Tag Archives: Photography

THE GUARDIAN WEEKLY – DECEMBER 12, 2025 PREVIEW

THE GUARDIAN WEEKLY: The latest issue features ‘Blocked!’ – Why Australia banned kids from social media (and what they think of it)

Millions of teenagers in Australia woke up on Wednesday to find themselves locked out of social media accounts after the government introduced a ban for under-16s – the first of its kind – on the platforms.

Far from being a kneejerk response to a moral panic, it’s a move backed up by detailed investigation into the effects of unfettered online access on children – and one that several other countries are poised to follow. Australian eSafety research found seven in 10 children aged 10 to 15 had encountered content associated with harm online. Three-quarters of those had most recently encountered that – including misogyny, violence, disordered eating and suicide – on a social media platform.

“We are seeking to create some friction [in the] system to protect children where previously there has been close to none … We are treating big tech like the extractive industry it has become,” Australia’s eSafety commissioner, Julie Inman Grant, told an audience earlier this year.

Spotlight | Syria, one year after Assad
While country’s return to global stage has filled many Syrians with pride, domestically old grievances threaten efforts to rebuild the state. William Christou reports from Damascus

Feature | The inside story of the race to create the ultimate AI
In Silicon Valley, rival companies are spending trillions of dollars to reach a goal that could change humanity – or potentially destroy it. Robert Booth reports

Feature | On the trail of London’s snail farming don
Terry Ball – renowned shoe salesman, friend to former mafiosi – has vowed to spend his remaining years finding ways to cheat authorities he feels have cheated him. His greatest ruse? A tax-dodging snail empire. Jim Waterson caught up with him

Opinion | What words are left to describe Trump’s global rampage?
Deadly US boat strikes in the Caribbean are the latest example of a president corrupting both the law and morality, argues Jonathan Freedland

Culture | The best books of 2025
From fiction to food, people to poetry, science to sport: Guardian critics round up the year’s essential reads

THE GUARDIAN WEEKLY – DECEMBER 5, 2025 PREVIEW

THE GUARDIAN WEEKLY: The latest issue features ‘After The Inferno’ – Anger and questions in the wake of the Hong Kong fires…

Watching with horror from London last week as flames ripped through seven adjacent apartment blocks in Hong Kong, it was impossible not to think back to the Grenfell Tower fire of 2017, which exposed major systemic failures around UK social housing and eventually led to law changes around safety and accountability for high-rise buildings.

The comparisons with Hong Kong were not just visually obvious but also because the semi-autonomous city’s worst fire in decades appears to have followed months of complaints from residents about shoddy materials used in building works.

Hong Kong is of course a very different place to London, with politicians facing less public accountability in a political climate that makes it much harder for citizens to express dissent. But, as anger rises, hard questions are nevertheless being asked of authorities amid accusations of negligence and corruption.

Five essential reads in this week’s edition

The big story | Can Europe unite to tame Russia – without the US?
Washington’s Putin-appeasing plan for peace in Ukraine has failed, but many heard the death knell sound for European reliance on US protection, writes Patrick Wintour

Spotlight | If Rachel Reeves goes, will Keir Starmer fall with her?
British prime ministers rarely sack their chancellors – and when they do it almost inevitably leads to their own downfall. After last week’s budget, Starmer knows the same is true of him and Reeves, says Jessica Elgot

Feature | The dangerous rise of extremist Buddhism
Buddhism is still largely viewed as a peaceful philosophy – but across much of south-east Asia, the religion has been weaponised to serve nationalist goals. Sonia Faleiro investigates

Opinion | From the West Bank to Syria and Lebanon, Israel’s onslaught continues
Broken ceasefires, bombing, ground incursions and mounting deaths: Israeli imperialism is now expanding across the region, says Nesrine Malik

Culture | Ethan Hawke and Richard Linklater: two men on the moon
As their 11th movie together, Blue Moon, is released, the actor and director tell Xan Brooks about musicals, the legacy of Philip Seymour Hoffman and what being bald and short does to your flirting skills

SMITHSONIAN MAGAZINE – DECEMBER 2025 PREVIEW

SMITHSONIAN MAGAZINE: The latest issue features….

