Category Archives: Culture

THE NEW YORK TIMES MAGAZINE – August 17, 2025

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THE NEW YORK TIMES MAGAZINE: The 8.17.25 Issue features Trevor Quirk on how Hurricane Helene disconnected his community around Asheville, North Carolina from modern communication; Ben Austen on how Trump’s war on higher education is hitting community colleges; Bruce Schoenfeld on Stu Sternberg, the owner of the Tampa Bay Rays; and more.

They Want You to Get Off Your Couch, and Go Set a World Record

When it comes to mass-participation events, would-be record setters are finding it harder than ever to draw a crowd. But it’s still fun to try.

Strawberry Picking Is Thankless Work. That’s What Makes It Worth Watching.

On TikTok Live, workers stream video of themselves doing manual labor, providing glimpses of the human effort that powers our world. By J Wortham

I Never Understood Our Data-Saturated Life Until a Hurricane Shut It Down

When Helene disconnected my part of North Carolina for weeks, my neighbors and I had to relearn old ways of knowing what was happening — and what wasn’t. By Trevor Quirk

THE COURAGE TO QUESTION: HOW AN EMPIRE WAS BUILT

By Michael Cummins, Editor, August 16, 2025

The memory of the Islamic Golden Age evokes powerful images: Baghdad’s legendary House of Wisdom, a beacon of scholarship for the world’s greatest minds; the astronomical observatories of Samarkand, mapping the heavens with unprecedented precision; the grand libraries of Córdoba, containing more books than all of Europe combined. For roughly five centuries, from the 8th to the 13th, the Islamic world was the undisputed global epicenter of science, philosophy, and culture. Its innovations gifted humanity algebra and algorithms, advanced surgical techniques, and the classical Greek philosophy that would later fuel the European Renaissance.

This flourishing was no accident. It was the direct result of a powerful, synergistic formula: the fusion of a voracious, institutionalized curiosity with strategic state patronage and a climate of relative tolerance. Yet, its eventual decline offers an equally crucial lesson—that such a vibrant ecosystem is fragile. Its vitality is contingent on maintaining an open spirit of inquiry, the closing of which precedes stagnation and decay. The story of the Islamic Golden Age, told through its twin centers of Baghdad and Córdoba, is therefore both an inspiring blueprint for civilizational greatness and a timeless cautionary tale of how easily it can be lost.

The Engine: A Genius for Synthesis

The foundation of the Golden Age was its genius for synthesis. It was an institutionalized curiosity that understood new knowledge is forged by actively seeking out, challenging, and combining the wisdom of others. As the scholar Dimitri Gutas argues in his seminal work, Greek Thought, Arabic Culture, this was not a random burst of energy but a deliberate, state-sponsored project driven by the “social and political imperatives of a new empire.” The Abbasid Caliphs, having established their capital in Baghdad in 762, sat at the crossroads of the Persian, Byzantine, and Indian worlds. Rather than view the intellectual traditions of these conquered or rival lands as a threat, they saw them as an invaluable resource for building a universalist imperial ideology.

This conviction gave rise to the Translation Movement, a massive, state-funded effort to translate the great works of science, medicine, and philosophy into Arabic. The nerve center of this project was Baghdad’s House of Wisdom (Bayt al-Hikmah). Far more than a library, it was a dynamic academy, a translation bureau, and a research institute where scholars from across the known world collaborated.

Their goal was never mere preservation. As the historian George Saliba demonstrates, they were active innovators who critically engaged with, corrected, and vastly expanded upon ancient texts. Ptolemy’s astronomical model in the Almagest was not just translated; it was rigorously tested in new observatories, its mathematical errors identified, and its cosmological assumptions challenged by thinkers like Ibn al-Haytham (Alhazen), whose work on optics overturned centuries of classical theory.

He did not simply import knowledge; he synthesized it into something new.

This process created a powerful intellectual alchemy. In mathematics, Muhammad ibn Musa al-Khwarizmi, a Persian scholar at the House of Wisdom, encountered the revolutionary numeral system from India, which included the concept of zero. He fused this with the geometric principles of the Greeks to create a new discipline he outlined in his landmark book, The Compendious Book on Calculation by Completion and Balancing. From the title’s key term, al-jabr (‘completion’ or ‘restoring’), the world received algebra—a tool for abstract problem-solving that would transform the world.

This same engine of synthesis, fueled by a competitive spirit, was humming thousands of miles away in Al-Andalus. In its capital, Córdoba, the physician Al-Zahrawi (Abulcasis), often called the father of modern surgery, compiled the Al-Tasrif, a thirty-volume medical encyclopedia. It was a monumental synthesis of classical medical knowledge with his own pioneering innovations, introducing the use of catgut for internal stitches and designing dozens of new surgical instruments that would define European medical practice for centuries. In philosophy, the Córdoban thinker Ibn Rushd (Averroes) produced radical commentaries on Aristotle that were so influential he became known simply as “The Commentator” in medieval Europe. He sought to demonstrate that reason and revelation were not in conflict but were two paths to the same truth, a bold intellectual project that would profoundly reshape Western scholasticism.

The Fuel: Strategic Investment in Knowledge

This intellectual engine was deliberately and lavishly fueled by rulers who saw investment in knowledge as a cornerstone of state power, prestige, and practical advantage. The immense wealth of the Abbasid Caliphate, derived from its control of global trade routes, made this grand-scale patronage possible. This power was materialized in Baghdad itself, Caliph al-Mansur’s perfectly circular “City of Peace,” an architectural marvel with the caliph’s palace and the grand mosque at its absolute center, symbolizing his position as the axis of the world. Later Abbasid palaces were sprawling complexes of exquisite gardens, cool marble halls, and courtyards filled with intricate fountains and exotic animals—dazzling stages for courtly life where poets, musicians, and scholars vied for the caliph’s favor.

It was within these opulent settings that legendary patrons like Harun al-Rashid and his son, al-Ma’mun, held court. Al-Ma’mun, a rationalist thinker himself, is said to have been inspired by a dream in which he conversed with Aristotle. He poured vast resources into the House of Wisdom, funding expeditions to Byzantium to acquire rare manuscripts and reportedly paying translators their weight in gold.

This model of state-sponsored knowledge was pursued with competitive fervor in Al-Andalus. In Córdoba, the Umayyad Caliph Abd al-Rahman III sought to build a capital that would eclipse all rivals. A few miles outside the city, he constructed a fabled palace-city, Madinat al-Zahra (“the shining city”). It was a breathtaking statement of power, built in terraces on a mountainside with thousands of imported marble columns. Its audience chambers were adorned with ivory and ebony, and at the center of the most magnificent hall lay a basin filled with shimmering quicksilver, which, when agitated, would flood the room with dazzling reflections of light.

