Monocle on Sunday, February 11, 2024: Damita Pressl and Sarah Frattaroli join Monocle’s editorial director, Tyler Brûlé, to discuss the weekend’s hottest topics.
We also speak to Monocle’s Helsinki correspondent, Petri Burtsoff, about Finland’s presidential election, Hannah Lucinda Smith gives us the latest news from Istanbul and Monocle’s design editor, Nic Monisse, joins us from London.
The Supreme Court must decide if it will honor the original meaning of the Fourteenth Amendment and bar Donald Trump from holding public office or trash the constitutional defense of democracy against insurrections.
In Dürer’s Lost Masterpiece, Ulinka Rublack traces the global connections of the merchants who were the creative agents of the European art market in the sixteenth and early seventeenth centuries.
Dürer’s Lost Masterpiece: Art and Society at the Dawn of a Global World by Ulinka Rublack
In 2017, the Brazilian journalist Eliane Brum moved from São Paulo to a small city in the Amazon. Her new book vividly uncovers how the rainforest is illegally seized and destroyed.
Banzeiro Òkòtó: The Amazon as the Center of the World by Eliane Brum, translated from the Portuguese by Diane Whitty
The New Yorker (February 5, 2024): The new issue‘s cover featuresNicholas Konrad’s “Online Profile” – The magazine celebrates its ninety-ninth anniversary..
When Golden was a young curator in the nineties, her shows, centering Black artists, were unprecedented. Today, those artists are the stars of the art market.
Baruch Spinoza and the Art of Thinking in Dangerous Times
The philosopher was a champion of political and intellectual freedom, but he had no interest in being a martyr. Instead, he shows us how prudence and boldness can go hand in hand.
Monocle on Sunday, February 4, 2024: Emma Nelson, Isabel Hilton and Vincent McAviney on the weekend’s biggest talking points. We also speak to Monocle’s editorial director, Tyler Brûlé, in Gustavia and our Asia editor in Bangkok, James Chambers.
The New Yorker (January 29, 2024): The new issue‘s cover featuresSarula Bao’s “Lunar New Year” – The artist depicts the joys of gathering with loved ones, around a table of good food
As the general manager of the Jay Peak ski resort, Bill Stenger rose most days around 6 a.m. and arrived at the slopes before seven. He’d check in with his head snowmaker and the ski-patrol staff, visit the two hotels on the property, and chat with the maintenance workers, the lift operators, the food-and-beverage manager, and the ski-school instructors—a kind of management through constant motion. Stenger is seventy-five, with white hair, wire-rimmed reading glasses, and a sturdy physique that makes him look built for fuzzy sweaters.
The Perverse Policies That Fuel Wildfires
We thought we could master nature, but we were playing with fire.
With elections postponed and no end to the war with Russia in sight, Volodymyr Zelensky and his political allies are becoming like the officials they once promised to root out: entrenched.
Monocle on Sunday, January 28, 2024– Florian Egli and Marcus Schögel join Monocle’s editorial director, Tyler Brûlé, to discuss the weekend’s hottest topics.
We also speak to Monocle’s Helsinki correspondent, Petri Burtsoff, about Finland’s presidential election and Guy De Launey gives us the latest news from the Balkans. Plus: we’re joined by our senior news editor in London, Chris Cermak, and Isabella Smith, owner and founder of Books and Company.
The New Yorker (January 22, 2024): The new issue‘s cover featuresRoz Chast’s “Bird Bath” – The artist depicts her favorite antidote for dreary winter weather: a nice, hot bath.
As a young man in the nineteen-eighties, Tucker Swanson McNear Carlson set out to claim his stake in the establishment. His access to money and influence started at home. His stepmother, Patricia, was an heir to the Swanson frozen-food fortune. His father, Dick, was a California TV anchor who became a Washington fixture after a stint in the Reagan Administration. For fortunate clans like the Carlsons, it was “A Wonderful Time,” to borrow the title of a volume of contemporaneous portraits of “the life of America’s elite,” which included “the Cabots sailing off Boston’s North Shore, and Barry Goldwater on the range in Arizona.”