Gimme Shelter

Inside America’s largest sanctuary for rescued pets—and its controversial quest to “Save Them All” By Douglas Starr | Photographs by Shayan Asgharnia

The Lost City of the Silk Road

In the remote highlands of Uzbekistan, archaeologists are uncovering the remains of a vast metropolis that may rewrite the history of the fabled trading route’s origins By Andrew Lawler | Photographs by Simon Norfolk

A Grand New Design

After a 1902 train wreck in the heart of Manhattan, one self-taught engineer proposed an improbable urban transformation. His vision reshaped the face of American cities

SMITHSONIAN MAGAZINE – NOVEMBER 2025

SMITHSONIAN MAGAZINE: The latest issue features ‘The Fire That Fueled The American Revolution

In January 1776, Virginia’s Port City of Norfolk Was Set Ablaze, Galvanizing the Revolution. But Who Really Lit the Match?

Blaming the British for the destruction helped persuade some wavering colonists to back the fight for independence. But the source of the inferno was not what it seemed

After the L.A. Fires, Locals Turn to Native Plants to Help Shield Homes From Flames and Clean Contaminated Soil

Scientists and community members in Altadena are testing ways that California species can assist efforts to rebuild

You Can See the Parthenon Without Scaffolding for the First Time in Decades

The temporary structures will return next month—but in the meantime, visitors will enjoy rare unobstructed views of the ancient hilltop temple in Athens

THE HOUR-LONG FUTURE

How Chicago’s oldest exchange bet on sixty-minute markets, and what it means when certainty itself is priced like a parlay.

Inspired by conversations on Bloomberg’s “Odd Lots” podcast, October 2, 2025, this essay explores the collision of Chicago’s most venerable marketplace with America’s newest gambling instinct.

By Michael Cummins, Editor, October 2, 2025

Chicago declares its weather. The wind comes down LaSalle Street like a verdict, rattling the brass doors of the Chicago Mercantile Exchange (CME), the world’s largest derivatives marketplace, and Terry Duffy keeps telling the same story about the Sears Tower. Once, Sears was so secure it stamped its name onto the tallest building in the country. Then Amazon arrived and the edifice outlived the company. Duffy repeats the story because he knows it could happen to him. He is the custodian of a market built on trust and clearing, and he now presides over a future in which markets themselves have begun to resemble slot machines.

When CME announced this summer that it would partner with FanDuel to launch retail-friendly “event contracts,” the move was described, in the buttoned-down language of FIA MarketVoice, as bringing “Wall Street to Main Street.” But the reality is stranger: the nation’s most venerable exchange has chosen to build a door onto a sports-betting app. The product is stark in its simplicity—fully funded, binary contracts tied to benchmarks like the S&P 500, gold, or the monthly Consumer Price Index (CPI), each available for a dollar, each expiring in sixty minutes. “We want to attract a new generation of retail traders,” CME explained in its release, emphasizing transparency, defined risk, and the symbolic price point that even the most casual bettor can afford.

Duffy knows what it is to sell certainty. He began his career in the pits, where certainty was conjured out of chaos. To enter the pit was to descend into a human engine: men in jackets of vivid color, chalk dust in the air, sweat soaking the collars, voices rising to a roar. Each shout was a legal contract; each hand signal, a coded promise. Palm in meant buy, palm out meant sell. A quick nod sealed the trade. A look in the eye carried as much weight as a notarized document. The pit was a place where trust was physical, embodied, and enforced by reputation.

He still carries it in his cadence. His sentences are short, clipped, emphatic, relics of the pits’ staccato. A “yes” had to carry over the roar, and a “no” had to land like a gavel. He learned that a man’s word was binding; a lie meant exile. To Duffy, the roar was not noise but a symphony of accountability.

Contrast that to the FanDuel app, silent and frictionless. No shouts, no sweat, no eye contact. A bet placed with a swipe, confirmed by a vibration in the pocket. The counterparty is invisible; the clearing is algorithmic. The visceral contract of the pit has become the abstract contract of the phone. For Duffy, the gap is more than technological—it is civilizational.