This was a “war of culture” in which libraries were arsenals and palaces were declarations of supremacy. It was in this environment that Al-Hakam II, Abd al-Rahman’s son, amassed his legendary library of over 400,000 volumes, a beacon of knowledge designed to outshine Baghdad itself. This rivalry between distant capitals created a powerful ecosystem for genius, establishing a lasting infrastructure for discovery that attracted the best minds from every corner of the globe.

The Superpower: Pragmatic and Inclusive Tolerance

The era’s intellectual and financial investments were supercharged by a climate of relative tolerance. This was not a modern, egalitarian pluralism, but a practical and strategic inclusion that prevented intellectual monocultures and proved to be a civilizational superpower. As María Rosa Menocal writes in The Ornament of the World, this was a culture capable of a “first-rate pluralism,” where contradictions were not just tolerated but were often the source of creative energy.

The work of the Golden Age was a multi-faith and multi-ethnic endeavor. In Baghdad, the chief translator at the House of Wisdom and the most important medical scholar of his time, Hunayn ibn Ishaq, was a Nestorian Christian. A master of four languages—Syriac, Arabic, Greek, and Persian—he established a rigorous methodology, collecting multiple manuscript versions of a text to ensure the most accurate translation. For generations, Christian physicians from the Bakhtishu’ family served as personal doctors to the Abbasid caliphs.

This principle was just as potent in the West. In Córdoba, the court of Abd al-Rahman III thrived on the talents of figures like Hasdai ibn Shaprut, a Jewish physician and scholar who rose to become the caliph’s most trusted diplomat and vizier. He not only managed foreign policy but also used his position to patronize Hebrew poets and grammarians, fostering a golden age of Jewish culture that flourished in the heart of Islamic Spain. This was made possible by the dhimmi (protected peoples) system, which, while hierarchical, guaranteed non-Muslims the right to practice their faith and participate in intellectual life. In the realms of science and philosophy, merit and skill were often the ultimate currency. This diversity was the Golden Age’s secret weapon.

The Cautionary Tale: The Closing of the Mind

The Golden Age did not end simply with the hoofbeats of Mongol horses in 1258. Its decline was a prolonged grinding down of the audacious spirit of open inquiry. The Mongol sack of Baghdad was a devastating blow, but it struck a body already weakened by an internal intellectual malaise.

This cultural shift is often symbolized by the brilliant 11th-century theologian, Abu Hamid al-Ghazali. His influential critique of Hellenistic philosophy, The Incoherence of the Philosophers, was not an attack on reason itself—he was a master of it, who championed Aristotelian logic as a necessary tool for theology. Rather, it was a powerful argument against what he saw as the metaphysical overreach of philosophers on matters that he believed could only be known through divine revelation. His work, however, was a symptom of a decisive cultural turn. The intellectual energy of the elite, and the patronage that supported it, began to be re-channeled—away from speculative, open-ended philosophy (falsafa) and towards the preservation and systematization of established religious doctrine.

The central questions shifted from “What can we discover?” to “How do we defend what we know?”

This was compounded by political fragmentation. As the central authority of the Abbasid Caliphate waned, insecure local rulers, like the Seljuk Turks, increasingly sought legitimacy by patronizing conservative religious scholars. Funding flowed toward madrasas focused on theology and law rather than independent scientific academies. When a culture begins to fear certain questions, it loses its ability to generate new answers. The great North African historian Ibn Khaldun, writing in the 14th century from the ruins of this intellectual world, diagnosed the decline with stunning clarity in his Muqaddimah. He observed that when civilizations become too comfortable and focused on preserving past glories, they lose the “group solidarity” and intellectual dynamism that made them great. This growing intellectual rigidity created a civilizational brittleness, leaving it vulnerable to catastrophic external shocks.

Conclusion: A Timeless Blueprint

The legacy of the Islamic Golden Age is a double-edged one. Its rise in both the East and West provides a clear blueprint for greatness, built on relentless curiosity, wise patronage, and pragmatic inclusion. This formula demonstrates that progress is a product of openness and investment. Its decline, however, is a stark warning. The erosion of that most crucial pillar—the open, questioning mind—preceded the civilization’s fall.

The essential lesson of this epic is that culture precedes power. The wealth, military strength, and political influence of the caliphates were not the cause of the Golden Age; they were the result of a culture confident enough to be curious, strong enough to tolerate dissent, and wise enough to invest in knowledge. The engine of its greatness was not the treasury, but the House of Wisdom and the Library of Córdoba. Consequently, its decline was not merely a political or military failure, but the late-stage symptom of an intellectual culture that had begun to value orthodoxy over inquiry. When the questions stopped, the innovations stopped, and the foundations of power crumbled from within.

This narrative is not a historical artifact. It is a timeless blueprint, revealing that the most critical infrastructure any society can build is not made of stone or steel, but of the institutions and values that protect and promote the open pursuit of knowledge. In our modern world, the House of Wisdom finds its echo in publicly funded research universities, in international scientific collaborations, and in the legal frameworks that protect free speech and intellectual inquiry. The patronage of al-Ma’mun is mirrored in the grants that fund basic research—the kind of open-ended exploration that may not have an immediate commercial application but is the seedbed of future revolutions. The tolerance of Córdoba is the argument for diversity in our labs, our boardrooms, and our governments, recognizing that a multiplicity of perspectives is not a liability to be managed, but a strategic asset that fuels innovation.

The open secret of the Golden Age is therefore not a secret at all, but a choice. It is the choice to believe that greatness is born from the courage to question, to synthesize, and to explore. It is the choice to see knowledge not as a finite territory to be defended, but as an infinite ocean to be discovered. The moment a society decides it already has all the answers—the moment it values certainty over curiosity—is the moment its decline becomes inevitable.

THIS ESSAY WAS WRITTEN AND EDITED UTILIZING AI

THE GUARDIAN WEEKLY – AUGUST 15, 2025 PREVIEW

THE GUARDIAN WEEKLY: The latest issue features Sudan’s hidden horror: The inside story of a refugee camp massacre. Plus: The films that capture a nation’s soul

While the wars raging in Ukraine and Gaza have dominated global news agendas for months turning into years, relatively little attention has been paid to the ongoing civil war in Sudan – which for many western media outlets remains out of sight and largely out of mind.

This can’t be said of the Guardian’s Mark Townsend, who has reported tirelessly on the effects of the war between the Arab-led Rapid Support Forces and Sudanese military since it broke out in April 2023. It’s a conflict that has been characterised by repeated atrocities, forcing millions from their homes and causing the world’s largest humanitarian crisis.

