyn Rail – December/January 2025

The Brooklyn Rail (December 11, 2024): The latest issue features…

“When you invent the ship, you must also invent the shipwreck; when you invent the plane, you must also invent the plane crash; and when you invent electricity, you invent electrocution… Every technology carries its own negativity, which is invented at the same time as technical progress.”
–Paul Virilio

“The human spirit must prevail over technology.”
–Albert Einstein

Art

Critics Page

ArtSeen

Sylvia Plimack Mangold: Tapes, Fields, and Trees, 1975–84 – By Rebecca Allan

David Smith: The Nature of Sculpture – By Phong Bui

Siena: The Rise of Painting, 1300–1350 – By David Carrier

Jaeheon Lee: Ghosts in the Garden – By William Corwin

Edges of Ailey – By Ekin Erkan

Patterns in Abstraction – By Leia Genis

Jordan Nassar: THERE – By Robert Alan Grand

Jay DeFeo: Trees – By Suzanne Hudson

Nour Mobarak: Dafne Phono – By Eana Kim

Yuli Yamagata: Ghosts Don’t Wear Watches – By Alfred Mac Adam

Soledad Sevilla: Ritmos, tramas, variables – By Valerie Mindlin

Mark Bradford: Keep Walking – By Charles Moore

André Griffo: Exploded View – By Rômulo Moraes

Jesse Krimes: Corrections – By Joanna Seifter

Lynne Drexler: Color Notes – By David Whelan

Rosemarie Beck: Earthly Paradise – By Leah Triplett Harrington

Francesco Clemente: Summer Love in the Fall – By Selena Parnon

Sean Scully: Duane Street, 1981–1983 – By Raphy Sarkissian

Henni Alftan: Stop Making Sense – By Ann C. Collins

Hap Tivey: Perception is the Medium – By Benjamin Clifford

William Gropper: Artist of the People – By Margot Yale

Los Angeles Review Of Books – Winter 2024-2025

LA Review of Books (December 11, 2024)The latest issue, #43 – Fixation, features:

Conversation

A Precise Excavation of the Soul: A Conversation with Hilton Als by Melissa Seley

Nonfiction

Mean Mommies: Care in Contemporary Queer Literature by Jenny Fran Davis

Our Ambassadors to the Future: Relics of—and for—ourselves by Christina Wood

The Only Girl in the World: On Madonna and ‘Desperately Seeking Susan’ by Brontez Purnell

Homespun Tiara: A Profile of Model and Activist Geena Rocero by Enzo Escober

Syria’s Forgotten Island of Opposition: A report from the al-Tanf military compound by Charlie Clewis

Bedrock: On gravesites literal and not by Charley Burlock

American Blondes: Are we having more fun yet? by Arielle Gordon

Fiction

Bright by Grace Byron

Finishing Moves by Evan McGarvey

Witches of Fresno and Pigfoot by Venita Blackburn

The Good Life by Brady Brickner-Wood

The Aforementioned Journal by David Hollander

Poetry

Srdičko Bolí by Claressinka Anderson

Has Your Spirit Dried Up? by emet ezell

I Haven’t Heard My Brother’s Voice in Ten Years by Douglas Manuel

Montauk by Connie Voisine

Straining for the Noise by Jenny Xie

Art

Lida Abdul

Country Life Magazine – December 18, 2024 Preview

Country Life Magazine (December 10, 2024): The latest issue features ‘The Christmas Double Issue’…

A story of homeliness

The Revd Dr Colin Heber-Percy considers the Christmas story told in familiar rituals

Earth stood hard as iron

Frost casts a garden’s structure into sharp relief. Tiffany Daneff enters a sparkling world

The Very Revd Jo Kelly-Moore’s favourite painting

The Dean of St Albans chooses a canvas full of uplifting light for dark times

The legacy

Kate Green pays tribute to Dame Ninette de Valois, the ‘godmother of ballet’