His survival has always depended on bridging gaps. In 2007, he forced CME and the Chicago Board of Trade (CBOT)—longstanding rivals, territorial and proud—into a merger that saved both from decline. It was, at the time, a brutal clash of cultures. Pit traders who once hurled insults across LaSalle now shared a roof. Duffy’s achievement was to convince them that survival required sacrifice. The precedent matters now: he knows when to abandon tradition in order to preserve the institution. He has led the exchange for over two decades, long enough to embody continuity in a world addicted to rupture.

Which is why he returns, again and again, to the Sears Tower. Sears did not collapse overnight. Its decline was gradual: catalogs left unopened, trust eroded, relevance seeped away. Sears represented predictability—a known price, a tangible good. It was undone by the infinite shelf of Amazon, where everything was available, untethered from a physical catalog. Duffy fears the same for CME: that in the infinite, unregulated shelf of crypto and apps, the certainty of a clearinghouse will be forgotten. He has made himself the defender of that certainty, even as he opens the door to the FanDuel crowd.

Imagine it, then, not in Chicago but in Des Moines: a woman on her lunch break, soup cooling in its paper cup, phone buzzing with the faintly cheerful ping of a FanDuel notification. She scrolls past the Raiders’ line, taps the “markets” tab, and there it is: gold, $1,737. Above or below? Sixty minutes to decide. She glances at the chart, flickering like a slot machine, and stakes a dollar. Her coworker laughs—he’s on crude oil, betting it falls before the hour. It is a small act, private and almost whimsical. But multiply it by millions, and the cathedral of Chicago has rented space to the gamblers.

Amy Howe, FanDuel’s chief executive, prefers another framing. “By working with CME Group, we can give consumers a transparent, fully funded product with clear rules and protections,” she said in August. For her, the lunch-break wager is less a symptom of dopamine culture than an act of empowerment, bounded by disclosure and design. Later, she would describe it as “responsible innovation for a generation that already expects to engage with markets digitally.”

The phone has conditioned us to view every decision as a micro-transaction with binary payoff, a perpetual A/B test of our own lives. Swipe left or right, invest in Tesla or short its sales, like or ignore, vote or abstain. Certainty itself has become a parlay. The event contract is merely the most transparent expression of this new algorithmic certainty.

Duffy knows the critique—that he is blurring investing and gambling, putting the reputation of the world’s most trusted clearinghouse in play. He shrugs off the taxonomy. “Find me an investment without speculation,” he challenges. Speculators create liquidity; investors ride the train. The problem is not the label. The problem is whether the architecture can hold.

Once, hedging was about survival. A farmer locked in the price of corn to guarantee his family’s subsistence through drought. A grain elevator hedged to manage inventory. Futures were the sober instrument of risk management, a tool for keeping bread on tables. The retail contracts on FanDuel are different. They are not designed to secure a season’s yield but to occupy a lunch break. The hedger and the gambler both face uncertainty, but one does so to live through winter, the other to feel a flicker of dopamine.

What happens when a generation learns to price its risks in sixty-minute increments? When patience is dissolved into perpetual refresh, when civic trust is reshaped by the grammar of instant payoff? Perhaps we become more rational, disciplined consumers of risk. More likely, we become addicted to ever-shorter horizons, citizens of a republic of immediacy.

The FanDuel tie-up is not an aberration; it is the logical culmination of a broader gamification. Fitness apps turn calories into wins and losses. Dating apps transform intimacy into binary swipes. Diet apps offer daily streaks, productivity trackers chart each hour, social media doles out likes. The logic is universal: win or lose, in the money or out. Finance is simply the purest distillation of the loop. The hour-long future looks less like a radical departure than the natural endpoint of the dopamine economy.

Duffy insists that the difference lies in the architecture of the market. Here, the clearinghouse still rules. The CME Clearing division guarantees that each contract, no matter how small, will clear. This is the core trust mechanism: novation. The clearinghouse steps in as the buyer to every seller and the seller to every buyer. It guarantees performance even if a party defaults. It is the invisible institution that makes markets work, as essential as plumbing or electricity. Without clearing, a market is just a game of promises. With clearing, promises become enforceable contracts.