There are few Hollywood families in which one famous director has spawned another. Coppola says, “It’s not easy for anyone in this business, even though it looks easy for me.”
When Eleanor Coppola went into labor with her third child, on May 14, 1971, at a hospital in Manhattan, her husband, the director Francis Ford Coppola, was on location in Harlem, shooting a scene for “The Godfather.” Hearing the news, he grabbed a camcorder from the set and raced over to capture the moment. “When they say, ‘It’s a girl,’ my dad gasps and nearly drops the camera,” Sofia Coppola told me recently, of her birth video. “My mom is there, just trying to focus.” The footage—which has been screened by the family multiple times over the years, and as part of a feminist art installation designed by Eleanor—was the first of many instances in which Sofia would be seen through her father’s lens. When she was just a few months old, Francis cast her in her first official film role, as the infant in the dénouement of “The Godfather,” in which Michael Corleone, the ascendant boss of the Corleone crime family, anoints the head of his newborn nephew as his associates murder rival gangsters one by one.
Monocle on Sunday, January 21, 2024– Georgina Godwin, Charles Hecker and Latika Bourke on the weekend’s biggest talking points. We also speak to Monocle’s editorial director, Tyler Brûlé, in Paris and Monocle’s correspondent, Mary Fitzgerald, reporting from Granada, Spain this week.
Spies: The Epic Intelligence War Between East and West by Calder Walton
Spying Through a Glass Darkly: The Ethics of Espionage and Counter-Intelligence by Cécile Fabre
On October 7, as Hamas fighters roared into southern Israel from Gaza, bringing terror and death to anyone they encountered—Israeli soldiers, Bedouins, young people dancing and getting high together, kibbutzniks scooping up small children into desperate arms—I was sleeping in a comfortable hotel room in Georgia. All around me in the sultry darkness of a beautiful resort, many of the US intelligence community’s finest minds were also slumbering. We awoke with the expectation that we would be addressed by CIA director William Burns at the opening of the Cipher Brief’s annual Threat Conference, a yearly gathering of national security professionals from the private and public sectors, plus a few academics and journalists.
The New Yorker – January 22, 2024 issue: The new issue‘s cover featuresPascal Campion’s “Winter Sun” – The artist depicts the beams of sunlight that flicker during the coldest months of the year.
Amid war with Hamas, a hostage crisis, the devastation of Gaza, and Israel’s splintering identity, the Prime Minister seems unable to distinguish between his own interests and his country’s.
To be vigilant—to live without illusions about the ever-present threat of annihilation—was a primary value at No. 4 Haportzim Street, once the Jerusalem address of the Netanyahu family. This wariness had ancient roots. In the Passover Haggadah, the passage beginning “Vehi Sheamda” reminds everyone at the Seder table that in each generation an enemy “rises up to destroy” the Jewish people. “But the Holy One, Blessed be He, delivers us from their hands,” the Haggadah continues. Benzion Netanyahu, the family patriarch and a historian of the Spanish Inquisition, was a secular man. For deliverance, he looked not to faith but to the renunciation of naïveté and the strength of arms. This creed became his middle son’s inheritance, the core of his self-conception as the uniquely unillusioned defender of the State of Israel.
In the early months of the pandemic, joggers on the Bear Creek Greenway, in southern Oregon, began to notice tents cropping up by the path. The Greenway, which connects towns and parks along a tributary of the Rogue River, was beloved for its wetlands and for stands of oaks that attracted migrating birds. Now, as jobs disappeared and services for the poor shut down, it was increasingly a last-ditch place to live. Tents accumulated in messy clusters, where people sometimes smoked fentanyl, and “the Greenway” became a byword for homelessness and drug use. On a popular local Facebook page, one typical comment read, “Though I feel sorry for some of the people in that situation, most of them are just pigs.” In Medford, the largest city along the trail, police demolished encampments and ticketed people for sleeping rough.
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