Banshee Literary Journal – Spring/Summer 2023:
Issue 15 features poetry from @el_fodongo, Elizabeth McGeown, @JamieOHallo108, @MNSghost, @AnneTannam, @hmorganvl, @crownofpetals, @dogwithoutlegs, @yopopodawn and Derek JG Williams.
3rd Wednesday Literary Journal (Spring 2023)
Times Literary Supplement @TheTLS (March 31, 2023) – This week’s @TheTLS features @Skye_Cleary on the Good Life; @David_Goodhart on the Tories post-Brexit; @PeterKGeoghegan on the UK’s finances; @DrCLaoutaris on Shakespeare’s lodger; @KatyaTaylor on L. M. Montgomery; @MirandaFrance1 on Javier Marías’s final novel – and more.
“A Field Guide to the Bear-Men of Leningrad” : a rare non-speculative thing from me, about boyhood & masculinity & human monstrosity in 1930s Russi… https://instagr.am/p/CqDkW1jsCI5/
Times Literary Supplement @TheTLS (March 24, 2023) – This week’s @TheTLS, featuring Claire Lowdon of The Rachel Paper at fifty; @Veidlinger on the Holocaust; @margarettelinc1 on Defoe’s letters; @_RachelHandley on Murdoch, Foot, Midgley & Anscombe; new poems by Bidhu Padhi and @otium_Catulle – and more.
Poetry a special section
T. S. Eliot’s still point by James Matthew Wilson
Singing the “Frauenliebe” by Ian Bostridge
The foundational “Kokinshu” by Torquil Duthie
A White Russian on the rocks by Boris Dralyuk
Darkness visible: Auden collected by William Logan
Three poems by Georgia Douglas Johnson
New poems by David Ewbank
A review of Peace and Friendship by Stephen Aron & Indigenous Continent by Pekka Hämäläinen.
A review of India: A History in Objects by T. Richard Blurton.
After the Russian Revolution, Jews had to navigate a new identity: aspiring muscular worker and New Soviet Man.
How the Soviet Jew Was Made by Sasha Senderovich
For Matisse art was a perpetual emergency, a matter of testing boundaries, breaking through.
Matisse: The Red Studio – an exhibition at the Museum of Modern Art, New York City, May 1–September 10, 2022; and SMK–National Gallery of Denmark, Copenhagen, October 13, 2022–February 26, 2023
Matisse in the 1930s – an exhibition at the Philadelphia Museum of Art, October 20, 2022–January 29, 2023; the Musée de l’Orangerie, Paris, March 1–May 29, 2023; and the Musée Matisse Nice, June 23–September 24, 2023
Dionne Brand’s poetry has the weight and sonority of prophetic utterance without a hint of melodrama.
Nomenclature: New and Collected Poems by Dionne Brand
What can opera elicit from The Hours that the page and the screen cannot?
The Hours – an opera by Kevin Puts, with a libretto by Greg Pierce, at the Metropolitan Opera, New York City, November 22–December 15, 2022
Colm Tóibín on the Art of Fiction: “No matter what you do in a novel there’s a secret DNA of whatever it is that you’ve suffered.” N. Scott Momaday on the Art of Poetry: “I was writing lines that looked like lines of poetry, recollecting my early days on the reservation, but I didn’t know the difference between a spondee and a dactyl.”
Prose by Avigayl Sharp, Lucas Hnath, and Mieko Kanai.
Poetry by William IX of Aquitaine, Cynthia Cruz, and Peter Mishler.
Art by Mary Manning and Lily van der Stokker.
Cover by Uman.
The Paris Review Fall 2022 issue—featuring interviews with Helen Garner and Terrance Hayes, fiction by Sam Pink @sampinkisalive and Nancy Lemann, poetry by Ben Lerner, Stephen Ira @supermattachine, and Diane Seuss @dlseuss art by Louise Lawler, and more.
Boomers Daily 