In April this year, just as a British-led conference was being held in London to explore how to end the war, one such atrocity was unfolding in Zamzam refugee camp in North Darfur. Details were at first sketchy, but only now – thanks to the piecing together of intelligence reports and witness testimony – can it be revealed what happened during the attack on the camp by RSF forces and why it was not stopped.

As Mark’s remarkable account reveals, the 72-hour rampage in April may have taken the lives of more than 1,500 civilians in one of the most notorious war crimes of Sudan’s catastrophic conflict.

Five essential reads in this week’s edition

The big story | The ruins of Gaza, as seen from above
Guardian international correspondent Lorenzo Tondo joins a Jordanian military airdrop for a rare chance to observe a landscape devastated by Israel’s offensive. With photography by Alessio Mamo

Science | The truth about sunscreen
Too much exposure to the sun has traditionally been seen as a danger. Now claims that sunscreen is toxic flood the internet. Our science editor, Ian Sample, weighs up the evidence

Interview | Demis Hassabis, the cautious AI optimist
The head of Google’s DeepMind tells Steve Rose how artificial intelligence could usher in an era of ‘incredible productivity’ and ‘radical abundance’. But who will it benefit?

Opinion | The world is in flames. But I’ve found some hope amid the gloom
Columnist Jonathan Freedland makes a moral case for escapism, as a means of retaining the ability to see the world – and the people – around us

Culture | The films that capture a nation’s soul
What single film best represents a nation? Twelve writers choose the one work they believe most captures their home’s culture and cinema – from a bold cricket musical to a nine-hour documentary, gritty crime dramas to frothy tales of revenge

The Multi-Faith Prosperity Of 10th-Century Córdoba

By Michael Cummins, Editor, August 13, 2025

While much of Christian Europe was mired in the intellectual and economic stagnation of the so-called “Dark Ages,” 10th-century Córdoba, the capital of the Umayyad Caliphate of al-Andalus, blazed as a singular exception in the medieval world. It was not merely its population of over 250,000, its paved streets, or its public baths that made it a marvel. The true marvel of Córdoba lay in its unprecedented model of intellectual and economic collaboration, a model that harnessed the talents of its diverse Muslim, Jewish, and Christian populations. While modern historians like [suspicious link removed] have rightly challenged the romanticized notion of a perfect convivencia—or coexistence—there is no denying that the collective contributions of its Jewish and Christian communities were not peripheral. They were, in fact, integral to the caliphate’s rise as a preeminent power, forging a society so unique that it stands apart in human history.

This era’s success was a testament to a pragmatic, collaborative environment. As scholar María Rosa Menocal eloquently argued in her book, The Ornament of the World, the period was defined by a culture where “tolerance was an inherent aspect of Andalusian society,” allowing for an extraordinary degree of exchange and innovation. In this multi-faith environment, Jewish and Christian communities were not simply tolerated subjects; they were indispensable collaborators. Their contributions were so intertwined with the caliphate’s achievements that its success would have been impossible without them. This collaborative ethos also extended to the roles of women, who, despite the era’s patriarchal legal framework, rose to prominence as scholars, poets, scribes, and even political figures, further enriching the city’s intellectual and cultural life.


The Engine of Scholarship: A Shared Knowledge Base

The intellectual life of 10th-century Córdoba was a testament to the power of a shared, multilingual knowledge base, a system that was virtually without parallel in the medieval world. The Umayyad rulers, particularly Caliph al-Hakam II, created the institutional framework for learning. A dedicated bibliophile, al-Hakam II amassed a caliphal library that some sources claim numbered as many as 400,000 volumes, commissioning scribes and bookbinders to produce new copies.

While monastic libraries in Christian Europe contained only a few hundred manuscripts, often focused on religious dogma, the caliphal library was a dynamic workshop where scholars of all faiths worked side by side to translate ancient Greek and Latin texts, a process that preserved and expanded upon classical knowledge largely lost to the rest of Europe. The caliph’s agents were dispatched across the Islamic world and beyond to acquire rare manuscripts on every conceivable subject, from medicine and astronomy to poetry and philosophy.

The caliph’s patronage extended to a diverse group of intellectuals who curated the collection, and the role of women in this intellectual flowering was particularly striking. Among them was Lubna of Córdoba, a remarkable intellectual, poet, and mathematician who rose from slavery to become one of al-Hakam II’s most trusted secretaries, instrumental in the administration of the library itself. Her story is a powerful example of the city’s unique meritocratic ethos, where talent and intellect could transcend social barriers.

The contributions of women in scholarship were not limited to Lubna; records show that hundreds of women worked as professional scribes and copyists, transcribing books and manuscripts for the royal library. Beyond the library, the era produced celebrated female poets and scholars whose work was highly regarded, such as ‘A’isha bint Ahmad al-Qurtubiyya, a renowned poet and calligrapher, and the poet Wallada bint al-Mustakfi, famous for her sharp wit and love poems.

The Great Mosque of Córdoba served as the city’s de facto university, a hub of religious and secular learning where scholars and students from diverse backgrounds gathered for instruction. The caliphs funded chairs for distinguished professors, and the mosque’s courtyards provided a space for open intellectual exchange, fostering a culture of critical inquiry and debate. As Dr. Nowar Nizar Al-Ani and his colleagues noted, this institutional framework was designed to “foster a kind of intellectual pluralism that was revolutionary for its time.”

It was in this environment that Jewish and Christian scholars were not just conduits for old ideas but active contributors to new ones. The Jewish community, in particular, experienced a golden age under this system. Hasdai ibn Shaprut, a Jewish court physician and scholar, was at the forefront of medical research and botanical studies. He was also a major patron of Jewish intellectual life, sponsoring scholars and poets who would compose masterpieces of Hebrew literature and helping to establish Córdoba as a new center for Jewish scholarship, eclipsing the traditional academies in Baghdad.

This era also produced pioneering scientific advancements, such as those of the physician Abulcasis (Al-Zahrawi), a key figure of the late 10th century. He wrote a comprehensive 30-volume medical encyclopedia, Al-Tasrif, which was revolutionary for its detailed descriptions of surgical procedures and instruments, many of which he invented. His work would become a standard medical text in Europe for centuries, directly influencing the development of surgery.

The fusion of knowledge and faith led to a unique intellectual environment where, as Jerrilynn D. Dodds‘s edited volume, Al-Andalus: The Art of Islamic Spain, suggests, “the arts of the mind were as celebrated as the arts of the hand.” This collaborative spirit permeated scholarly life: a Christian monk might have been translating a Greek medical treatise in one corner of a library while a Jewish botanist analyzed a new plant in another. It was this cross-pollination of ideas, made possible by the linguistic and cultural fluency of the Christian and Jewish communities, that truly powered Córdoba’s intellectual engine.


