Tag Archives: The Burlington Magazine

Fine Art: The Burlington Magazine – January 2024

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The Burlington Magazine – January 3, 2024: The new issue features ‘The Golden Age of Avignon’ – Avignon as ‘New Rome’; Rubens and women; Tiepolo in New York; Gertrude Stein and Picasso, and more….

China’s Southern Paradise: Treasures from the Lower Yangzi Delta

A vivid photograph of a lotus pond ushers visitors into this ambitious exhibition on the arts and culture of Jiangnan. Lying to the south of the Yangtze – its name literally means ‘south of the river’ – this part of China includes such major cities as Shanghai, Hangzhou and Suzhou. Curated by Clarissa von Spee, Chair of Asian Art and the James and Donna Reid Curator of Chinese Art at the Cleveland Museum of Art (CMA), this is the first exhibition outside China to present an encyclopaedic view of the cultural history of this historically affluent region. 

The Walpole Society

Ever since the Walpole Society was founded in London in 1911 ‘with the object of promoting the study of the history of British art’, The Burlington Magazine has taken a close interest in an organisation with aims and principles so close to our own: this is the sixth Editorial we have devoted to the subject. The first, written by the art historian August F. Jaccaci, who edited the Magazine’s ‘Art in America’ section, appeared in 1913 on the occasion of the publication of the first of the annual volumes that are the society’s raison d’être.

Fine Art: The Burlington Magazine – May 2023 Issue

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The Burlington Magazine – May 2023: Anxiety about the future of the two great photographic libraries housed in the Courtauld Institute of Art, London, can be traced back at least thirty years. In October 1992 we published an Editorial, ‘The Witt and Conway libraries under threat’, which was prompted by a demand from the University of London that the Courtauld – not yet a self-governing and self-financing entity – produce a business plan that would show how the libraries could develop commercial opportunities to offset a threatened reduction in university funding. 

Mey Rahola (1897–1959): The new photographer

Mey Rahola: Desire for Horizons

Although Mey Rahola (1897–1959) was one of the first women to become renowned for art photography in Spain, she remains a little-known figure today. Two linked exhibitions with a single catalogue dedicated to the Catalan photographer set out to rectify this and liberate an overlooked artist from the shadow of anonymity. Working with Rahola’s family, the curators, Lluís Bertran Xirau and Roser Martínez Garcia, have assembled 550 items from her collection, including 250 negatives and a number of photograph albums. That this material had been handed down and divided between the artist’s friends and family is testimony to her interest in her posterity. The fact that, nonetheless, Rahola has remained largely unknown, one is reminded in the exhibition catalogue, is a result partly of her status as a female photographer operating in the early twentieth century and partly of the events of the Spanish Civil War, which ruptured her burgeoning career.

Glass-plate negative of a detail from the Bayeux Tapestry

The Bayeux Tapestry photographed

Fine Art: The Burlington Magazine – April 2023

April 2023, #1441 – Vol 165 | Current issue | Current issue − The  Burlington Magazine

The Burlington Magazine – April 2023: Few paintings capture the exhilaration of the arrival of spring as powerfully as Vincent van Gogh’s ‘Orchard in blossom, bordered by cypresses’, a detail of which is on the cover of our newly published April issue.

Process: Design Drawings from the Rijksmuseum 1500–1900

The manifold collections of the Rijksmuseum, Amsterdam, include rich holdings of the decorative arts, international in scope, with a natural bias towards the Netherlands. But unlike the Victoria and Albert Museum, London, the Museum für angewandte Kunst, Vienna, and the Musée des Arts Décoratifs, Paris, products of the nineteenth-century campaign to improve design, the Rijksmuseum, a national museum of art and history, had no strong motive to collect design drawings (although the Rijksprentenkabinet, housed in the museum, contains one of the world’s great assemblages of engraved ornament).

Politics versus archaeology in Paris

An air of anticipation has greeted the fourth anniversary of the fire that broke out on 15th April 2019 and destroyed the medieval roof of Notre-Dame, Paris, together with its flèche, designed by Eugène Viollet-le-Duc in 1859. The main controversies surrounding the restoration having been settled – as reported in this Magazine, in July 2020 the French government announced that the roof and flèche will be rebuilt as they were, using the same materials as the original – attention has turned to the discoveries being made and to the restoration process.

Fine Art: The Burlington Magazine – March 2023

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The Burlington Magazine – March 2023:

Delacroix in Africa and Spain: newly discovered sketchbooks

The sketchbooks Delacroix kept on his travels to Morocco and Andalusia in 1832.

Chroma: Ancient Sculpture in Color

If asked to name the most successful exhibition of contemporary German art, few people would intuitively think of an exhibition presenting vivid reconstructions of the polychromy of ancient Greek and Roman sculpture.

Metropolitan Museum of Art, New York, 5th July 2022–26th March 2023

Preview: The Burlington Magazine – Nov 2022

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The Parthenon sculptures

It is now forty years since Melina Mercouri, the Greek Minister for Culture from 1981 to 1989, famous also as a film star and singer, addressed UNESCO’s World Conference on Cultural Policies to draw international attention to the campaign with which she would be identified until her death in 1994, the repatriation to Athens of the Parthenon sculptures in the British Museum. ‘We are not asking for the return of a painting or a statue’, she said: ‘We are asking for the return of a portion of a unique monument, the privileged symbol of a whole culture’. 

The Painters of Pompeii

As images, ancient Roman wall paintings command attention for their bold compositions, vibrant and saturated colours, convincing naturalism and the fantastical mythologies they depict. As objects they also captivate for the dramatic circumstances surrounding their near- destruction, the miracle (or rarity) of their survival and the alchemical nature of lime plaster and pigment.

Preview: The Burlington Magazine – July 2, 2022

                                                                                       

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Louise Bourgeois: Paintings Louise Bourgeois: The Woven Child

Je vois red’ raged Louise Bourgeois (1911–2010) on one of the loose sheets of paper that she made notes on, most often about herself and her work and, in this case, about the painting Natural history #2 (1944; Easton Foundation, New York), which struck her as all going wrong. Slipping between two languages, Bourgeois’s fury conforms to the themes of rage, the death drive and childhood aggression that the art historian Mignon Nixon has traced in the artist’s work in reference to the ideas of the psychoanalyst Melanie Klein.

             

Fine Arts: “The Burlington Magazine May 2020” – The Best Of Art & Its History

Raphael and his cult

There is an unhappy irony in the fact that five hundred years after Raphael died of a fever at the age of only thirty-seven, the global covid-19 pandemic has brought to a premature end so many of the exhibitions that have been staged to mark the anniversary.

The Burlington Pierre Bonnard

READ DIGITAL ONLINE ISSUE – MAY 2020

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