

He identifies a cluster of non-medical drivers of deadly outbreaks—war, political instability, human migration, poverty, urbanization, anti-science and nationalist sentiment, and climate change—and maintains that advances in biomedicine must be accompanied by concerted action on these geopolitical matters.

War and Pestilence ride together as two of the Four Horsemen of the Apocalypse, and there is no shortage of historical precedent to demonstrate the aptness of the allegory. The great influenza pandemic that began in 1918 was propelled, in part, by troop movements and population shifts at the end of the First World War. Both the First and the Second World Wars produced typhus epidemics. Armed conflicts cause malnutrition, poor pest control, and sanitation problems; even the soil often becomes contaminated. Medical facilities are destroyed; doctors and nurses, diverted to combat duty, are unable to provide care, and vaccination and other mass-treatment programs usually falter.
Wondering how to direct your efforts? Monocle’s April issue focuses on refreshing everything from your business to your wardrobe. We sit down with a bumper crop of interviewees, revisit Beirut to see how the city has rebuilt after the blast and go behind the scenes in a Hong Kong newsroom. Plus: plenty of recipes, culture and style recommendations and reportage. Available now at The Monocle Shop: https://stage.monocle.com/shop/produc…
| INSIDE THE ISSUE |
| FEATURES | Glenn Adamson on Alice Neel’s compassionate portraits; Antony Gormley interviewed by Gabrielle Schwarz; Christopher Turner on the Surrealist houses of Edward James; Morgan Falconer on Jessica Morgan’s ambitious vision for the Dia Art Foundation; Kaywin Feldman on cultural leadership in 2021 |

| REVIEWS | Eve M. Kahn on the opening of the Frick Madison; Sukhdev Sandhu on ‘Grief and Grievance’ at the New Museum; Christopher Baker on friendship and portraiture in 18th-century France; Michael Prodger on art museums in the 21st century |
| MARKET | Susan Moore previews spring auctions and reviews sales in Paris and Brussels; Emma Crichton-Miller on collecting Tiffany glass; Samuel Reilly on Frieze New York and gallery reopenings in London |
| PLUS | Kirsten Tambling on satirical images of Robert Walpole; Tim Smith-Laing on Baudelaire’s cantankerous art criticism; Emilie Bickerton in Eugène Atget’s Paris; Emma Crichton-Miller on single-artist museums in Switzerland; Will Wiles on the future of department stores; Thomas Marks on the Georgian feasts of Niko Pirosmani; Robert O’Byrne on Spain before the Civil War |