The Foundation of Prosperity: Economic and Diplomatic Contributions

The wealth and political stability of the Umayyad Caliphate did not emerge in a vacuum; they were built on the contributions of its non-Muslim subjects, who served as a vital economic and diplomatic backbone. In a period when European feudal society was strictly hierarchical and exclusive, Córdoba’s pragmatic approach was historically unique.

The Jewish community was essential to Córdoba’s sophisticated diplomatic network, with its members highly valued for their linguistic skills and relative neutrality in disputes between Muslim and Christian rulers. The elevation of Hasdai ibn Shaprut to a position of such immense influence—a Jewish diplomat and physician serving as a key advisor to the caliph—was a political innovation without parallel in the medieval West. Fluent in Arabic, Hebrew, and Latin, Hasdai was an indispensable intermediary in diplomatic missions to Christian kingdoms like León and the Holy Roman Empire, skillfully navigating political tensions and securing alliances. He also served as the head of the Jewish community, centralizing cultural life in Córdoba and fostering its independence from the Jewish academies in Baghdad.

The economic engine of Córdoba was also powered by its minorities. The Jewish community was instrumental in the city’s robust international trade, acting as merchants and financiers. Their extensive networks across Europe and the Mediterranean were crucial to Córdoba’s commercial success, helping to establish trade routes that brought precious silks, spices, and other luxury goods into al-Andalus. This immense wealth funded the caliphate’s ambitious building projects. As L. P. Harvey notes in his work, Islamic Spain, 1250 to 1500, the caliphate’s political authority rested on a “pragmatic reliance on a professional class of civil servants, many of whom came from the dhimmi communities, whose loyalty and expertise were a cornerstone of the administrative apparatus.”

Christians, known as Mozarabs, also played critical, though often different, roles. While the highest offices were reserved for Muslims, some Christians rose to positions of influence. For example, a Christian cleric named Recemund served as a civil servant for ‘Abd al-Rahman III and even undertook a diplomatic mission to the Holy Roman Emperor, Otto I. However, the majority of the Christian population was essential to the agricultural economy in the surrounding rural areas. Their contributions as farmers and artisans, who continued many of the traditions and techniques from the Visigothic period, were fundamental to the food supply and wealth of the caliphate.


The Unique Fabric: Cultural and Artistic Synthesis

The artistic and cultural identity of 10th-century Córdoba was a magnificent tapestry woven from the threads of all three religions. The caliphs’ patronage of the arts led to a unique blending of styles that is most famously showcased in the Great Mosque. Its most significant and elaborate expansion, led by Caliph al-Hakam II, featured intricate polylobed arches, ribbed domes, and the lavish use of mosaics—a technique learned directly from Byzantine Christian craftsmen. According to the article “Historical restorations of the Maqṣūrah glass mosaics from the Great Mosque of Córdoba” by J. V. Tarín et al., the caliph specifically sought out Byzantine craftsmen, a profound act of cultural confidence that integrated Christian artistic tradition into the very heart of Islamic worship. In a world often defined by sectarian art, this was a revolutionary aesthetic vision.

Beyond the grand monuments, this cultural synthesis permeated everyday life. The “Mozarabic” style of art and architecture—a blend of Christian and Islamic design—flourished. Christian artisans were not only employed on royal projects but also developed their own unique style that incorporated elements of Islamic geometric patterns and calligraphy. This fusion was also evident in language and literature. Many Christians and Jews adopted Arabic as their language for daily life and scholarship, leading to a unique body of work where Jewish poets composed in a sophisticated Hebrew deeply influenced by Arabic meter and rhyme schemes. As the volume Al-Andalus: The Art of Islamic Spain captures, the art of the period was a “visual dialogue between cultures.” The result was a truly syncretic culture, a unique and irreplaceable expression of the people who created it.

The caliphate’s immense wealth also fueled a boom in refined artistic crafts. Cordoban artisans were celebrated for their skills in calligraphy, which adorned not only architecture but also the lavish ivory caskets and boxes that were prized possessions of the caliph’s court. These caskets, often carved with intricate scenes and calligraphic inscriptions, are a perfect example of how different artistic traditions were fused. Similarly, the city was famous for its fine metalwork, glazed tiles, and high-quality textiles, which were not only major economic drivers but also expressions of a sophisticated and cosmopolitan taste. The creation of the palatine city of Madinat al-Zahra, a new capital built by ‘Abd al-Rahman III, further exemplified this artistic ambition. Its lavish palaces and gardens, described in scholarly works as “a testament to the state’s power and artistic ambition,” were a massive undertaking that drew on the combined skills of Muslim, Jewish, and Christian artisans, cementing the visual legacy of the golden age.


Conclusion

Córdoba in the 10th century was more than just a powerful city; it was a testament to the potential for a pluralistic society to flourish. Its success was a collaborative endeavor, with Jewish, Christian, and female communities providing the crucial intellectual, economic, and cultural components that enabled the Umayyad Caliphate to achieve its zenith. Through their roles as translators, scholars, diplomats, merchants, and artisans, these groups were not simply tolerated subjects but indispensable collaborators in the creation of a sophisticated civilization.

The modern scholarship of historians like Kenneth Baxter Wolf has rightly challenged the romanticized “myth of coexistence,” pointing to the complex realities of power dynamics. But even with this more critical lens, the story that emerges is not one of a failed paradise, but a more compelling and historically significant narrative: a society where, for a sustained period, deep cultural and intellectual collaboration was possible. The lessons of Córdoba continue to resonate today, reminding us that cultural exchange is often the true catalyst for progress.

This legacy is perhaps best captured by a post on the Jewish Andalusian Heritage Route, which describes how the Jewish sages of Andalusia “loved the Torah but understood existence and Judaism as a whole that encompassed religion, spirituality, science, poetry and literature, music, medicine and philosophy.” This powerful insight tells a more complete and hopeful story of how diverse people, bound together by a shared quest for knowledge and prosperity, can build an enduring legacy.

THIS ESSAY WAS WRITTEN AND EDITED UTILIZING AI

THE NEW YORKER MAGAZINE – AUGUST 18, 2025 PREVIEW

The illustrated cover of the August 18 2025 issue of The New Yorker in which people hike on a colorful landscape.

THE NEW YORKER MAGAZINE: The latest cover features ‘Lorenzo Mattotti’s “Summer Rays” – The art of wandering.

Can Democrats Fight Back Against Trump’s Redistricting Scheme?