This is why Duffy obsesses over jurisdiction. The nickel crisis in London remains his cautionary tale. When the London Metal Exchange (LME) canceled billions in nickel trades in 2022, after a massive short squeeze threatened a major client, it violated the principle that trades, once made, must stand. In Duffy’s view, this was sacrilege. If trades can be retroactively voided, trust collapses. The nickel debacle lingers as a ghost story he tells often: what happens when clearing is not sacred, when the rules bend to expedience?

The tax code, too, becomes part of his defense. Section 1256 of the Internal Revenue Code gives futures a blended 60/40 tax treatment—sixty percent long-term, forty percent short-term—even though they expire quickly. This means that a futures trader, even in hourly event contracts, can claim a rate unavailable to sports bettors. The distinction between “future” and “security” may be arcane, but in the retail economy it could be decisive. Why place a bet on an unregulated platform with higher tax burdens when you could trade an event future inside CME’s fortress? Duffy is building his moat out of law as well as architecture.

Yet even he admits there are red lines. Political prediction markets, for instance. At first glance, they seem like an extension of the model. Why not allow bets on elections, if you can bet on CPI or jobs reports? But Duffy sees danger. Imagine a small-town school bond vote. A motivated actor buys all the “Yes” contracts, pushing the price higher, creating the illusion of inevitability. Undecided voters, reading the “market,” assume the bond will pass and vote accordingly. Speculation becomes self-fulfilling. A democracy of markets quickly becomes a market for democracy.

The Iowa Electronic Markets (IEM) were tolerated because they were small, academic, pedagogical—designed to teach students about probabilities. But scaled onto a national betting app, political contracts would cease to be an experiment and become an accelerant. Duffy resists. “Every political event is not a presidential election,” he warns. Some are small enough to be readily manipulable. And the Commodity Exchange Act is explicit: contracts cannot be.

He also resists the temptation of perpetual futures. Crypto invented them as an answer to expiry, an infinite bet that never resolves. To Duffy, they fail the laugh test. Immortal cattle cannot be delivered. Wheat cannot grow forever. A Treasury future must expire into a bond. A future without resolution is not a hedge but a hallucination.

Still, he is not afraid of arriving late. In 2017, he was mocked for waiting to list Bitcoin futures. When he did, CME became the premier venue for hedging crypto risk. His philosophy is consistent: better to be late with credibility than early with chaos. “Go when the architecture can hold,” he says, and it sounds less like a trading maxim than a worldview.

The contradiction remains: the man who built his authority in the pits, enforcing trust by the pressure of a body, is now enabling the gamification of markets by the tap of a thumb. Is he selling his integrity, or saving the concept of the market by absorbing the dopamine impulse into its ancient structure? Is CME, in joining FanDuel, protecting the house—or merely becoming one more casino in an infinite arcade?

He walks a city that remembers. The Sears Tower still stands, though its name has eroded. The ghost-hum of the pits lingers in his cadence. The wind whips down LaSalle, eternal as ever. The phones in people’s pockets glow across the country, each a miniature trading pit, silent and frictionless. A new market is trying to clear—not just trades, but trust, patience, and perhaps the architecture of democracy itself.

THIS ESSAY WAS WRITTEN AND EDITED UTILIZING AI

COUNTRY LIFE MAGAZINE – SEPTEMBER 24, 2025

Cover of Country Life 24 September 2025

COUNTRY LIFE MAGAZINE: The latest issue features St Michael’s Mount at low tide.

The roads less travelled

Now you see them, now you don’t: Roger Morgan-Grenville treads the ephemeral sea paths of Britain, those often-ancient routes at the mercy of the tides

Spreads from Life Country Life 24 September 2025

A stitch in time

Deborah Nicholls-Lee unearths Mr Darcy’s shirt, Bertie Wooster’s dressing gown and Poldark’s tricorn hat in a fascinating trawl through the Cosprop wardrobes

Property market

A quartet of significant West Country houses is seeking buyers, reports Penny Churchill

Properties of the week

A Devon longhouse, Cornwall cottage and Somerset thatch catch Arabella Youens’s eye