Where Britain’s first saint lies

In the first of two articles, John Goodall traces the saintly history of the ancient abbey church of St Albans, Hertfordshire

Love to hear the robin go tweet, tweet, tweet

The feisty robin is the undisputed avian king of Christmas. Mark Cocker wonders why

It’s a most wonderful time of the year

From weaving wreaths to corralling choristers, the work is ramping up for country people, who talk to Kate Green and Paula Lester

Baby, it’s gold outside

Catriona Gray meets the artists capturing Nature’s beauty in gold

Silence is golden

Stop and listen to Nature’s voice, urges John Lewis-Stempel

Each year you bring to us delight

Hanging treasured decorations is all part of the magic. Matthew Dennison opens the bauble box

Look out! Look out! Jack Frost is about

Deborah Nicholls-Lee dares to unveil the mysterious figure

The Editor’s Christmas quiz

Take on our quizmaster — and, more importantly, your family and friends

Anyone for indoor cricket?

Melanie Cable-Alexander buckles up for riotous country-house-corridor games

No Risk, no reward

Harry Pearson takes over the world with the classic board game

Make ’em laugh

Jonathan Self chortles at British comedy

The Christmas Story: ‘Bring me flesh and bring me wine’

The spirit of Christmas works its magic on a curmudgeonly baronet in Kate Green’s tale

Interiors

Natural scents win for Arabella Youens

While shepherds watched their flocks

The sheep and its patient guardians have long delighted artists, finds Michael Prodger

Luxury

Knitting, diamonds and Giles Coren’s treats

It takes a village

Is the perfect rural habitation real, wonders John Lewis-Stempel

Don’t mince your words

Modern mince pies are but pale shadows of the past, believes Neil Buttery

You’re one hot roast potato

Who can resist a roastie? Not Emma Hughes, nor anyone else in their right mind

Kitchen garden cook

Melanie Johnson builds a gingerbread house

That’ll do, pig

Glazed and succulent, the Christmas ham is the king of the feast for Tom Parker Bowles

Lay, lady, lay

Give wine time to age, urges Harry Eyres

Crown Him with many crowns

John Lewis-Stempel gathers in the holly, once divine diadem, now a cow’s Christmas feast

The straw that broke the camel’s back

Labour’s family-farm tax will mean ruin for a beleaguered sector, says Minette Batters

 ‘Growing old is mandatory, but growing up is optional’

Sam Leith opens the well-worn covers of the childhood books we will always cherish

Float like a butterfly, sting like a bee

From frogs to rat armies, the natural world has inspired countless ballets. Laura Parker straps on her pointe shoes for the bunny hop

Highlights, delights and lowlights

Michael Billington awards his accolades to the stars — and the scourges — of the stage

Spectres of the feast

Operas with food and wine may be rousing, but there are perils, warns Henrietta Bredin

Unputdownable: the page turners of 2024

Country Life reviewers select their top books

Literarature: The Paris Review – Winter 2024-2025

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Paris Review Summer 2024 (September 10, 2024) — The new issue features:

Fredric Jameson on the Art of Criticism: “Ideological critique has to end up being a critique of the self. You can’t recognize an ideology unless, in some sense, you see it in yourself.”

Hanif Kureishi on the Art of Fiction: “When I was in hospital in Rome, having the experience of being a paralyzed man nearly dead, my only excitement was in the thought that I could write some of this shit down.”

Gerald Murnane on the Art of Fiction: “A fatal question—what are people reading these days? Never mind what people are reading these days. What should I be writing about is the fundamental question.”

Prose by Dan Bevacqua, Caoilinn Hughes, Silas Jones, Alec Niedenthal, Adania Shibli, and Abdulah Sidran.

Poetry by Sargon Boulus, Egill Skallagrímsson, Rachel Mannheimer, Simone White, and Hua Xi.

Art by Ann Craven, Ala Ebtekar, and Josh Smith; cover by Seth Becker.