Tag Archives: Art Exhibitions

Reviews: ‘The Week In Art’

The Week In Art Podcast (May 10, 2024): We talk to The Art Newspaper’s reporter Sarvy Geranpayeh about her conversations with six Palestinian artists about their daily lives amid Israel’s ongoing military offensive in Gaza.

Frank Stella, one of the key artists in the history of American abstraction, has died, aged 87. We speak to Bonnie Clearwater, the director and chief curator of the NSU Art Museum in Fort Lauderdale, Florida, who worked with Stella on two landmark shows. And as Spring finally arrives in London, this episode’s Work of the Week is, fittingly, Vanessa Bell’s View into a Garden (1926). It features in an exhibition opening next week at the Garden Museum in London, called Gardening Bohemia: Bloomsbury Women Outdoors. Emma House, the curator at the museum, tells me more.

Glory of the World: Color Field Painting (1950s to 1983), NSU Art Museum Fort Lauderdale, US, until 25 August. Frank Stella: Recent Sculpture, Deitch Projects, New York, until 24 May.

Gardening Bohemia: Bloomsbury Women Outdoors, Garden Museum, London, 15 May-29 September.

Reviews: ‘The Week In Art’

The Week In Art Podcast (May 3, 2024): After years of decreasing public funding, the lingering effects of the Covid pandemic and enduring questions around the ethics of corporate sponsorship, UK museums are facing unprecedented financial pressures.

Some commentators are suggesting that the time has come to abandon the policy of free admission to museums that is viewed by many as key to the cultural fabric of the UK. Among those arguing for charging is the critic and broadcaster Ben Lewis, who joins Ben Luke to discuss the issue.

This week, the British Museum opened the exhibition Michelangelo: the Last Decades. It focuses on the period after 1534, when Michelangelo left his native Florence for Rome, never to return, and embarked on many of his most ambitious projects. We take a tour of the show with its curator, Sarah Vowles.

And this episode’s Work of the Week is Maria Blanchard’s Girl at Her First Communion (1914). The painting features in a new exhibition at the Museo Picasso in Málaga. Its curator, José Lebrero Stals, tells us more about this underappreciated Spanish artist, who was at the heart of the Parisian avant garde in the 1910s and 20s.

Michelangelo: the Last Decades, British Museum, until 28 July.

International Art: Apollo Magazine – May 2024 Issue

May 2024 | Apollo Magazine

Apollo Magazine (April 29, 2024): The new May 2024 issue features ‘How national is the National Gallery?’; Alvaro Barrington’s winning hand; Fossil-fuelled: art and the oil industry…

Reviews: ‘The Week In Art’

The Week In Art Podcast (April 19, 2024): We are back in Venice for the latest edition of the biggest biennial in the world of art. The 60th Venice Biennale comprises an international exhibition featuring more than 300 artists, dozens of national pavilions in the Giardini—the gardens at the eastern end of the city—and the Arsenale—the historic shipyards of the Venetian Republic—and host of official collateral exhibitions and other shows and interventions across Venice.

The Art Newspaper’s contemporary art correspondent, Louisa Buck, editor-at-large Jane Morris and host Ben Luke review the international exhibition, Foreigners Everywhere/Stranieri Ovunque, curated by the Brazilian artistic director, Adriano Pedrosa. We talk to artists and curators behind five national pavilions—Jeffrey Gibson in the US pavilion, John Akomfrah in the British pavilion, Romuald Hazoumè in the Benin pavilion, Gustavo Caboco Wapichana, the curator of the Hãhãwpuá or Brazilian pavilion, and Valeria Montii Colque in the Chilean pavilion—about their presentations.

And we like to end our Venice specials by responding to an example of the historic work that made la Serenissima one of the world’s great centres for art. So for this episode’s Work of the Week, Ben Luke gained exclusive access to one of the most significant paintings in Venetian history: the Assunta or Assumption of the Virgin made between 1516 and 1518 by Titian. Since the last Biennale in 2022, the Assunta has been unveiled after a four-year conservation project, funded by the charity Save Venice. We spoke to the man who restored this incomparable masterpiece, Giulio Bono, right beneath Titian’s painting.

International Art: Apollo Magazine – April 2024

Archives: Issues | Apollo Magazine

Apollo Magazine (March 26, 2024): The new April 2024 issue features ‘Why Everyone Loves Keith Haring’; Who’s afraid of immersive art?; Counting the cost of the Venice Biennale…

April 2024 | Apollo Magazine
April 2024 | Apollo Magazine

Reviews: ‘The Week In Art’

The Week In Art Podcast (March 8, 2024): To coincide with International Women’s Day on 8 March, the South London Gallery is opening the exhibition Acts of Resistance: Photography, Feminisms and the Art of Protest.

Activism and photography have long gone hand in hand but this collaborative exhibition, organised with the Victoria and Albert Museum (V&A), attempts to capture a new chapter in this distinguished history, with a particular focus on feminism across the world. We talk to Sarah Allen, the head of programme at the South London Gallery, and Fiona Rogers, the V&A’s Parasol Foundation curator of women in photography, about the show. The financier, philanthropist, collector and leader of cultural organisations Jacob Rothschild died last week at the age of 87.

We talk to Anna Somers Cocks, the founder of The Art Newspaper, who interviewed Lord Rothschild on numerous occasions, about his impact on the visual arts and heritage. And this episode’s Work of the Week is Adelphi, made in 1967 by Robert Ryman. It is one of around 50 pieces by Ryman in the exhibition The Act of Looking, which opened this week at the Musée de l’Orangerie in Paris. Guillaume Fabius, the co-curator of the show, joins us to discuss the painting.

