From an Apollo Magazine online article:
He shot the Beatles in a St John’s Wood back garden before they had even broken the Top 10 (‘I didn’t know how to work with a group, but because I was a musician myself and the youngest on staff by a decade, I was always the one they’d ask’), and within a few months was kitting out the Rolling Stones with suitcases to look like a travelling band in a series of candid street shots.
His portraits, in grainy 35mm black-and-white, are a veritable roll call of the 1960s youthquake – Michael Caine, Terence Stamp, David Hemmings, Marianne Faithfull, Jean Shrimpton (walking barefoot on a rain-slicked King’s Road, or posing with the porcelain inmates of a dolls’ hospital) – and of the other stars of the age, from the Rat Pack to Muhammad Ali. He photographed Churchill being carried from hospital in an armchair, a potentate on a palanquin; shot Peter Cook and Dudley Moore floating on lilos in raincoats; and extensively documented the early career of Elton John – including a remarkable shot where he plays an upright piano with his legs floating up towards the ceiling, as if performing on the International Space Station.
Professional Canadian athlete Justin Kelly celebrates retirement by hitting the road on his motorcycle and enjoying the waves in Malibu. Share in Justin’s vision for sustaining his love for travel after retiring his #27 jersey and completing a remarkable ice hockey career.
I chose to call myself a portrait photographer because labels were always being thrown on me. When I was at Rolling Stone I was a ‘rock-and-roll photographer’, at Vanity Fair I was a ‘celebrity photographer’. You know, I’m just a photographer. I realised I wasn’t really a journalist. I have a point of view and, while these photographs that I call portraits can be conceptual or illustrative, that keeps me on the straight and narrow. So I settled on this brand called ‘portraits’ because it had a lot of leeway. But I don’t think of myself that way now: I think of myself as a conceptual artist using photography.
I remember going to the Factory in 1976 and watching Andy Warhol work. I’d been there before, earlier in the 70s, photographing Joe Dallesandro and Holly Woodlawn, and then Paul Morrissey. Warhol was a fixture of New York. It was just shocking when he died, because he was everywhere. I don’t know how he did it, but he was out at everything. You felt that if he was at a place you were at, then you were at the right place.
The Credit Suisse Exhibition: Gauguin Portraits 7 October 2019 – 26 January 2020 Book tickets online and save, Members go free: 
Jencks’s book grew out of his PhD thesis, supervised by Reyner Banham at the University of London in the late 1960s, and paved the way for his later, more explicitly polemical The Language of Post-Modern Architecture (1977). In this bestselling book, Jencks set out his stall for a pluralist architecture that rejected what he saw as modernism’s reductive ‘univalent’ approach, swapping it for a symbolically rich and historically engaged ‘multivalent’ postmodernism. For good or bad it became the defining book of its era, an unabashed rejection of mainstream modernism that ushered in a new architectural style.
Modern Movements in Architecture (1973) by Charles Jencks was one of the first books on architecture I read, a birthday present given to me the summer before I started my degree. In some ways, it spoiled things: I thought all architecture books would be that much fun. Modern Movements in Architecture is a complex and sophisticated history, but it wears its learning lightly. It relates architecture to a wider cultural discourse and it is unafraid to be critical, even of some architects, such as Mies van der Rohe, who were previously considered to be above criticism.
Byer also helped develop the quietest, most stable laser in the world, called the diode-pumped YAG laser. YAG lasers are today found in everything from communications satellites to green handheld laser pointers, which Byer co-developed with two of his graduate students and cites as one of his favorite inventions (he had joined Stanford in 1969). YAG lasers also form the main beams of the gravitational wave-detecting instrument, LIGO, which in 2015 achieved the most precise measurement ever made by humans when its antenna detected the tenuous spacetime fluctuations generated by two colliding black holes 1.3 billion light-years away.
One summer morning in 1964, Byer drove the hour from Berkeley down to Mountain View for a job interview at a California company called Spectra Physics. He walked in to find an empty lobby but could hear clapping and cheering in the back of the building. After politely waiting for several minutes, he followed the commotion to a darkened room filled with men whose jubilant faces were illuminated by a rod of red-orange light that seemed to float above an instrument-strewn table
Since all of my paintings—almost every single one except for the figure paintings—are done from memory, I rely specifically on the memory of working in restaurants, or of visiting farms on which I worked as a young person. I try to recall the look and feel and love of what I have experienced.
NPR’s Tamara Keith and Amy Walter of the Cook Political Report join Amna Nawaz to discuss the latest political news, including the release of transcripts from the impeachment inquiry, what three upcoming gubernatorial races say about President Trump’s support, early polling in key 2020 battleground states and the waning distinction between local and national politics.
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