Spreads from Life Country Life 24 September 2025

When your art is in the right place

To whom do the experts turn for the best in framing, restoring and valuing? Leading art and antique dealers open their little black books for Amelia Thorpe

Leslie MacLeod Miller’s favourite painting

The impresario picks a portrait of a 19th-century singing sensation

Country-house treasures

The fortunes of a Cumbrian castle rest with the ‘Luck of Muncaster’, finds John Goodall

A Regency prospect

Steven Brindle looks at the remarkable story behind a fine Georgian creation — Samuel Wyatt’s Belmont House in Kent

Spreads from Life Country Life 24 September 2025

The legacy

Emma Hughes toasts the genius of Dennis Potter, the man who gave us the darkly comic and gritty Singing Detective

Beginning to see the light

John Lewis-Stempel and his dogs are up with the skylark to witness the dawning of a spectacular September day

Luxury

Amie Elizabeth White on tartan, tweed, timepieces and fruity jewels, plus a few of Victoria Pendleton’s favourite things

Interiors

Amelia Thorpe admires the makeover of a guest bedroom at a Scottish country house and picks the best bedside tables

Spreads from Life Country Life 24 September 2025

Plum advice

Charles Quest-Ritson shares his favourite forms of plum, gage, mirabelle and damson from the 20-plus varieties he has grown

Slightly foxed

Second-hand bookshops can be a goldmine of gardening wisdom, says John Hoyland

Scale model

David Profumo is transported back to childhood by the spiny, swashbuckling stickleback

Travel

Mark Hedges takes a break from reality on Bryher, a heather-clad haven in the Isles of Scilly

Arts & antiques

Art dealer John Martin tells Carla Passino why he can never part with a panel he stumbled upon by Nigerian sculptor Asiru Olatunde

THE REPUBLIC OF VOICES

At the height of its power in 1364, Venice was a republic where eloquence was currency and every piazza a stage.

By Michael Cummins, Editor, August 24, 2025

The bells began before sunrise. Their iron tongues tolled across the lagoon, vibrating against the damp November air, carrying from the Campanile of San Marco to the Arsenal’s yards and into the canals of Cannaregio. This was Venice in 1364—at the height of its power, its fleets unrivaled in the Mediterranean, its markets setting the prices of silk and spice across Europe. The city sat at the hinge of East and West, commanding trade routes between Byzantium, the Mamluk Sultanate, and Western Christendom. Venetian galleys, sleek and maneuverable, patrolled waters thick with pirates, their timbers assembled in the Arsenale di Venezia, a proto-industrial marvel capable of producing a galley in a single day. Venice was wood, stone, and gold, but above all, it was sound. “The city is never silent,” one German pilgrim marveled, “every tongue of Christendom and beyond seems to shout at once.”

Venice’s supremacy was not abstract. Its colonies in Crete and Cyprus served as staging posts; its consulates dotted the Dalmatian coast. In Constantinople and Alexandria, Venetians lived in fortified fondaci—walled compounds where merchants traded under their own laws. The wealth of Murano’s glassmakers, Rialto’s bankers, and San Polo’s textile dyers depended on this vast maritime lattice. Even the Doge—Venice’s elected head of state, chosen for life from among the patrician class, part monarch, part magistrate but hemmed in by councils—was more merchant than monarch. Venetian nobility was not feudal but commercial: a patrician might chair the Senate one year and finance a convoy to the Levant the next. Bills of exchange, maritime insurance, joint-stock ventures—all pioneered here—reduced risk and turned uncertainty into empire.

Yet the republic was also built on voices. Speech was its second currency, flowing through churches, palaces, markets, and courts. Treaties were sealed with words before they were inked; rumors shifted markets as much as cargoes; sermons inflamed consciences long before decrees reached the streets.

In San Marco, the Basilica of mosaics and incense, the preacher’s voice dominated. On feast days friars addressed audiences that blurred patrician and plebeian, women and sailors, artisans and merchants. A Franciscan, recalling the Black Death, likened Venetian greed to “a contagion that spreads from house to house.” Andrea Dandolo, the Doge who also wrote a chronicle of his age, noted the murmurs of unease that followed. A parable about false shepherds might by nightfall become tavern gossip, retooled as an attack on patrician governors.

