Times Literary Supplement (January 24, 2024): The latest issue features ‘The Rich Are Always With Us’ – Ferdinand Mount on taming the plutocrats; Empire’s balance sheet; Who is Charles III?; Silvia Townsend Warner’s revival and ChatGPT goes to college…
The New Yorker (January 22, 2024): The new issue‘s cover featuresRoz Chast’s “Bird Bath” – The artist depicts her favorite antidote for dreary winter weather: a nice, hot bath.
As a young man in the nineteen-eighties, Tucker Swanson McNear Carlson set out to claim his stake in the establishment. His access to money and influence started at home. His stepmother, Patricia, was an heir to the Swanson frozen-food fortune. His father, Dick, was a California TV anchor who became a Washington fixture after a stint in the Reagan Administration. For fortunate clans like the Carlsons, it was “A Wonderful Time,” to borrow the title of a volume of contemporaneous portraits of “the life of America’s elite,” which included “the Cabots sailing off Boston’s North Shore, and Barry Goldwater on the range in Arizona.”
There are few Hollywood families in which one famous director has spawned another. Coppola says, “It’s not easy for anyone in this business, even though it looks easy for me.”
When Eleanor Coppola went into labor with her third child, on May 14, 1971, at a hospital in Manhattan, her husband, the director Francis Ford Coppola, was on location in Harlem, shooting a scene for “The Godfather.” Hearing the news, he grabbed a camcorder from the set and raced over to capture the moment. “When they say, ‘It’s a girl,’ my dad gasps and nearly drops the camera,” Sofia Coppola told me recently, of her birth video. “My mom is there, just trying to focus.” The footage—which has been screened by the family multiple times over the years, and as part of a feminist art installation designed by Eleanor—was the first of many instances in which Sofia would be seen through her father’s lens. When she was just a few months old, Francis cast her in her first official film role, as the infant in the dénouement of “The Godfather,” in which Michael Corleone, the ascendant boss of the Corleone crime family, anoints the head of his newborn nephew as his associates murder rival gangsters one by one.
Spies: The Epic Intelligence War Between East and West by Calder Walton
Spying Through a Glass Darkly: The Ethics of Espionage and Counter-Intelligence by Cécile Fabre
On October 7, as Hamas fighters roared into southern Israel from Gaza, bringing terror and death to anyone they encountered—Israeli soldiers, Bedouins, young people dancing and getting high together, kibbutzniks scooping up small children into desperate arms—I was sleeping in a comfortable hotel room in Georgia. All around me in the sultry darkness of a beautiful resort, many of the US intelligence community’s finest minds were also slumbering. We awoke with the expectation that we would be addressed by CIA director William Burns at the opening of the Cipher Brief’s annual Threat Conference, a yearly gathering of national security professionals from the private and public sectors, plus a few academics and journalists.
London Review of Books (LRB) – January 17, 2024: The latest issue features ‘Living With Keats’ – A Brief Life in Nine Poems and One Epitaph; Congress vs Harvard; The West’s Fight to Reverse the Russian Revolution, and more…
Looking back to September 1820, when things had gone badly wrong but not yet so grotesquely as to be visibly beyond repair, we can see how few and how poor Keats’s options were. Surely it was better that (in the absence of other volunteers) the young artist Joseph Severn agreed to travel with the dying poet to Rome that autumn than that he had refused.
Times Literary Supplement (January 17, 2024): The latest issue features ‘Power Failure’ – The retreat from net zero; Canon wars; The end of literary criticism; Empires imprint on the Middle East; Harvard and plagarism….
The New Yorker – January 22, 2024 issue: The new issue‘s cover featuresPascal Campion’s “Winter Sun” – The artist depicts the beams of sunlight that flicker during the coldest months of the year.
Amid war with Hamas, a hostage crisis, the devastation of Gaza, and Israel’s splintering identity, the Prime Minister seems unable to distinguish between his own interests and his country’s.