Fleeing lawmakers in Texas are unlikely to stop Republicans from redrawing the state’s congressional maps, but their effort has offered a rallying cry—and a reminder of the Democratic Party’s weaknesses. By Jonathan Blitzer

How an Ultra-Rare Disease Accelerates Aging

Teen-agers with progeria have effectively aged eight or nine decades. A cure could help change millions of lives—and shed light on why we grow old. By Dhruv Khullar

How Much Is Trump Profiting Off the Presidency?

An honest accounting of our Executive-in-Chief’s runaway self-enrichment. By David D. Kirkpatrick

THE GUARDIAN WEEKLY – AUGUST 8, 2025 PREVIEW

THE GUARDIAN WEEKLY: The latest issue features ‘We are dying slowly, save us’ – The horror of famine in Gaza.

Images of starving Palestinians have appeared with increasing insistency across the world’s media over the past few weeks. Deciding whose child and which picture best illustrates the territory’s slide into famine is a grim task. Five-year-old Lana Salih Juha, on this week’s cover, weighed just 8kg when this photograph was taken in Gaza City on 28 July.

As Malak A Tantesh reports from Gaza for this week’s big story, Lana’s parents are among many inside the territory forced to watch children waste away as deliberate aid restrictions from Israel mean hunger is becoming a killer. It was, as Malak reports, a week when two milestones were reached: a Palestinian official record of 60,000 deaths and the Integrated Food Security Phase Classification, a group of UN and aid organisations, stating that the whole population of 2.2 people were now living in a state of famine.

Five essential reads in this week’s edition

Spotlight | Transatlantic barbs traded over social media safety
The UK’s new law restricting under-18s’ internet access has only just come into force but already US tech giants and rightwing commentators are bolstering Nigel Farage’s efforts to turn restriction into a free speech issue, reports Dan Milmo

Environment | The best job in the world
Matthew Jeffery explains to Donna Ferguson how he became Cambridge University’s first expedition botanist since Darwin and how he prepared for his new post

Feature | Has nature writing strayed off the path of success?
In the footsteps of the controversy over The Salt Path, Alex Clark explores how, despite public appetite, memoirs of redemption through the natural world may have reached journey’s end

Opinion | A good jigsaw is simply champion
Why did the Lionesses bring Lego, sourdough starters and a puzzle or two to the Women’s Euro 2025? Because they are perfect ways to build mental resilience, explains Amy Izycky

Culture | AI rescues Woody Guthrie’s basement tapes
The legendary folk singer’s daughter and granddaughter tell Dave Simpson how they became custodians of his vast archive, including tracks that have now been released

Passion Unleashed Or Reason Restrained: The Tale Of Two Theaters

By Michael Cummins, Editor, August 6, 2025

The theatrical landscapes of England and France, while both flourishing in the early modern period, developed along distinct trajectories, reflecting their unique cultural, philosophical, and political climates. The English Renaissance stage, exemplified by the towering figures of Christopher Marlowe and William Shakespeare, embraced a sprawling, often chaotic, exploration of human experience, driven by individual ambition and psychological depth. In contrast, the French Neoclassical theatre, championed by masters like Molière and Jean Racine, championed order, reason, and a more focused examination of societal manners and tragic passions within a stricter dramatic framework.

This essay will compare and contrast these two powerful traditions by examining how Marlowe and Shakespeare’s expansive and character-driven dramas differ from Molière’s incisive social comedies and Racine’s intense psychological tragedies. Through this comparison, we can illuminate the divergent artistic philosophies and societal preoccupations that shaped the dramatic arts in these two influential European nations.

English Renaissance Drama: The Expansive Human Spirit and Societal Flux

The English Renaissance theatre was characterized by its boundless energy, its disregard for classical unities, and its profound interest in the multifaceted human psyche. Playwrights like Christopher Marlowe and William Shakespeare captured the era’s spirit of exploration and individualism, often placing ambitious, flawed, and deeply introspective characters at the heart of their narratives. These plays, performed in bustling public theaters, offered a mirror to an English society grappling with rapid change, shifting hierarchies, and the exhilarating—and terrifying—potential of the individual.

Christopher Marlowe (1564–1593), a contemporary and rival of Shakespeare, pioneered the use of blank verse and brought a new intensity to the English stage. His plays often feature protagonists driven by overwhelming, almost superhuman, desires—for power, knowledge, or wealth—who challenge societal and divine limits. In Tamburlaine the Great, the Scythian shepherd rises to conquer empires through sheer force of will, embodying a ruthless individualism that defied traditional hierarchies. Marlowe’s characters are often defined by their singular, often transgressive, ambition.

“I hold the Fates bound fast in iron chains, / And with my hand turn Fortune’s wheel about.” — Christopher Marlowe, Tamburlaine the Great

Similarly, Doctor Faustus explores the dangerous pursuit of forbidden knowledge, with its protagonist selling his soul for intellectual mastery and worldly pleasure. Marlowe’s drama is characterized by its grand scale, its focus on the exceptional individual, and its willingness to delve into morally ambiguous territory, reflecting a society grappling with new ideas about human potential and the limits of authority. His plays were often spectacles of ambition and downfall, designed to provoke and awe, suggesting an English fascination with the raw, unbridled power of the individual, even when it leads to destruction. They spoke to a society where social mobility, though limited, was a potent fantasy, and where traditional religious and political certainties were increasingly open to radical questioning.

William Shakespeare (1564–1616) built upon Marlowe’s innovations, expanding the scope of English drama to encompass an unparalleled range of human experience. While his historical plays and comedies are diverse, his tragedies, in particular, showcase a profound psychological realism. Characters like Hamlet, Othello, and King Lear are not merely driven by singular ambitions but are complex individuals wrestling with internal conflicts, moral dilemmas, and the unpredictable nature of fate. Shakespeare’s plays often embrace multiple plots, shifts in tone, and a blend of prose and verse, reflecting the messy, unconstrained reality of life.

“All the world’s a stage, / And all the men and women merely players; / They have their exits and their entrances; / And one man in his time plays many parts…” — William Shakespeare, As You Like It

Hamlet’s introspection and indecision, Lear’s descent into madness, and Othello’s tragic jealousy reveal a deep fascination with the inner workings of the human mind and the devastating consequences of human fallibility. Unlike the French emphasis on decorum, Shakespeare’s stage could accommodate violence, madness, and the full spectrum of human emotion, often without strict adherence to classical unities of time, place, or action. This freedom allowed for a rich, multifaceted exploration of the human condition, making his plays enduring studies of the soul. These plays vividly portray an English society grappling with the breakdown of traditional order, the anxieties of political succession, and the moral ambiguities of power. They suggest a national character more comfortable with contradiction and chaos, finding truth in the raw, unfiltered experience of human suffering and triumph rather than in neat, rational resolutions.

