From the MetMuseum.org online:
The Last Knight: The Art, Armor, and Ambition of Maximilian I examines the profound significance of European armor at the dawn of the Renaissance, through the lens of Emperor Maximilian I’s (1459–1519) remarkable life. On view only at The Met, The Last Knight coincides with the five-hundredth anniversary of Maximilian’s death, and is the most ambitious North American loan exhibition of European arms and armor in decades. Including 180 objects selected from some thirty public and private collections in Europe, the Middle East, and the United States, The Last Knight will explore how Maximilian’s unparalleled passion for the trappings and ideals of knighthood served his boundless worldly ambitions, imaginative stratagems, and resolute efforts to forge a lasting personal and family legacy.
This exhibition features many works of art on view outside Europe for the first time, including Maximilian’s own sumptuous armors that highlight his patronage of the greatest European armorers of his age, as well as related manuscripts, paintings, sculpture, glass, tapestry, and toys, all of which emphasize the emperor’s dynastic ambitions and the centrality of chivalry at the imperial court and beyond.
FINICKY WESTERN EATERS would still be relieved to find filet mignon on the French menu of the hotel, now known as the Nikko Kanaya, a 90-minute drive from Tokyo. The dining room itself looks much as it did when it first opened, in 1893 and eagle-eyed diners might notice that the wooden pillars are decorated with flower carvings that echo those of the nearby Toshogu shrine. The views from the guest rooms are likewise unchanged—forest-covered mountains in the background, the same fastidiously manicured gardens in the foreground that the Einsteins strolled in 1922. Other parts of the hotel feel mildly haunted, like a Japanese version of “The Shining.” The wood-paneled lobby is well worn, stairwells creak noticeably and a shadowy cocktail bar features fading black-and-white photos of forgotten ’20s parties, with men in tuxedos and women in frocks smiling at the camera.
Part of the luxury hotel chain Les Airelles, Le Grand Contrôle is named for the building it will occupy—a 17th-century structure once used as the finance hub of the palace. The hotel will have 14 rooms, some of them apartments, as well as a wellness center, indoor swimming pool, and an Alain Ducase restaurant.
To kick off the 2019 season, Sandy Pines installed some new
Enthusiasts and friends travelled from France, England, Belgium, the Netherlands, Switzerland, America and even Argentina to enjoy great food and wine (we were in the Champagne region, after all), even better locations and roads and a truly diverse selection of classic cars. Wilhelm Schmid – the ever-passionate CEO of A. Lange & Söhne, Journées d’Automne’s low-key title sponsor – drove his stunning Porsche 911S from Dresden together with his wife Yvonne. “For me, this event is the highlight of my personal motoring year,” he told me. “I wouldn’t miss it for the world.”
Journées d’Automne. It sounds a bit like the title of a romance novel by Rosamunde Pilcher, but it’s actually a wonderful classic car meeting that takes place every October just east of Paris. What began several years ago as an autumnal outing for a small number of car-minded friends has evolved into a large yet intimate get-together and an insider’s tip for celebrating the end of the events season in style.

















































































