In 1364, Venice granted Petrarch a palazzo on the Riva degli Schiavoni in exchange for his library, a collection that would become the foundation of the Biblioteca Marciana. Known as the father of Humanism and now often called the father of the Italian Renaissance, he was among Europe’s most influential figures—poet of the Canzoniere, rediscoverer of Cicero’s letters, and advocate for the revival of classical eloquence. From his Venetian residence, he praised the city as “a republic not only of ships and laws, but of eloquence itself, where voices, raised in harmony or dissent, bind the state together.” For him, Venice was not only a naval empire but also a theater of speech.

Across the piazza in the Doge’s Palace, words carried a different weight. The cavernous Sala del Maggior Consiglio could hold a thousand patricians, their decisions shaping treaties and wars. The Doge spoke little, his ritual response to petitions—“Si vedrà”, “It will be seen”—an eloquence of restraint. More dramatic were the relazioni, oral reports of ambassadors returning from Constantinople or Cairo. Though later transcribed, in the fourteenth century they were performances. An envoy describing the Byzantine emperor’s throne gestured so vividly that senators felt transported to the imperial court.

Yet it was in the Rialto that Venice’s speech was most raw, where chatter became commerce and gossip became power. By day, the wooden bridge creaked under merchants and beggars, its planks worn smooth by boots from every corner of Europe. Below, spices from Alexandria, silk from Cathay, and pepper from India changed hands, but so too did stories. “The Rialto is a world itself,” wrote the chronicler Marino Sanudo, “where the news of all Christendom and beyond is traded swifter than spices.” Rumors of Ottoman fleets could shift the price of cinnamon. Satirical verses, recited sotto voce, mocked the deafness of patricians: “A house of nodding heads, deaf to its people.”

And when night fell, the Rialto became something else entirely. Carnival transformed it into a stage where anonymity and satire thrived. Masked singers, some of them patrician youths disguised as artisans, improvised verses lampooning senators and guild leaders. One chronicler described young nobles in Greek disguise singing ballads about the Senate’s obsession with ceremony. The laughter echoed across the Grand Canal, tolerated because, as Venetians said, “the republic breathes satire as easily as air.”

The Grand Canal itself was Venice’s liquid stage. By day it was an artery of commerce, alive with the slap of oars, the curses of gondoliers, the hammering of crates. By dusk the atmosphere shifted. Lanterns swayed from boats, their reflections shimmering across the black water. Gondoliers sang what would one day evolve into the barcarolle. Noble families staged boat processions with lutes and trumpets, music drifting across the canal in competing layers of sound. Commerce by day, serenade by night—the same canal a bazaar and a ballroom.

And then there was the Piazza San Marco, the great stage of the republic. On feast days, choirs filled the basilica, their plainsong swelling into polyphony that ricocheted off Byzantine domes. Trumpeters announced the Doge, banners unfurled, and processions wound through the square until, as Dandolo wrote, “the piazza shone with gold and sounded with voices and trumpets.” During Carnival, the sacred gave way to the profane: jugglers, acrobats, and improvisatori recited comic verses in dialect. A fire-breather might draw crowds near the bronze horses while a masked singer mocked senators. It was noisy, unruly, profoundly Venetian—a place where art, politics, and voice collided.

Artisans, too, had their stages. The scuole, confraternities of tradesmen, were gatherings where chants gave way to orations. Statutes might be inscribed, but obligations were enforced aloud. A shoemakers’ statute from 1360 commanded that “each master shall stand and speak before his fellows, giving account not only of his work but of his conduct.” Eloquence was honor; to falter was to risk shame.

The courts offered a harsher stage. Justice, too, was spoken. The Statuta Veneta emphasized testimony over parchment: “testimony is judged not by parchment but by voice.” In 1362, a fisherman accused of theft protested, “Non rubai, ma trovai.”—“I did not steal, I found.” His trembling voice, the notary observed, betrayed him. Eloquence could acquit; faltering speech could condemn.