French Neoclassical Drama: Order, Reason, and Social Control

The French Neoclassical theatre, emerging in the 17th century, was a reaction against the perceived excesses of earlier drama, favoring instead a strict adherence to classical rules derived from Aristotle and Horace. Emphasizing reason, decorum, and moral instruction, playwrights like Molière and Jean Racine crafted works that were elegant, concentrated, and deeply analytical of human behavior within a structured society. These plays offered a reflection of French society under the centralized power of the monarchy, particularly the court of Louis XIV, where order, hierarchy, and the maintenance of social appearances were paramount.

Molière (Jean-Baptiste Poquelin, 1622–1673), the master of French comedy, used wit and satire to expose the follies, hypocrisies, and social pretensions of his contemporary Parisian society. His plays, such as Tartuffe, The Misanthrope, and The Miser, feature characters consumed by a single dominant passion or vice (e.g., religious hypocrisy, misanthropy, avarice). Molière’s genius lay in his ability to create universal types, using laughter to critique societal norms and encourage moral rectitude. His comedies often end with the restoration of social order and the triumph of common sense over absurdity.

“To live without loving is not really to live.” — Molière, The Misanthrope

Unlike the English focus on individual transformation, Molière’s characters often remain stubbornly fixed in their vices, serving as satirical mirrors for the audience. The plots are tightly constructed, adhering to the classical unities, and the language is precise, elegant, and witty, reflecting the French emphasis on clarity and rational thought. His plays were designed not just to entertain, but to instruct and reform, making them crucial vehicles for social commentary. Molière’s comedies reveal a French society deeply concerned with social decorum, the perils of pretense, and the importance of maintaining a rational, harmonious social fabric. They highlight the anxieties of social climbing and the rigid expectations placed upon individuals within a highly stratified and centralized court culture.

Jean Racine (1639–1699), the preeminent tragedian of the French Neoclassical period, explored the destructive power of human passions within a highly constrained and formal dramatic structure. His tragedies, including Phèdre, Andromaque, and Britannicus, focus intensely on a single, overwhelming emotion—often forbidden love, jealousy, or ambition—that inexorably leads to the protagonist’s downfall. Racine’s plays are characterized by their psychological intensity, their elegant and precise Alexandrine verse, and their strict adherence to the three unities (time, place, and action).

“There is no greater torment than to be consumed by a secret.” — Jean Racine, Phèdre

Unlike Shakespeare’s expansive historical sweep, Racine’s tragedies unfold in a single location over a short period, concentrating the emotional and moral conflict. His characters are often members of the aristocracy or historical figures, whose internal struggles are presented with a stark, almost clinical, precision. The tragic outcome is often a result of an internal moral failing or an uncontrollable passion, rather than external forces or a complex web of events. Racine’s work reflects a society that valued order, reason, and a clear understanding of human nature, even when depicting its most destructive aspects. Racine’s tragedies speak to a French society that, despite its pursuit of order, recognized the terrifying, almost inevitable, power of human passion to disrupt that order. They explore the moral and psychological consequences of defying strict social and religious codes, often within the confines of aristocratic life, where reputation and controlled emotion were paramount.

Divergent Stages, Shared Human Concerns: A Compelling Contrast

The comparison of these two dramatic traditions reveals fundamental differences in their artistic philosophies and their reflections of national character. English Renaissance drama, as seen in Marlowe and Shakespeare, was expansive, embracing complexity, psychological depth, and a vibrant, often chaotic, theatricality. It reveled in the individual’s boundless potential and tragic flaws, often breaking classical rules to achieve greater emotional impact and narrative freedom. The English stage was a mirror to a society undergoing rapid change, where human ambition and internal conflict were paramount, and where the individual’s journey, however tumultuous, was often the central focus.

French Neoclassical drama, in contrast, prioritized order, reason, and decorum. Molière’s comedies satirized social behaviors to uphold moral norms, while Racine’s tragedies meticulously dissected destructive passions within a tightly controlled framework. Their adherence to classical unities and their emphasis on elegant language reflected a desire for clarity, balance, and a more didactic approach to theatre. The French stage was a laboratory for examining universal human traits and societal structures, often through the lens of a single, dominant characteristic or emotion, emphasizing the importance of social harmony and rational control.

The most compelling statement arising from this comparison is that while English drama celebrated the unleashing of the individual, often leading to magnificent chaos, French drama sought to contain and analyze the individual within the strictures of reason and social order. The English stage, with its public accessibility and fewer formal constraints, became a crucible for exploring the raw, unvarnished human condition, reflecting a society more comfortable with its own contradictions and less centralized in its cultural authority. The French stage, often patronized by the monarchy and adhering to strict classical principles, became a refined instrument for social critique and the dissection of universal passions, reflecting a society that valued intellectual control, social hierarchy, and the triumph of reason over disruptive emotion.

Despite these significant stylistic and philosophical divergences, both traditions ultimately grappled with universal human concerns: ambition, love, betrayal, morality, and the search for meaning. Whether through the grand, sprawling narratives of Shakespeare and Marlowe, or the concentrated, analytical dramas of Molière and Racine, the theatre in both nations served as a vital arena for exploring the human condition, shaping national identities, and laying groundwork for future intellectual movements. The “stages of the soul” in the Renaissance and Neoclassical periods, though built on different principles, each offered profound insights into the timeless complexities of human nature.

THIS ESSAY WAS WRITTEN AND EDITED UTILIZING AI

From Perks to Power: The Rise Of The “Hard Tech Era”

By Michael Cummins, Editor, August 4, 2025

Silicon Valley’s golden age once shimmered with the optimism of code and charisma. Engineers built photo-sharing apps and social platforms from dorm rooms that ballooned into glass towers adorned with kombucha taps, nap pods, and unlimited sushi. “Web 2.0” promised more than software—it promised a more connected and collaborative world, powered by open-source idealism and the promise of user-generated magic. For a decade, the region stood as a monument to American exceptionalism, where utopian ideals were monetized at unprecedented speed and scale. The culture was defined by lavish perks, a “rest and vest” mentality, and a political monoculture that leaned heavily on globalist, liberal ideals.

That vision, however intoxicating, has faded. As The New York Times observed in the August 2025 feature “Silicon Valley Is in Its ‘Hard Tech’ Era,” that moment now feels “mostly ancient history.” A cultural and industrial shift has begun—not toward the next app, but toward the very architecture of intelligence itself. Artificial intelligence, advanced compute infrastructure, and geopolitical urgency have ushered in a new era—more austere, centralized, and fraught. This transition from consumer-facing “soft tech” to foundational “hard tech” is more than a technological evolution; it is a profound realignment that is reshaping everything: the internal ethos of the Valley, the spatial logic of its urban core, its relationship to government and regulation, and the ethical scaffolding of the technologies it’s racing to deploy.

