Georgina Godwin covers the weekend’s biggest discussion topics, Charles Hecker reviews the newspapers and Monocle’s editor in chief Andrew Tuck is back with his weekend column.
Tag Archives: Podcasts
Science: Birds Saved From Bright Buildings, Robots Controlled From Space
On this week’s show: Saving birds from city lights, and helping astronauts inhabit robots
First up, Science Contributing Correspondent Josh Sokol talks with host Sarah Crespi about the millions of migrating birds killed every year when they slam into buildings—attracted by brightly lit windows. New efforts are underway to predict bird migrations and dim lights along their path, using a bird-forecasting system called .
Next, we hear from Aaron Pereira, a researcher at the German Aerospace Center (DLR) and a guest researcher at the human robot interaction lab at the European Space Agency. He chats with Sarah about his Science Robotics paper on controlling a robot on Earth from the International Space Station and the best way for an astronaut to “immerse” themselves in a rover or make themselves feel like it is an extension of their body.
In a sponsored segment from Science and the AAAS Custom Publishing Office, Sean Sanders, director and senior editor for custom publishing, interviews Alberto Pugliese, professor of medicine, microbiology, and immunology at the University of Miami, about a program he leads to advance research into type 1 diabetes. This segment is sponsored by the Helmsley Charitable Trust and nPod (the Network for Pancreatic Organ Donors with Diabetes).
Reviews: ‘The Week In Art’
A Venice Biennale special: we give you a flavour of the 59th edition of the Biennale which, as ever, brings a deluge of contemporary art to the historic Italian city.
We talk to four artists in the national pavilions – Francis Alÿs in the Belgian Pavilion, Sonia Boyce in the British pavilion, Shubigi Rao in the Singapore pavilion and Na Chainkua Reindorf in the Ghana pavilion – about their presentations and how, if at all, they relate to the idea of nationhood. Louisa Buck and Jane Morris join host Ben Luke to review the main exhibition, The Milk of Dreams, curated by Cecilia Alemani, and pick their highlights of the Biennale so far. And while most visitors to Venice this week are immersed in contemporary art, for this episode’s Work of the Week, we take a look at a masterpiece that remains exactly where it was intended to hang. The art historian Ben Street joins Ben Luke in San Giovanni Crisostomo, a church near Venice’s Rialto bridge, to look at Saints Christopher, Jerome and Louis of Toulouse, a late painting by the Venetian Renaissance artist Giovanni Bellini.
Venice Biennale, 23 April-27 November.
Morning News: Germany’s Weapon Wavering, Japan-China, French Candidates
We discuss Germany’s dithering on the issue of sending weapons to Ukraine. Plus: Emmanuel Macron and Marine Le Pen enter the final days of campaigning, Japan weighs in on the Solomon Islands-China security pact and the latest urbanism news.
Morning News: French Presidential Debate, NATO-Finland, Venice Biennale
We discuss the French presidential election debate. Plus: Finnish MPs on Nato membership, an update from the Venice Biennale and the latest theatre news.
Morning News: Sri Lanka Debt Crisis, Pakistan’s PM, Australian Blue Plaques
The latest on Russia’s all-out assault on east Ukraine. Plus: Sri Lanka’s debt crisis, Pakistan’s new prime minister and Australia’s new blue plaque scheme.
Morning News: Ukraine Refugees In Poland & New York, Russians In Turkey
The war in Ukraine has created the greatest flux of refugees in Europe since the second world war.
We visit Poland, where the response has been remarkably smooth, and a New York neighbourhood that is no stranger to émigrés from the region. And we consider the displaced who are largely overlooked: why are so many Russians exiling themselves in Turkey?
Saturday Morning: News And Stories From London
Georgina Godwin sets the tone for the weekend, Vincent McAviney reviews the papers and Andrew Mueller recaps what we learned this week.
Science: Climate Change Hits Desert Soil, Mayan Calendars In Guatemala
On this week’s show: Climate change is killing critical soil organisms in arid regions, and early evidence for the Maya calendar from a site in Guatemala.
Staff Writer Elizabeth Pennisi joins host Sarah Crespi to discuss how climate change is affecting “biocrust,” a thin layer of fungi, lichens, and other microbes that sits on top of desert soil, helping retain water and create nutrients for rest of the ecosystem. Recent measurements in Utah suggest the warming climate is causing a decline in the lichen component of biocrust, which is important for adding nitrogen into soils.
Next, Sarah talks with Skidmore College anthropologist Heather Hurst, who directs Guatemala’s San Bartolo-Xultun Regional Archaeological Project, and David Stuart, a professor of art history and director of the Mesoamerica Center at the University of Texas, Austin, about their new Science Advances paper. The study used radiocarbon dating to pin down the age of one of the earliest pieces of the Maya calendar. Found in an archaeological dig in San Bartolo, Guatemala, the character known as “seven deer” (which represents a day in the Maya calendar), was dated to 300 B.C.E. That early appearance challenges what researchers know about the age and origins of the Maya dating system.
Reviews: ‘The Week In Art’
This week: Tom Seymour talks to the photographer Edward Burtynsky as he is recognised for his Outstanding Contribution to his medium in the Sony World Photography Awards. He discusses the Russian invasion and his Ukrainian heritage.
In this episode’s Work of the Week, we look at Winslow Homer’s most famous work, The Gulf Stream (1899, reworked by 1906), which is at the heart of a new show at the Metropolitan Museum of Art in New York. Sylvia Yount and Stephanie Herdrich, the curators of the exhibition, discuss the making, reception and legacy of the painting. And we talk to Lisa Movius about the decision by the Nord regional government in France to suspend plans for the exhibition Matisse by Matisse—a collaboration between Musée Matisse le Cateau-Cambrésis and the private Beijing museum UCCA—over China’s supposedly neutral position on Russia’s invasion. Will other Western authorities or arts organisations follow suit?
Sony World Photography Awards Exhibition 2022, Somerset House, London, until 2 May. Edward Burtynsky’s multimedia project In the Wake of Progress is at the Luminato Festival, Toronto, 11-12 June.
Winslow Homer: Crosscurrents, Metropolitan Museum of Art, New York, until 31 July. Winslow Homer: Force of Nature, National Gallery, London, 10 September-8 January 2023.
Boomers Daily 