And words could also damn. After the plague, prophets thundered in piazzas, sailors cursed saints in taverns, women repeated visions too vividly. One inquisitorial record recalls a woman accused of declaring, “the plague is God’s punishment for the pride of merchants.” Whether prophecy or lament, her words were evidence of heresy.

To live in Venice was to live in a polyphony of languages. From Dalmatia to Crete, Cyprus to Trebizond, the city’s empire infused it with voices. The pilgrim Ludolf of Sudheim marveled that in one square he heard “Latin, Greek, Saracen, and Hebrew, all arguing.” Translators ferried not only goods but ideas—fragments of Averroes, Byzantine theology, Jewish philosophy. Did a spice-seller at the Rialto know he was transmitting the seeds of the Renaissance?

In patrician libraries and monastic scriptoria, another kind of voice was taking shape: Aristotle and Thomas Aquinas, arriving in Latin translation, read aloud in candlelit chambers. By 1364, copies of Aristotle’s Politics and Nicomachean Ethics were circulating among patricians. What did it mean to live a life of virtue? Could the common good outweigh private interest? Such debates mattered in a republic balancing mercantile ambition with civic restraint.

Thomas Aquinas, too, was debated in Dominican houses. His Summa Theologica offered a scaffolding that united reason and faith. Did divine law supersede human law, or did the latter participate in the former? A friar might thunder against usury on Sunday while echoing Aquinas’s careful distinctions on just exchange.

What is striking is that these scholastic voices did not remain confined to cloisters. They mingled with guild disputations, senatorial deliberations, carnival satire. And just beyond the horizon, Humanism was stirring. Petrarch, uneasy yet pivotal, urged Venetians to recover eloquence from Cicero and Livy. The republic was poised between worlds: the scholastic synthesis of Aquinas and the humanist insistence that civic life could be ennobled by rhetoric and classical virtue. Venice in 1364 was thus not only a theater of speech but also a laboratory of ideas.

At dusk, the bells tolled once more. Gondoliers sang across the black canal, masked youths mocked senators in the Rialto, choirs rehearsed in San Marco. Senators lingered in debate, artisans rehearsed speeches, children recited prayers before sleep. Venice in 1364 was not only a republic of ships, coins, and statutes. It was a republic of voices. Andrea Dandolo wrote that “our city is a harmony of voices, discordant yet united, a choir upon the waters.”

Perhaps that is the truest way to understand the city at its zenith. Its power lay not only in fleets or treaties, but in the ceaseless interplay of sound and sense: the preacher stirring unease, the envoy swaying senators, the gondolier echoing Aristotle, the satirist mocking the elite. The same city that hammered out galleys in the Arsenale was also hammering out philosophies in its libraries, rhythms in its shipyards, and laughter in its carnivals. To live in Venice in 1364 was to inhabit a world where speech, spectacle, and speculation were indivisible, where every bridge or piazza might become a stage. The republic endured not because it silenced discord but because it orchestrated it—turning sermon, satire, and song into the polyphony of civic life. Venice was, and remains, a choir upon the waters.

THIS ESSAY WAS WRITTEN AND EDITED UTILIZING AI

COUNTRY LIFE MAGAZINE – JULY 16, 2025 PREVIEW

Cover of Country Life 16 July 2025

COUNTRY LIFE MAGAZINE: The latest issue features the sustainability special, looking at the animals who are saving our landscape, solar power, and the best of the Proms.

Spreads from Country Life 16 July 2025

Give us, this day, our sustainable daily bread

From eating better-quality meat to buying seasonal and local produce, Jane Wheatley suggests how we can shop smart to aid the environment

Solar, so good

Banks of solar panels covering farmland have sparked much opposition, but, with local input, could they be a force for good, wonders William Kendall

No job too big

Kate Green trumpets the native breeds best suited to grazing Britain’s green and pleasant land, as our farmers walk a fine line balancing food production and biodiversity recovery

Spreads from Country Life 16 July 2025

‘It’s terrifying, but also an absolute dream’

Henrietta Bredin talks to Errollyn Wallen, Master of the King’s Music, about composing in a lighthouse and going on stage

Liz Fenwick’s favourite painting

The novelist picks a trailblazing nude by the first female RA

A passion for plasterwork

John Goodall discovers a neo-Classical delight when he takes a peek behind the unassuming frontage of a Swansea terrace