The Death of “Rest and Vest” and the Rise of Productivity Monoculture

During the Web 2.0 boom, Silicon Valley resembled a benevolent technocracy of perks and placation. Engineers were famously “paid to do nothing,” as the Times noted, while they waited out their stock options at places like Google and Facebook. Dry cleaning was free, kombucha flowed, and nap pods offered refuge between all-hands meetings and design sprints.

“The low-hanging-fruit era of tech… it just feels over.”
—Sheel Mohnot, venture capitalist

The abundance was made possible by a decade of rock-bottom interest rates, which gave startups like Zume half a billion dollars to revolutionize pizza automation—and investors barely blinked. The entire ecosystem was built on the premise of endless growth and limitless capital, fostering a culture of comfort and a lack of urgency.

But this culture of comfort has collapsed. The mass layoffs of 2022 by companies like Meta and Twitter signaled a stark end to the “rest and vest” dream for many. Venture capital now demands rigor, not whimsy. Soft consumer apps have yielded to infrastructure-scale AI systems that require deep expertise and immense compute. The “easy money” of the 2010s has dried up, replaced by a new focus on tangible, hard-to-build value. This is no longer a game of simply creating a new app; it is a brutal, high-stakes race to build the foundational infrastructure of a new global order.

The human cost of this transformation is real. A Medium analysis describes the rise of the “Silicon Valley Productivity Trap”—a mentality in which engineers are constantly reminded that their worth is linked to output. Optimization is no longer a tool; it’s a creed. “You’re only valuable when producing,” the article warns. The hidden cost is burnout and a loss of spontaneity, as employees internalize the dangerous message that their value is purely transactional. Twenty-percent time, once lauded at Google as a creative sanctuary, has disappeared into performance dashboards and velocity metrics. This mindset, driven by the “growth at all costs” metrics of venture capital, preaches that “faster is better, more is success, and optimization is salvation.”

Yet for an elite few, this shift has brought unprecedented wealth. Freethink coined the term “superstar engineer era,” likening top AI talent to professional athletes. These individuals, fluent in neural architectures and transformer theory, now bounce between OpenAI, Google DeepMind, Microsoft, and Anthropic in deals worth hundreds of millions. The tech founder as cultural icon is no longer the apex. Instead, deep learning specialists—some with no public profiles—command the highest salaries and strategic power. This new model means that founding a startup is no longer the only path to generational wealth. For the majority of the workforce, however, the culture is no longer one of comfort but of intense pressure and a more ruthless meritocracy, where charisma and pitch decks no longer suffice. The new hierarchy is built on demonstrable skill in math, machine learning, and systems engineering.

One AI engineer put it plainly in Wired: “We’re not building a better way to share pictures of our lunch—we’re building the future. And that feels different.” The technical challenges are orders of magnitude more complex, requiring deep expertise and sustained focus. This has, in turn, created a new form of meritocracy, one that is less about networking and more about profound intellectual contributions. The industry has become less forgiving of superficiality and more focused on raw, demonstrable skill.

Hard Tech and the Economics of Concentration

Hard tech is expensive. Building large language models, custom silicon, and global inference infrastructure costs billions—not millions. The barrier to entry is no longer market opportunity; it’s access to GPU clusters and proprietary data lakes. This stark economic reality has shifted the power dynamic away from small, scrappy startups and towards well-capitalized behemoths like Google, Microsoft, and OpenAI. The training of a single cutting-edge large language model can cost over $100 million in compute and data, an astronomical sum that few startups can afford. This has led to an unprecedented level of centralization in an industry that once prided itself on decentralization and open innovation.

The “garage startup”—once sacred—has become largely symbolic. In its place is the “studio model,” where select clusters of elite talent form inside well-capitalized corporations. OpenAI, Google, Meta, and Amazon now function as innovation fortresses: aggregating talent, compute, and contracts behind closed doors. The dream of a 22-year-old founder building the next Facebook in a dorm room has been replaced by a more realistic, and perhaps more sober, vision of seasoned researchers and engineers collaborating within well-funded, corporate-backed labs.

This consolidation is understandable, but it is also a rupture. Silicon Valley once prided itself on decentralization and permissionless innovation. Anyone with an idea could code a revolution. Today, many promising ideas languish without hardware access or platform integration. This concentration of resources and talent creates a new kind of monopoly, where a small number of entities control the foundational technology that will power the future. In a recent MIT Technology Review article, “The AI Super-Giants Are Coming,” experts warn that this consolidation could stifle the kind of independent, experimental research that led to many of the breakthroughs of the past.

And so the question emerges: has hard tech made ambition less democratic? The democratic promise of the internet, where anyone with a good idea could build a platform, is giving way to a new reality where only the well-funded and well-connected can participate in the AI race. This concentration of power raises serious questions about competition, censorship, and the future of open innovation, challenging the very ethos of the industry.

From Libertarianism to Strategic Governance

For decades, Silicon Valley’s politics were guided by an anti-regulatory ethos. “Move fast and break things” wasn’t just a slogan—it was moral certainty. The belief that governments stifled innovation was nearly universal. The long-standing political monoculture leaned heavily on globalist, liberal ideals, viewing national borders and military spending as relics of a bygone era.

“Industries that were once politically incorrect among techies—like defense and weapons development—have become a chic category for investment.”
—Mike Isaac, The New York Times

But AI, with its capacity to displace jobs, concentrate power, and transcend human cognition, has disrupted that certainty. Today, there is a growing recognition that government involvement may be necessary. The emergent “Liberaltarian” position—pro-social liberalism with strategic deregulation—has become the new consensus. A July 2025 forum at The Center for a New American Security titled “Regulating for Advantage” laid out the new philosophy: effective governance, far from being a brake, may be the very lever that ensures American leadership in AI. This is a direct response to the ethical and existential dilemmas posed by advanced AI, problems that Web 2.0 never had to contend with.

Hard tech entrepreneurs are increasingly policy literate. They testify before Congress, help draft legislation, and actively shape the narrative around AI. They see political engagement not as a distraction, but as an imperative to secure a strategic advantage. This stands in stark contrast to Web 2.0 founders who often treated politics as a messy side issue, best avoided. The conversation has moved from a utopian faith in technology to a more sober, strategic discussion about national and corporate interests.