Acts of Resistance: Photography, Feminisms and the Art of Protest, South London Gallery, London, 8 March-9 June.

Robert Ryman: The Act of Looking, Musée de l’Orangerie, Paris, until 1 July.

Art Exhibitions: American Abstract Expressionist Mark Rothko’s Paintings

CBS Sunday Morning (March 3, 2024): His abstract expressionist canvases are among the most recognizable of all 20th century artists’ works. But Mark Rothko (1903-1970) also produced nearly 3,000 pieces on paper – smaller in scale but just as innovative.

CBS News chief election & campaign correspondent Robert Costa visits an exhibition at the National Gallery of Art in Washington, D.C., that explores the trail of paper works the artist left behind, and talks with curator Adam Greenhalgh, and with the artist’s children, Kate Rothko Prizel and Christopher Rothko, about Rothko’s remarkable vision.

Arts Preview: ARTFORUM Magazine – March 2024

March 2024
Paul Pfeiffer, Vitruvian Figure (detail), 2008

Artforum Magazine (March 1, 2024) – The latest issue features THE PURE PRODUCTS OF AMERICA GO CRAZY – Thomas Hirschhorn’s Fake It, Fake It – till you Fake It., 2023; ANTHONY LEPORE; PASSAGES –  PHILL NIBLOCK (1933–2024); TOP TENBRUCE LABRUCE and more…

SALON STYLE

Hurvin Anderson, Shear Cut, 2023, acrylic on paper on canvas, 84 3⁄4 × 92 1⁄4". From the series “Barbershop,” 2006–23.

Hurvin Anderson imagines the barbershop

HURVIN ANDERSON’S “BARBERSHOP” series belongs to a long tradition of painterly fascination with the spaces of social interaction that reflect both the physical realities and ideological aspirations of society at large. Anderson’s exhibition “Salon Paintings” at England’s Hastings Contemporary, organized in collaboration with the Hepworth Wakefield, also in England, and Kistefos Museum in Jevnaker, Norway, brings together a body of work he produced between 2006 and 2023 that portrays, albeit in the loosest sense of the word, men’s hair salons. 

“Time Travel: Italian Masters Through a Contemporary Lens”

“Time Travel: Italian Masters Through a Contemporary Lens”
View of “Time Travel: Italian Masters Through a Contemporary Lens,” 2023–24. From left: Ross Bleckner, Day and Night, Hour by Hour, 2023; Josephine Halvorson, Smiley Face, 2023. Photo: Jason Mandella.

Petzel Gallery | East 67th Street

By Donald Kuspit

“Time Travel: Italian Masters Through a Contemporary Lens,” a group exhibition that featured a selection of Renaissance paintings alongside works created by present-day artists, was a type of paragone, except that the debate was not whether painting or sculpture is the superior art form, but whether these historical pieces—executed at a time when grand themes and exquisite craft, among other criteria, determined their value—are better or worse than objects made by artists now, when such antiquated metrics seem well beside the point.

International Art: Apollo Magazine – March 2024

Current Issue | Apollo – The International Art Magazine | Apollo Magazine

Apollo Magazine (February 25, 2024): The new March 2024 issue features ‘How Italy remade Willem de Kooning’; Does the art world need gatekeepers?; Angelica Kauffman’s sentimental side…

In the studio with… Manuel Mathieu

The Haitian-Canadian artist surrounds himself with unlikely objects to spark his imagination, books about drawing, and about 25 different types of tea

The clockwork marvels that tell a tale of two empires

These timepieces are fluttering, chiming embodiments of how Britain and China traded with each other in the 18th and 19th centuries

Reel life – how Zineb Sedira found herself through film

At the Whitechapel Gallery, the French-Algerian unspools personal and political histories through imitation sets and empty stages

Arts/Politics: The Atlantic Magazine – March 2024

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The Atlantic Magazine – February 13, 2024: The latest issue features ‘To stop a school shooter’ – the case of the contested Basquiats; uncancel Woodrow Wilson; and start-up cities. Plus Michael R. Jackson, the despots of Silicon Valley, Raina Telgemeier, the James Bond trap, “Africa & Byzantium,” Marilynne Robinson, and more.

TO STOP A SHOOTER

photo of building with "Marjory Stoneman Douglas High School" on it, behind trees against cloudy gray sky

Why would an armed officer stand by as a school shooting unfolds? By Jamie Thompson

It was the early afternoon of Valentine’s Day 2018, and the campus of Marjory Stoneman Douglas High School was full of kids exchanging stuffed animals and heart-shaped chocolates. Scot Peterson, a Broward County sheriff’s deputy, was in his office at the school, waiting to talk with a parent about a student’s fake ID. At 2:21 p.m., a report came over the school radio about a strange sound—firecrackers, possibly—coming from Building 12. Peterson stepped outside, moving briskly, talking into the radio on his shoulder. Then the fire alarm rang. Peterson, wearing a sheriff’s uniform with a Glock on his belt, started running.

A Trove of ‘Lost Basquiats’ Led to a Splashy Exhibition. Then the FBI Showed Up.

A man looking at a large portrait of Basquiat in museum gallery with two paintings hanging in the background.

Why is it so hard to root out fakes and forgeries?

By Bianca Bosker