Spreads from Country Life 16 July 2025

The legacy

Kate Green admires Rachel Carson’s seminal Silent Spring

A wing and a prayer

Hannah Bourne-Taylor extols the importance of feeding over the ‘hungry gap’ to help our beleaguered farmland birds

Spreads from Country Life 16 July 2025

Country Life’s Little Green Book

We all want to shop well, but how to decipher the marketing? Madeleine Silver picks a handful of brands that do what they say

Spreads from Country Life 16 July 2025

The good stuff

Let those bangles jangle, urges Hetty Lintell, with her bracelet pick

Interiors

Arabella Youens admires the rich refurbishment of a Scottish fishing lodge and laments the scarcity of trusty English oak

True grit

Gravel gardens are becoming ever more popular, but what are the secrets to making them a success, wonders Non Morris

Spreads from Country Life 16 July 2025

Winging it

The ‘flying barn door’ that is the magnificent white-tailed eagle is returning to our shores. Mark Cocker, for one, is very glad

Arts & antiques

A lost technique is being revived by a Swiss sculptor, as pioneer-ing women of science are celebrated, reveals Carla Passino

War and peace

Tom Young’s intricate, powerful paintings capture the beauty and the heartbreak of Lebanon. Octavia Pollock meets him

All the world on one stage

Michael Billington finds Ralph Fiennes at his brooding best as Sir David Hare’s engrossing new play premieres in Bath

SMITHSONIAN MAGAZINE – JULY/AUGUST 2025

SMITHSONIAN MAGAZINE (June 27, 2025): The latest issue features ‘Hemingway in Pamplona’….

A Search for the World’s Best Durian, the Divisive Fruit That’s Prized—and Reviled

Devotees of the crop journey to a Malaysian island to find the most fragrant and tasty specimens

Tom Downey Photographs by Annice Lyn

Celebrate the 50th Anniversary of ‘Jaws’ With 15 Shark Snapshots

Archaeologists Say They’ve Pieced Together the Ancient Fragments of the ‘World’s Most Difficult Jigsaw Puzzle’

COUNTRY LIFE MAGAZINE – JUNE 4, 2025 PREVIEW

COUNTRY LIFE MAGAZINE (June 3, 2025): The latest issue features...

The Hampshire Chronicles

From trout to treasure and wine to witches, it’s the county that has it all. Country Life writers present 13 tales tall and true from Hampshire’s rich history.

Country Life magazine spreads 4 June 2025

The legacy

Kate Green salutes Edward, 3rd Baron Montagu of Beaulieu and his matchless motoring collection

A room with a view

Adam Rattray visits the rented lodgings where Jane Austen spent her final days and reveals secrets recently uncovered in the house in Winchester, Hampshire

City of legend

Winchester is a place of kings and cobbles. Jason Goodwin visits our venerable one-time capital and finds it ageing well

Country Life 4 June 2025

London Life

Will Hosie welcomes top-class women’s tennis back to The Queen’s Club and washes down burgers with martinis to mark the return of the high-low restaurant, plus our writers have all you need to know this month

Travel

Emma Love has all the latest news, from Arles to Antwerp, Steven King hails the revival of Madrid and Pamela Goodman learns to love camels

Into the Goodwood

The West Sussex estate’s fresh focus on art and education is heralded with an exhibition of Dame Rachel Whiteread’s work

Nishat Khan’s favourite painting

The composer and musician chooses a fascinating scene that you could almost step into

The good stuff

Hetty Lintell strides into summer with bold red-and-white stripes

Interiors

A copper-topped kitchen catches the eye of Arabella Youens

Shape shifters

Non Morris is mesmerised by the tiered grass amphitheatre sculpted by Kim Wilkie in the garden of The Holt in Hampshire

Country Life 4 June 2025

Winging it

Mark Cocker hails the majestic merlin, the favoured hunting foil of Mary, Queen of Scots

Arts & antiques

Mollie Dent-Brocklehurst tells Carla Passino why she’ll never part with a remarkable drawing of a little girl with her hair ablaze