At the legislative level, the shift is evident. The “Protection Against Foreign Adversarial Artificial Intelligence Act of 2025” treats AI platforms as strategic assets akin to nuclear infrastructure. National security budgets have begun to flow into R&D labs once funded solely by venture capital. This has made formerly “politically incorrect” industries like defense and weapons development not only acceptable, but “chic.” Within the conservative movement, factions have split. The “Tech Right” embraces innovation as patriotic duty—critical for countering China and securing digital sovereignty. The “Populist Right,” by contrast, expresses deep unease about surveillance, labor automation, and the elite concentration of power. This internal conflict is a fascinating new force in the national political dialogue.

As Alexandr Wang of Scale AI noted, “This isn’t just about building companies—it’s about who gets to build the future of intelligence.” And increasingly, governments are claiming a seat at that table.

Urban Revival and the Geography of Innovation

Hard tech has reshaped not only corporate culture but geography. During the pandemic, many predicted a death spiral for San Francisco—rising crime, empty offices, and tech workers fleeing to Miami or Austin. They were wrong.

“For something so up in the cloud, A.I. is a very in-person industry.”
—Jasmine Sun, culture writer

The return of hard tech has fueled an urban revival. San Francisco is once again the epicenter of innovation—not for delivery apps, but for artificial general intelligence. Hayes Valley has become “Cerebral Valley,” while the corridor from the Mission District to Potrero Hill is dubbed “The Arena,” where founders clash for supremacy in co-working spaces and hacker houses. A recent report from Mindspace notes that while big tech companies like Meta and Google have scaled back their office footprints, a new wave of AI companies have filled the void. OpenAI and other AI firms have leased over 1.7 million square feet of office space in San Francisco, signaling a strong recovery in a commercial real estate market that was once on the brink.

This in-person resurgence reflects the nature of the work. AI development is unpredictable, serendipitous, and cognitively demanding. The intense, competitive nature of AI development requires constant communication and impromptu collaboration that is difficult to replicate over video calls. Furthermore, the specialized nature of the work has created a tight-knit community of researchers and engineers who want to be physically close to their peers. This has led to the emergence of “hacker houses” and co-working spaces in San Francisco that serve as both living quarters and laboratories, blurring the lines between work and life. The city, with its dense urban fabric and diverse cultural offerings, has become a more attractive environment for this new generation of engineers than the sprawling, suburban campuses of the South Bay.

Yet the city’s realities complicate the narrative. San Francisco faces housing crises, homelessness, and civic discontent. The July 2025 San Francisco Chronicle op-ed, “The AI Boom is Back, But is the City Ready?” asks whether this new gold rush will integrate with local concerns or exacerbate inequality. AI firms, embedded in the city’s social fabric, are no longer insulated by suburban campuses. They share sidewalks, subways, and policy debates with the communities they affect. This proximity may prove either transformative or turbulent—but it cannot be ignored. This urban revival is not just a story of economic recovery, but a complex narrative about the collision of high-stakes technology with the messy realities of city life.

The Ethical Frontier: Innovation’s Moral Reckoning

The stakes of hard tech are not confined to competition or capital. They are existential. AI now performs tasks once reserved for humans—writing, diagnosing, strategizing, creating. And as its capacities grow, so too do the social risks.

“The true test of our technology won’t be in how fast we can innovate, but in how well we can govern it for the benefit of all.”
—Dr. Anjali Sharma, AI ethicist

Job displacement is a top concern. A Brookings Institution study projects that up to 20% of existing roles could be automated within ten years—including not just factory work, but professional services like accounting, journalism, and even law. The transition to “hard tech” is therefore not just an internal corporate story, but a looming crisis for the global workforce. This potential for mass job displacement introduces a host of difficult questions that the “soft tech” era never had to face.

Bias is another hazard. The Algorithmic Justice League highlights how facial recognition algorithms have consistently underperformed for people of color—leading to wrongful arrests and discriminatory outcomes. These are not abstract failures—they’re systems acting unjustly at scale, with real-world consequences. The shift to “hard tech” means that Silicon Valley’s decisions are no longer just affecting consumer habits; they are shaping the very institutions of our society. The industry is being forced to reckon with its power and responsibility in a way it never has before, leading to the rise of new roles like “AI Ethicist” and the formation of internal ethics boards.

Privacy and autonomy are eroding. Large-scale model training often involves scraping public data without consent. AI-generated content is used to personalize content, track behavior, and profile users—often with limited transparency or consent. As AI systems become not just tools but intermediaries between individuals and institutions, they carry immense responsibility and risk.

The problem isn’t merely technical. It’s philosophical. What assumptions are embedded in the systems we scale? Whose values shape the models we train? And how can we ensure that the architects of intelligence reflect the pluralism of the societies they aim to serve? This is the frontier where hard tech meets hard ethics. And the answers will define not just what AI can do—but what it should do.

Conclusion: The Future Is Being Coded

The shift from soft tech to hard tech is a great reordering—not just of Silicon Valley’s business model, but of its purpose. The dorm-room entrepreneur has given way to the policy-engaged research scientist. The social feed has yielded to the transformer model. What was once an ecosystem of playful disruption has become a network of high-stakes institutions shaping labor, governance, and even war.

“The race for artificial intelligence is a race for the future of civilization. The only question is whether the winner will be a democracy or a police state.”
—General Marcus Vance, Director, National AI Council

The defining challenge of the hard tech era is not how much we can innovate—but how wisely we can choose the paths of innovation. Whether AI amplifies inequality or enables equity; whether it consolidates power or redistributes insight; whether it entrenches surveillance or elevates human flourishing—these choices are not inevitable. They are decisions to be made, now. The most profound legacy of this era will be determined by how Silicon Valley and the world at large navigate its complex ethical landscape.

As engineers, policymakers, ethicists, and citizens confront these questions, one truth becomes clear: Silicon Valley is no longer just building apps. It is building the scaffolding of modern civilization. And the story of that civilization—its structure, spirit, and soul—is still being written.

*THIS ESSAY WAS WRITTEN AND EDITED UTILIZING AI

THE NEW YORKER MAGAZINE – AUGUST 11, 2025 PREVIEW

The illustrated cover of the August 11 2025 issue of The New Yorker in which a trans woman poses as the Statue of Liberty.

THE NEW YORKER MAGAZINE: The latest cover features ‘Amy Sherald’s “Trans Forming Liberty” – The art and politics of representation.

The Politics of Fear

As a Presidential candidate, Donald Trump made his world view plain: there was “us” and there was “them.” Once he was in the White House, the fear factor would prevail. By David Remnick

The Pain of Perfectionism

It’s the fault people humblebrag about in job interviews. but psychologists are discovering more and more about the real harm it causes. By Leslie Jamison

The Engines and Empires of New York City Gambling

As plans are laid for a new casino, one can trace, through four figures, a history of rivalry and excess, rife with collisions of character and crime. By Adam Gopnik