To be vigilant—to live without illusions about the ever-present threat of annihilation—was a primary value at No. 4 Haportzim Street, once the Jerusalem address of the Netanyahu family. This wariness had ancient roots. In the Passover Haggadah, the passage beginning “Vehi Sheamda” reminds everyone at the Seder table that in each generation an enemy “rises up to destroy” the Jewish people. “But the Holy One, Blessed be He, delivers us from their hands,” the Haggadah continues. Benzion Netanyahu, the family patriarch and a historian of the Spanish Inquisition, was a secular man. For deliverance, he looked not to faith but to the renunciation of naïveté and the strength of arms. This creed became his middle son’s inheritance, the core of his self-conception as the uniquely unillusioned defender of the State of Israel.
In the early months of the pandemic, joggers on the Bear Creek Greenway, in southern Oregon, began to notice tents cropping up by the path. The Greenway, which connects towns and parks along a tributary of the Rogue River, was beloved for its wetlands and for stands of oaks that attracted migrating birds. Now, as jobs disappeared and services for the poor shut down, it was increasingly a last-ditch place to live. Tents accumulated in messy clusters, where people sometimes smoked fentanyl, and “the Greenway” became a byword for homelessness and drug use. On a popular local Facebook page, one typical comment read, “Though I feel sorry for some of the people in that situation, most of them are just pigs.” In Medford, the largest city along the trail, police demolished encampments and ticketed people for sleeping rough.
Times Literary Supplement (January 10, 2024): The latest issue features ‘Have a good trip’ – On the uses of psychedelic drugs; Hisham Matar’s novel of London exile; A West Bank tragedy; Puzzled by crosswords; French Band Aid, and more…
The New Yorker – January 15, 2024 issue: The new issue‘s cover featuresBarry Blitt’s “Back to the Future” – The artist depicts a goose-stepping Donald Trump, determined to march back into political relevance.
Absenteeism underlies much of what has beset young people, including falling school achievement, deteriorating mental health, and elevated youth violence.
What Frantz Fanon and Ian Fleming Agreed On
From opposite directions, the revolutionary intellectual and the creator of James Bond saw violence as essential—psychologically and strategically—to solving the crisis of colonialism.
More than fifty years later, Zohra Drif could still picture the Milk Bar in Algiers on September 30, 1956. It was white and shining, she recalled, awash in laughter, young voices, “summer colors, the smell of pastries, and even the distant twittering of birds.” Drif, a well-coiffed law student in a stylish lavender dress, ordered a peach-Melba ice cream and wedged her beach bag against the counter. She paid, tipped, and left without her bag. The bomb inside it exploded soon afterward.
Times Literary Supplement (January 3, 2024): The latest issue features ‘The Lady Vanishes’ – Muireann Maguire on a revival of classic crime fiction; What next for Julian Assange; David Hockney’s drawings; Dreaming up 007; The science of belonging and more…
The New York Review of Books (December 28, 2023) – The latest issue featuresBen Tarnoff on Elon Musk, Julian Bell on Peter Paul Rubens, Fintan O’Toole on the American gerontocracy, Anjum Hasan on recent Sri Lankan fiction, Matthew Desmond on America’s Covid-era experiment with a social safety net, Francine Prose on a vampiric celluloid Pinochet, James Gleick on the science of free will, Frances Wilson on Tove Jansson and the Moomintrolls, Álvaro Enrique on indigenous Americans in Europe, Katie Trumpener on Alexander Kluge, two poems by Jack Underwood, and more.
Nobody was holding a gun to your head when you started reading this. You made a choice. Surely it felt that way, at least. A sense of agency—of control over our actions, of continual decision-making—is part of the experience of being human, moment by moment and day by day. True, we sometimes just drift, like robots or zombies, but at other times we gird our loins and exert our will. David Hume defined will nearly three centuries ago as “the internal impression we feel and are conscious of, when we knowingly give rise to any new motion of our body, or new perception of our mind.” The feeling was universal then and it’s universal now.